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Author: Norie Guthrie
Publisher: Rowman & Littlefield Publishers
ISBN: 9781538102947
Category : Language Arts & Disciplines
Languages : en
Pages : 195
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Book Description
"Examines how music archives preserve independent music and therefore save a part of our cultural heritage. It moves beyond how-to information and addresses current efforts to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as community-driven preservation projects"--
Author: Norie Guthrie
Publisher: Rowman & Littlefield
ISBN: 1538102951
Category : Language Arts & Disciplines
Languages : en
Pages : 211
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Book Description
Here are the stories of how music archives are preserving independent music and saving a part of our cultural heritage. Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as communitydriven preservation projects.
Author: Norie Guthrie
Publisher: Rowman & Littlefield Publishers
ISBN: 9781538102947
Category : Language Arts & Disciplines
Languages : en
Pages : 195
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Book Description
"Examines how music archives preserve independent music and therefore save a part of our cultural heritage. It moves beyond how-to information and addresses current efforts to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as community-driven preservation projects"--
Author: Sarah Baker
Publisher: Routledge
ISBN: 1317670752
Category : Music
Languages : en
Pages : 266
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Book Description
There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.
Author: Edward M. Corrado
Publisher: Rowman & Littlefield
ISBN: 1442278730
Category : Language Arts & Disciplines
Languages : en
Pages : 403
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Book Description
This new edition of Digital Preservation in Libraries, Archives, and Museums is the most current, complete guide to digital preservation available today. For administrators and practitioners alike, the information in this book is presented readably, focusing on management issues and best practices. Although this book addresses technology, it is not solely focused on technology. After all, technology changes and digital preservation is aimed for the long term. This is not a how-to book giving step-by-step processes for certain materials in a given kind of system. Instead, it addresses a broad group of resources that could be housed in any number of digital preservation systems. Finally, this book is about “things (not technology; not how-to; not theory) I wish I knew before I got started.” Digital preservation is concerned with the life cycle of the digital object in a robust and all-inclusive way. Many Europeans and some North Americans may refer to digital curation to mean the same thing, taking digital preservation to be the very limited steps and processes needed to insure access over the long term. The authors take digital preservation in the broadest sense of the term: looking at all aspects of curating and preserving digital content for long term access. The book is divided into four part: 1.Situating Digital Preservation, 2.Management Aspects, 3.Technology Aspects, and 4.Content-Related Aspects. Digital Preservation will answer questions that you might not have even known you had, leading to more successful digital preservation initiatives.
Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 108
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Book Description
The United States Congress in December 2000 appropriated funds to the Library of Congress (LC) to spearhead an effort to develop a national strategy for the preservation of digital information. LC staff scheduled a series of conversations with representatives from the technology, business, entertainment, academic, legal, archival, and library communities, and asked the Council on Library and Information Resources to commission background papers for these sessions and to summarize the meetings. The resulting papers, along with an integrative essay by Amy Friedlander, are presented in this document. Contents include: "Summary of Findings" (Amy Friedlander); "Preserving Digital Periodicals" (Dale Flecker); "E-Books and the Challenge of Preservation" (Frank Romano); "Archiving the World Wide Web" (Peter Lyman); "Preservation of Digitally Recorded Sound" (Samuel Brylawski); "Understanding the Preservation Challenge of Digital Television" (Mary Ide, Dave MacCarn, Thom Shepard, and Leah Weisse); and "Digital Video Archives: Managing through Metadata" (Howard D. Wactlar and Michael G. Christel). (AEF).
Author: Alice Carli
Publisher: A-R Editions, Inc.
ISBN: 0895798891
Category : Language Arts & Disciplines
Languages : en
Pages : 338
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Book Description
Updated to address twenty-first-century issues, Binding and Care of Printed Music, Revised Edition by Alice Carli remains the essential manual for music librarians and conservators. The detailed, step-by-step instructions have been updated and streamlined, and a full treatment of digitization is part of this edition, so that readers can benefit from both the theoretical underpinnings of digital preservation and a practical, cost-effective workflow. New tips, tricks, and procedures have been integrated as well. The revised edition is also profusely illustrated with hundreds of photographs taken by the author to clarify the descriptions of the binding and repair techniques covered in the book. As with the first edition, the manual's detailed approach is designed as an introduction for staff with little or no previous conservation experience, while also offering a fresh perspective for career conservators, particularly regarding the special needs of musical scores.
Author: Katherine Skinner
Publisher: Lulu.com
ISBN: 098266530X
Category : Computers
Languages : en
Pages : 156
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Book Description
This volume is devoted to the broad topic of distributed digital preservation, a still-emerging field of practice for the cultural memory arena. Replication and distribution hold out the promise of indefinite preservation of materials without degradation, but establishing effective organizational and technical processes to enable this form of digital preservation is daunting. Institutions need practical examples of how this task can be accomplished in manageable, low-cost ways. This guide is written with a broad audience in mind that includes librarians, archivists, scholars, curators, technologists, lawyers, and administrators. Readers may use this guide to gain both a philosophical and practical understanding of the emerging field of distributed digital preservation, including how to establish or join a network.
Author: Gabriella Giannachi
Publisher: MIT Press
ISBN: 0262549247
Category : Art
Languages : en
Pages : 237
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Book Description
How the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday. In Archive Everything, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries. Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin. She discusses the importance of participatory archiving, examining the “multimedia roadshow” Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 50
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Book Description
The report investigates "procedures to reformat sound on analog carriers to digital media or files. It summarizes discussions and recommendations emerging from a meeting of leading audio preservation engineers held January 29-30, 2004, to assess the present state of standards and best practices for capturing sound from analog discs and tapes"--Page v.
Author: Aaron D. Purcell
Publisher: Rowman & Littlefield
ISBN: 1538122391
Category : Language Arts & Disciplines
Languages : en
Pages : 272
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Book Description
The Digital Archives Handbook provides archivists a roadmap to create and care for digital archives. Written by archival experts and practitioners, Purcell brings together theoretical and practical approaches to creating, managing, and preserving digital archives. The first section is focused on processes and practices, including chapters on acquisitions, appraisal, arrangement, description, delivery, preservation, forensics, curation, and intellectual property. The second section is focused on digital collections and specific environments where archivists are managing digital collections. These chapters review digital collections in categories including performing arts, oral history, architectural and design records, congressional collections, and email. The book discuss the core components of digital archives—the technological infrastructure that provides storage, access, and long-term preservation; the people or organizations that create or donate digital material to archives programs, as well as the researchers use them; and the digital collections themselves, full of significant research content in a variety of formats with a multitude of research possibilities. The chapters emphasize that the people and the collections that make up digital archives are just as important as the technology. Also highlighted are the importance of donors and creators of digital archives. Building digital archives parallels the cycle of donor work—planning, cultivation, and stewardship. During each stage, archivists work with donors to ensure that the digital collections will be arranged, described, preserved, and made accessible for years to come. Archivists must take proactive and informed actions to build valuable digital collections. Knowing where digital materials come from, how those materials were created, what materials are important, what formats or topical areas are included, and how to serve those collections to researchers in the long term is central to archival work. This handbook is designed to generate new discussions about how archivists of the twenty-first century can overcome current challenges and chart paths that anticipate, rather than merely react to, future donations of digital archives.
