Musical Design in Aeschylean Theater PDF Download
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Author: William C. Scott
Publisher: Dartmouth College Press
ISBN: 1611681812
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Essential for those who want to see ancient plays producedÑeither physically in the theater or imaginatively in their own minds.
Author: William C. Scott
Publisher: Dartmouth College Press
ISBN: 1611681812
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Essential for those who want to see ancient plays producedÑeither physically in the theater or imaginatively in their own minds.
Author: William C. Scott
Publisher: Dartmouth College Press
ISBN: 1611681510
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
William C. Scott extends concepts set forth in his Goodwin Award-winning Musical Design in Aeschylean Theater (1984) by examining scansion patterns in the odes of the seven surviving Sophoclean tragedies. Analyzing the play as performed-its full expression in words, music, and dance-Scott finds that Sophocles' metrical patterns are not a secondary detail of the plays but a central feature of their musical organization. Just as the playwright enhanced awareness of themes with a series of recurring and developing verbal images, he also designed the music to guide the audience's understanding of unfolding, often ambiguous events. The fabric of music and meaning is so tightly woven, Scott argues, that significant portions of the plays cannot be fully realized on stage unless the musical effects created by the poet are incorporated. While his work necessarily centers on the chorus, Scott carefully integrates that role into the meaning of the play as a whole, asserting that the chorus becomes a single persona, a character with partial knowledge, limited perspective, and inconsistent responses. The combination of words, meters, and forms provides a new perspective on each play.
Author: William Clyde Scott
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 228
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Book Description
This book by William C. Scott, emeritus professor of classics at Dartmouth College, is essential for those who want to see ancient plays produced—either physically in the theater or imaginatively in their own minds.
Author: Naomi A. Weiss
Publisher: Univ of California Press
ISBN: 0520401441
Category : Drama
Languages : en
Pages : 300
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Book Description
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
Author: Martin M. Winkler
Publisher: Oxford University Press, USA
ISBN: 9780195130041
Category : History
Languages : en
Pages : 364
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Book Description
This title comprises a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of classical literature. The book illustrates the continuing presence of antiquity in the most varied and influential medium of modern popular culture. The diversity of content and theoretical stances found in this work should make this volume required reading for scholars and students interested in the presence of Greece and Rome in modern popular culture.
Author: British Library
Publisher: Walter de Gruyter
ISBN: 3111725944
Category : Reference
Languages : en
Pages : 528
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Book Description
Author: Anna Uhlig
Publisher: Cambridge University Press
ISBN: 1108481833
Category : Drama
Languages : en
Pages : 319
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Book Description
Argues that the songs of Pindar and Aeschylus share a "theatrical" spirit that illuminates choral performance in Classical Greece.
Author: Alan H. Sommerstein
Publisher: A&C Black
ISBN: 1849667950
Category : Literary Criticism
Languages : en
Pages : 397
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Book Description
Aeschylus was the dramatist who made Athenian tragedy one of the world's great art-forms. In this completely revised and updated edition of his book Alan H. Sommerstein, analysing the seven extant plays of the Aeschylean corpus (one of them probably in fact the work of another author) and utilising the knowledge we have of the seventy or more whose scripts have not survived, explores Aeschylus' poetic, dramatic, theatrical and musical techniques, his social, political and religious ideas, and the significance of his drama for our own day. Special attention is paid to the "Oresteia" trilogy, and the other surviving plays are viewed against the background of the four-play productions of which they formed part. There are chapters on Aeschylus' theatre, on his satyr-dramas, and on his dramatisations of Homer's "Iliad" and "Odyssey", and a detailed chapter-by-chapter guide to further reading. No knowledge of Greek is assumed, and all texts are quoted in translation.
Author: John E. Thorburn
Publisher: Infobase Publishing
ISBN: 0816074984
Category : Literary Criticism
Languages : en
Pages : 689
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Book Description
Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.
Author: Tosca A. C. Lynch
Publisher: John Wiley & Sons
ISBN: 1119275504
Category : History
Languages : en
Pages : 564
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Book Description
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
