Music and Poetry in the Early Tudor Court PDF Download
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Author: John Stevens
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 514
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Book Description
While the music of the Elizabethans is widely known, that of the early Tudors is still mostly unpublished. Dr. Stevens provides a scholarly study of this un-accountably neglected subject, and gives the first full description of three song-books which contain virtually all that remains of English secular song from 1480-1530. Beginning with a detailed description of the song-books, he goes on to discuss the relationship between music and poetry during the period before the Reformation. This is followed by a description of the tradition of the 'courtly makers' from Chaucer to Wyatt, including an important section on the social manifestations of courtly love, and he deals thoroughly with the role of the musician and the quality of musical life at the time. This is a book which for the first time provides the relevant musical and social information on which a fresh assessment of the poetry of the early Tudors can be based. Dr. Stevens's conclusions lead him to question the prevailing view that there was an idealized union of poetry and music in early Tudor England which led up to and culminated in the great Elizabethans. The literary text of the songs in the three song-books is given in an appendix, together with a commentary, a first-line index of some 370 songs, and a list of sources.
Author: John E. Stevens
Publisher: Taylor & Francis
ISBN:
Category : English poetry
Languages : en
Pages : 483
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Book Description
Author: John E. Stevens
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 0
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Book Description
Author: John Stevens
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 514
Get Book Here
Book Description
While the music of the Elizabethans is widely known, that of the early Tudors is still mostly unpublished. Dr. Stevens provides a scholarly study of this un-accountably neglected subject, and gives the first full description of three song-books which contain virtually all that remains of English secular song from 1480-1530. Beginning with a detailed description of the song-books, he goes on to discuss the relationship between music and poetry during the period before the Reformation. This is followed by a description of the tradition of the 'courtly makers' from Chaucer to Wyatt, including an important section on the social manifestations of courtly love, and he deals thoroughly with the role of the musician and the quality of musical life at the time. This is a book which for the first time provides the relevant musical and social information on which a fresh assessment of the poetry of the early Tudors can be based. Dr. Stevens's conclusions lead him to question the prevailing view that there was an idealized union of poetry and music in early Tudor England which led up to and culminated in the great Elizabethans. The literary text of the songs in the three song-books is given in an appendix, together with a commentary, a first-line index of some 370 songs, and a list of sources.
Author: John Stevens
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 504
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Book Description
Author: John E 1921- Stevens
Publisher: Hassell Street Press
ISBN: 9781013473159
Category :
Languages : en
Pages : 512
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Edgar Stevens
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 483
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Book Description
Author: John E. Stevens
Publisher:
ISBN:
Category :
Languages : fr
Pages : 185
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Book Description
Author: Theodor Dumitrescu
Publisher: Routledge
ISBN: 1351544969
Category : Music
Languages : en
Pages : 351
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Book Description
Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
Author: Iain Quinn
Publisher: Routledge
ISBN: 1351672398
Category : Music
Languages : en
Pages : 354
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Book Description
Studies in English Organ Music is a collection of essays by expert authors that examines key areas of the repertoire in the history of organ music in England. The essays on repertoire are placed alongside supporting studies in organ building and liturgical practice in order to provide a comprehensive contextualization. An analysis of the symbiotic relationship between the organ, liturgy, and composers reveals how the repertoire has been shaped by these complementary areas and developed through history. This volume is the first collection of specialist studies related to the field of English organ music.
Author: Elisabeth Salter
Publisher: Routledge
ISBN: 1351149067
Category : History
Languages : en
Pages : 275
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Book Description
The English Renaissance is frequently defined in the context of the Elizabethans and early-Stuarts, but here we focus on the early Renaissance, and the important cultural transitions of the late-medieval/early-Tudor period. In this innovative study, Elisabeth Salter reconstructs the lives and experiences of six men and women of the early Renaissance and leads us on a quest to reconstruct their lost cultural worlds. The six men and women are all figures from the margins of the royal courts during the reigns of Henry VII and Henry VIII: Gilbert Banaster, present at the court of Henry VII in the guise of writer and musician; The Anonymous Witness, spectator to the marriage of Prince Arthur and Katherine of Aragon; William Cornish, playwright and musician at Henry VIII's household; Elizabeth Philip, silk trader to the royal court; Dame Katherine Styles, whose biography is recreated through her will; and William Buckley, Educator and Schoolmaster to King Edward VI. Salter presents an exemplary model of how it is possible to reconstruct biography from sometimes fragmentary sources. The connections drawn between these six individuals display ample evidence for the cultural innovation and sophistication of these courts in terms of pageantry, music, the visual arts, fashions in luxury consumption, scientific discovery and literary invention. When all six lives are added together as a whole, the book will lead the reader to a richer understanding of the cultural context of the early English Renaissance.
