Author: Joseph GODDARD (of Camden Square, London.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
Book Description
Musical Development; or, remarks on the spirit of the principal musical forms
Author: Joseph GODDARD (of Camden Square, London.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
Book Description
Music and Metaphor in Nineteenth-Century British Musicology
Author: Bennett Zon
Publisher: Routledge
ISBN: 1351557653
Category : Music
Languages : en
Pages : 242
Book Description
In a word, I shall endeavour to show how our music, having been originally a shell-fish, with its restrictive skeleton on the outside and no soul within, has been developed by the inevitable laws of evolution, through natural selection and the survival of the fittest, into something human, even divine, with the strong, logical skeleton of its science inside, the fair flesh of God-given beauty outside, and the whole, like man himself, animated by a celestial, eternal spirit.... W.J. Henderson, The Story of Music (1889) Critical writing about music and music history in nineteenth-century Britain was permeated with metaphor and analogy. Music and Metaphor examines how over-arching theories of music history were affected by reference to various figurative linguistic templates adopted from other disciplines such as art, religion, politics and science. Each section of the book discusses a wide range of musicological writings and their correspondence with the language used to convey contemporary ideas such as the sublime, the ancient and modern debate, and, in particular, the theory of evolution. Bennett Zon reveals that through their application of metaphorical frameworks taken from art, religion and science, these writers and their work shed light on nineteenth-century perceptions of music history and illuminate the ways in which these disciplines affected notions of musical development.
Publisher: Routledge
ISBN: 1351557653
Category : Music
Languages : en
Pages : 242
Book Description
In a word, I shall endeavour to show how our music, having been originally a shell-fish, with its restrictive skeleton on the outside and no soul within, has been developed by the inevitable laws of evolution, through natural selection and the survival of the fittest, into something human, even divine, with the strong, logical skeleton of its science inside, the fair flesh of God-given beauty outside, and the whole, like man himself, animated by a celestial, eternal spirit.... W.J. Henderson, The Story of Music (1889) Critical writing about music and music history in nineteenth-century Britain was permeated with metaphor and analogy. Music and Metaphor examines how over-arching theories of music history were affected by reference to various figurative linguistic templates adopted from other disciplines such as art, religion, politics and science. Each section of the book discusses a wide range of musicological writings and their correspondence with the language used to convey contemporary ideas such as the sublime, the ancient and modern debate, and, in particular, the theory of evolution. Bennett Zon reveals that through their application of metaphorical frameworks taken from art, religion and science, these writers and their work shed light on nineteenth-century perceptions of music history and illuminate the ways in which these disciplines affected notions of musical development.
The Musical Standard
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 300
Book Description
Music and Theology in Nineteenth-Century Britain
Author: Martin Clarke
Publisher: Routledge
ISBN: 1317092260
Category : Music
Languages : en
Pages : 281
Book Description
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Publisher: Routledge
ISBN: 1317092260
Category : Music
Languages : en
Pages : 281
Book Description
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Observations on the Florid Song
Author: Pier Francesco Tosi
Publisher:
ISBN:
Category : Performance practice (Music)
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Performance practice (Music)
Languages : en
Pages : 264
Book Description
The Athenaeum
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 898
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 898
Book Description
Biographical Dictionary of Musicians
Author: James Duff Brown
Publisher: Paisley and London : A. Gardner
ISBN:
Category : Music
Languages : en
Pages : 674
Book Description
Publisher: Paisley and London : A. Gardner
ISBN:
Category : Music
Languages : en
Pages : 674
Book Description
Studies in worship-music, chiefly as regard congregational singing
Author: John Spencer Curwen
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 606
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 606
Book Description
Haydn and Mozart in the Long Nineteenth Century
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1009254367
Category : Music
Languages : en
Pages : 267
Book Description
The first extended study of the combined reception of Haydn and Mozart in the long nineteenth century, this book generates new, holistic understandings of their musical, cultural and historical significance in the Germanic, French and Anglophone worlds. It places a wide range of written sources under the microscope, including serious and popular biographies, scholarship, musical and non-musical criticism, and a diverse body of fiction, and evaluates the impact of anniversary commemorations. Haydn and Mozart in the Long Nineteenth Century determines how reputations, images and narratives for the two composers converge, diverge, develop at different speeds, and influence one another. Countering received wisdom about Haydn's reputational decline and reassessing Mozart reception through consideration of a broad spectrum of publications, we hear Haydn and Mozart speaking to the long nineteenth century in more nuanced, powerful, and persuasive voices than previously recognized.
Publisher: Cambridge University Press
ISBN: 1009254367
Category : Music
Languages : en
Pages : 267
Book Description
The first extended study of the combined reception of Haydn and Mozart in the long nineteenth century, this book generates new, holistic understandings of their musical, cultural and historical significance in the Germanic, French and Anglophone worlds. It places a wide range of written sources under the microscope, including serious and popular biographies, scholarship, musical and non-musical criticism, and a diverse body of fiction, and evaluates the impact of anniversary commemorations. Haydn and Mozart in the Long Nineteenth Century determines how reputations, images and narratives for the two composers converge, diverge, develop at different speeds, and influence one another. Countering received wisdom about Haydn's reputational decline and reassessing Mozart reception through consideration of a broad spectrum of publications, we hear Haydn and Mozart speaking to the long nineteenth century in more nuanced, powerful, and persuasive voices than previously recognized.