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Author: Siglind Bruhn
Publisher: Pendragon Press
ISBN: 9781576470367
Category : Art
Languages : en
Pages : 708
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Book Description
With increasing frequency, composers of instrumental music claim to be specifically inspired by a poem or painting, a drama or sculpture, transforming the essence of this art work's features and message into their own medium, the musical language. How does the knowledge of such a transformation from one medium into the other inform our understanding of the musical work? In this round-breaking study, Siglind Bruhn makes a case for a musical genre hitherto hidden under the term program music. She defines her subject matter in relation to the term, ekphrasis, which is used by literary scholars for poems responding to works of visual art. Bruhn develops a clear methodology and a precise set of criteria, which she employs to situate musical ekphrasis within the aesthetics discourse.
Author: Siglind Bruhn
Publisher: Pendragon Press
ISBN: 9781576470367
Category : Art
Languages : en
Pages : 708
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Book Description
With increasing frequency, composers of instrumental music claim to be specifically inspired by a poem or painting, a drama or sculpture, transforming the essence of this art work's features and message into their own medium, the musical language. How does the knowledge of such a transformation from one medium into the other inform our understanding of the musical work? In this round-breaking study, Siglind Bruhn makes a case for a musical genre hitherto hidden under the term program music. She defines her subject matter in relation to the term, ekphrasis, which is used by literary scholars for poems responding to works of visual art. Bruhn develops a clear methodology and a precise set of criteria, which she employs to situate musical ekphrasis within the aesthetics discourse.
Author: Sally Macarthur
Publisher: Routledge
ISBN: 1317091272
Category : Music
Languages : en
Pages : 261
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Book Description
The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds. Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. The chapters in this volume investigate and ask fundamental questions about how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Gilles Deleuze and Felix Guattari, and secondarily of Michel Foucault, Julia Kristeva and Jean-Luc Nancy. The chapters cover a wide range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies. The authors discuss their philosophical perspectives and methodologies of practice-led research, including their own creative work as a form of research. Music's Immanent Future brings together empirical, cultural, philosophical and creative approaches that will be of interest to musicologists, composers, music analysts and music philosophers.
Author: Joshua S. Walden
Publisher: Oxford University Press
ISBN: 0190653507
Category : Art
Languages : en
Pages : 201
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Book Description
Joshua S. Walden's study of the genre of musical portraiture since 1945 focuses on significant composers of the period, including Pierre Boulez, Morton Feldman, Philip Glass, and György Ligeti. Grounding his exploration in key works, Walden uncovers contemporary understandings of music's capacity to depict identity, and of intersections between music, literature, theater, film, and the visual arts.
Author: Keith Chapin
Publisher: Fordham Univ Press
ISBN: 0823251381
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Addresses the ways that writers, musicians, philosophers, politicians, critics, and scholars speak of music from varying standpoints and in varying ways
Author: Siglind Bruhn
Publisher: Pendragon Press
ISBN: 9781576471173
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
In the disastrous years before and during the Second World War, when confidence in a harmonious future was as difficult as it was crucial for spiritual survival, two German artists in exile wrote what would become their late masterpieces. The composer Paul Hindemith conceived an opera on the famous astronomer Johannes Kepler's mature life and theories, The Harmony of the World; the poet and novelist Hermann Hesse wrote a complex literary collage, i>The Glass Bead Game. Both works address the topic of universal harmony in the fabric of creation and culture, as well as the urgent problem of how such harmony can heal the spiritual, mental, and emotional developments of individuals and of society at large. The two quests are mirrored into circumstances that are almost equidistant from the mid-20th-century period in which their stories are being told. Hindemith's opera centers on an outstanding intellectual in the late 16th and early 17th centuries, while Hesse's work focuses on this intellectual's counterpart projected into a fictional world of the early 23rd century. In both cases, the quest for harmony and truthful proportion manifests at all levels of the stories told and of the works telling them. Siglind Bruhn's thought-provoking interdisciplinary study is organized along the lines of the seven areas in which scholars of the Pythagorean tradition from Plato to Kepler and beyond found universal harmony paradigmatically realized music, arithmetic, geometry and astronomy (the quadrivium of the medieval liberal arts) complemented by metaphysics, psychology, and art.
Author: Siglind Bruhn
Publisher:
ISBN: 9781576470367
Category : Music
Languages : en
Pages : 669
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Book Description
With increasing frequency, composers of instrumental music claim to be specifically inspired by a poem or painting, a drama or sculpture, transforming the essence of this art work's features and message into their own medium the musical language. In this study Siglind Bruhn makes a case for a musical genre hitherto hidden under the term program music. She defines her subject matter in relation to the term ekphrasis, which is used by literary scholars for poems responding to works of visual art.
Author: Ulla Britta Lagerroth
Publisher: Rodopi
ISBN: 9789042002029
Category : Art
Languages : en
Pages : 360
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Book Description
An anthology containing 28 essays devoted to the interrelations between the arts and media. Contributions promote interdisciplinary strategies in the study of such traditional arts as dance, literature, music, and theater, as well as more modern media such as film, television, and computer-generated art. Annotation copyrighted by Book News, Inc., Portland, OR
Author: John Ashbery
Publisher: Penguin
ISBN: 0140586687
Category : Poetry
Languages : en
Pages : 98
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Book Description
John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).
Author:
Publisher: BRILL
ISBN: 9004649212
Category : Art
Languages : en
Pages : 368
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Book Description
The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif').
Author:
Publisher: BRILL
ISBN: 9004490159
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
This collection of 19 essays is the first one devoted to function-oriented analyses of intermedial interrelationships in literature, art, music, and film. The contributors — among others, Werner Wolf, James Heffernan, Walter Bernhart, Siglind Bruhn, Claus Clüver, Valerie Robillard, and Tamar Yacobi — are leading international scholars in the field of intermediality. The common basis of the essays in this volume — ranging from intermedial studies of medieval liturgical practices, early cinema, modernist art, ekphrasis, music and literature, art and literature, film and literature, hymns, and pop music, to the musical and technological aspects of Concrete poetry — is the ambition to pay attention to the cultural contexts that enhance the significance of these intermedial works and trends under examination. Since the contributions cover different types of intermedial endeavours from various periods and times, a kind of historicizing perspective is outlined. So, in pursuit of a still lacking coherent historical survey of cultural functions of intermediality, this volume might be recognized as a step towards such a Funktionsgeschichte for intermedial exploration.
