Dialogue on Ancient and Modern Music PDF Download
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Author: Vincenzo Galilei
Publisher: Yale University Press
ISBN: 9780300090451
Category : Music
Languages : en
Pages : 464
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Book Description
Vincenzo Galilei, the father of the astronomer Galileo, was a guiding light of the Florentine Camerata. His Dialogue on Ancient and Modern Music, published in 1581 or 1582 and now translated into English for the first time, was among the most influential music treatises of his era. Galilei is best known for his rejection of modern polyphonic music in favor of Greek monophonic song. The treatise sheds new light on his importance, both as a musician who advocated a new philosophy of music history and theory based on an objective search for the truth, and as an experimental scientist who was one of the founders of modern acoustics.
Author: Vincenzo Galilei
Publisher: Yale University Press
ISBN: 9780300090451
Category : Music
Languages : en
Pages : 464
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Book Description
Vincenzo Galilei, the father of the astronomer Galileo, was a guiding light of the Florentine Camerata. His Dialogue on Ancient and Modern Music, published in 1581 or 1582 and now translated into English for the first time, was among the most influential music treatises of his era. Galilei is best known for his rejection of modern polyphonic music in favor of Greek monophonic song. The treatise sheds new light on his importance, both as a musician who advocated a new philosophy of music history and theory based on an objective search for the truth, and as an experimental scientist who was one of the founders of modern acoustics.
Author: Nicola Vicentino
Publisher: Yale University Press
ISBN: 9780300066012
Category : Music
Languages : en
Pages : 562
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Book Description
First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music. His best-known contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. But he also expressed the avant-garde's position on the relation between music and the subject matter and feelings of a secular or sacred text. He challenged the view that part writing always had to conform to the rules of counterpoint, asserting that license was permissible in order to express the feelings of a verbal text. In this he anticipated the manifestos of Vincenzo Galilei and Claudio Monteverdi. Maniates' introduction discusses Vicentino's life and work, the sources of his ideas in earlier theoretical literature, and the contemporary humanists from whom he may have learned.
Author: Claude V. Palisca
Publisher: Yale University Press
ISBN: 0300058187
Category : Music
Languages : en
Pages : 160
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Book Description
This book provides the first complete English translation of two significant early music theory texts, the so-called Musica enchiriadis and its longer companion, the Scolica enchiriadis. Written in the late ninth century, both texts influenced many subsequent medieval authors. The two treatises are most famous for providing the earliest descriptions of organum, the oldest form of Western polyphony. They also include the oldest notated forms of many chant melodies, a more developed theory of the modes than found in Aurelian and other early theoretical writings, information about performance practice (including rhythm and the use of instruments), and numerous references to and quotations from a wide range of earlier authors, from Vergil through Augustine to Boethius. The treatises are introduced by an essay that places them in their historical context, showing their debt to earlier intellectual and musical traditions, their connection to then-current musical thought and practices, and their relationships to later writings on music.
Author: ARISTIDES QUINTILIANUS.
Publisher:
ISBN: 9780300028935
Category : Music theory
Languages : en
Pages : 217
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Book Description
Author: Earl Henry
Publisher: Pearson Higher Ed
ISBN: 0205918514
Category : Music
Languages : en
Pages : 493
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Book Description
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. Mastering Fundamentals in a Musical Context Fundamentals of Music provides a clear and comprehensive approach to mastering the language of music. The authors invite students to create composition projects, develop aural skills through listening exercises, and analyze musical examples from various styles and genres. With two new authors, this text has been thoroughly revised and expanded, yet maintains the intent of its original author Earl Henry. The optional MySearchLab with eText powered by Exposition Music provides opportunities for students to practice their skills and receive immediate feedback. Each chapter has a pretest, post-test, and chapter review. Separate drills are included for ear training. These assessments feature more than the usual multiple-choice questions, allowing a student to drag and drop notation on a musical staff. This provides opportunities to demonstrate the mastery of concepts and reach a variety of learning styles. A better teaching and learning experience This program will provide a better teaching and learning experience— for you and your students. Here’s how: Personalize Learning — The new MySearchLab with eText delivers proven results in helping students succeed, provides engaging experiences that personalize learning, and comes from a trusted partner with educational expertise and a deep commitment to helping students and instructors achieve their goals. Improve Critical Thinking — Each of the 13 chapters divide into five main areas allowing students to learn terms and symbols and expand their listening skills. Exercises encourage students to apply concepts to a piece of music at the conclusion of each chapter. Engage Students — Each chapter concludes with a number of creative exercises and projects allowing students to learn interactively. With the audio CD and MySearchLab powered by Exposition Music, students can polish their aural skills using the drills designed specifically to accompany the text. Support Instructors — A full Instructor’s Manual is available for this text. Additional assessment is made available through Exposition Music. Note: MySearchLab with eText does not come automatically packaged with this text. To purchase MySearchLab with eText, please visit www.mysearchlab.com or you can purchase a ValuePack of the text + MySearchLab with eText: ValuePack ISBN 10: 0205885896 / ValuePack ISBN-13: 9780205885893.
Author: Terumi Narushima
Publisher: Routledge
ISBN: 1317513428
Category : Music
Languages : en
Pages : 257
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Book Description
This book explores the emerging area of microtonality through an examination of the tuning theories of Erv Wilson. It is the first publication to offer a broad discussion of this influential theorist whose innovations have far-reaching ramifications for microtonal tuning systems. This study addresses the breadth and complexity of Wilson’s work by focusing on his microtonal keyboard designs as a means to investigate his tuning concepts and their practical applications. Narushima examines materials ranging from historical and experimental tunings to instrument design, as well as musical applications of mathematical theories and multidimensional geometry. The volume provides an analysis of some of Wilson’s most significant theoretical ideas, including the Scale Tree, Moments of Symmetry, Constant Structures, and Combination-Product Sets. These theories offer ways to conceptualize musical scales as patterns with structural integrity and whose shapes can be altered to produce infinitely varying forms. The book shows how these structural properties can be used to map scales onto a microtonal keyboard by providing step-by-step guidelines and clearly illustrated examples. Most importantly, it brings together theoretical and practical methods of tuning to enable composers, performers, and instrument designers to explore previously uncharted areas of microtonality, making a significant contribution to the fields of music theory, composition and music technology.
Author: Boethius
Publisher:
ISBN: 9780300039436
Category : Music
Languages : en
Pages : 205
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Book Description
Author: Edward Nowacki
Publisher: Boydell & Brewer
ISBN: 1580469957
Category : Music
Languages : en
Pages : 239
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Book Description
A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages.
Author: Claude V. Palisca
Publisher:
ISBN:
Category : Camerata (Group of music theorists)
Languages : en
Pages : 248
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Book Description
Author: Jacobus De Ispania
Publisher:
ISBN: 9780692909171
Category : Music theory
Languages : en
Pages : 84
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Book Description
The Speculum musicae of Magister Jacobus de Ispania from Li�ge is the ultimate Medieval Summa of music. Compiled probably during the 1330s, it comprises no fewer than seven books, altogether totaling more than 375,000 words. Princeton musicologist Rob C. Wegman offers a translation of the seventh and final book, which deals with contemporary polyphony. This part of the Speculum is the notorious-and uncommonly impassioned-diatribe against new musical and notational practices that had gained currency in France in the second quarter of the fourteenth century. Jacobus proves himself thoroughly schooled in Scholastic philosophy and prosecutes the case with relentless determination, using his consummate rhetorical skills and his fierce critical intelligence to full advantage. What drove him to launch the attack was his sense of personal loyalty to the music and musicians he had loved during his years as a university student at Paris, probably in the 1290s, as well as his faith in the decisive power of rigorous and methodical reasoning. Yet to his infinite sadness, his demonstrations proved of little avail against the more powerful contemporary forces of changing musical taste and practical expediency. Magister Jacobus concludes his treatise with a moving prayer of thanksgiving, in which he looks forward to the life to come, and appears ready to part from this world, which had so bitterly disappointed him in his final years.
