Music Piracy Culture on the Internet PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Music Piracy Culture on the Internet PDF full book. Access full book title Music Piracy Culture on the Internet by Iona Carina. Download full books in PDF and EPUB format.
Author: Iona Carina
Publisher: LAP Lambert Academic Publishing
ISBN: 9783848412761
Category : Computer crimes
Languages : en
Pages : 128
Get Book Here
Book Description
The purpose of "Music Piracy Culture on the Internet research" was to identify the motivations behind online music piracy on the Internet through Peer-to-peer (P2P) Networks and opinions on copyright laws. The research was carried out as a Master's Thesis in the Digital Culture program at the University of Jyväskylä. Quantitative research methodology was utilized in the form of questionnaires, which were distributed for two weeks through the mailing list at the University of Jyväskylä and personal invitations. Analysis of the questionnaires revealed opinions that people conduct music file sharing on P2P networks because it is convenient, promotes musicians and is environmentally friendly. In addition, the research discovered the growing popularity of online streaming as an alternative to downloading. Based on the research, some recommendations that can be proposed to music producers and musicians in the near future include; more education on copyright issues, more promotion of online music streaming, promoting downloads of legal music files as an environmentally-friendly choice and making online music shopping more convenient for customers.
Author: Iona Carina
Publisher: LAP Lambert Academic Publishing
ISBN: 9783848412761
Category : Computer crimes
Languages : en
Pages : 128
Get Book Here
Book Description
The purpose of "Music Piracy Culture on the Internet research" was to identify the motivations behind online music piracy on the Internet through Peer-to-peer (P2P) Networks and opinions on copyright laws. The research was carried out as a Master's Thesis in the Digital Culture program at the University of Jyväskylä. Quantitative research methodology was utilized in the form of questionnaires, which were distributed for two weeks through the mailing list at the University of Jyväskylä and personal invitations. Analysis of the questionnaires revealed opinions that people conduct music file sharing on P2P networks because it is convenient, promotes musicians and is environmentally friendly. In addition, the research discovered the growing popularity of online streaming as an alternative to downloading. Based on the research, some recommendations that can be proposed to music producers and musicians in the near future include; more education on copyright issues, more promotion of online music streaming, promoting downloads of legal music files as an environmentally-friendly choice and making online music shopping more convenient for customers.
Author: Stephen Witt
Publisher: Penguin
ISBN: 0525426612
Category : Computer file sharing
Languages : en
Pages : 306
Get Book Here
Book Description
"Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet."--
Author: Aram Sinnreich
Publisher:
ISBN: 9781625340511
Category : Civil rights
Languages : en
Pages : 0
Get Book Here
Book Description
In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that "internet pirates killed the music industry" has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a "cybercrime" similar to identity fraud or even terrorism. In The Piracy Crusade, Aram Sinnreich critiques the notion of "piracy" as a myth perpetuated by today's cultural cartels -- the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers. Yet the most dangerous legacy of this "piracy crusade" is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy -- policies that threaten to undermine the foundations of democratic society.
Author: Martin Paul Eve
Publisher: punctum books
ISBN: 1685710360
Category : Computers
Languages : en
Pages : 445
Get Book Here
Book Description
When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to release the material for free. Warez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers (“topsites") in the mid- to late-1990s. The “Scene," as it is known, is highly illegal in almost every aspect of its operations. The term “Warez" itself refers to pirated media, a derivative of “software." Taking a deep dive in the documentary evidence produced by the Scene itself, Warez describes the operations and infrastructures an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic forms. Even though forms of digital piracy are often framed within ideological terms of equal access to knowledge and culture, Eve uncovers in the Warez Scene a culture of competitive ranking and one-upmanship that is at odds with the often communalist interpretations of piracy. Broad in scope and novel in its approach, Warez is indispensible reading for anyone interested in recent developments in digital culture, access to knowledge and culture, and the infrastructures that support our digital age.
Author: Manuel Castells
Publisher: Xlibris Corporation
ISBN: 1479732273
Category : Business & Economics
Languages : en
Pages : 382
Get Book Here
Book Description
Piracy CulturesEditorial Introduction MANUEL CASTELLS 1 University of Southern California GUSTAVO CARDOSO Lisbon University Institute (ISCTE-IUL) What are "Piracy Cultures"? Usually, we look at media consumption starting from a media industry definition. We look at TV, radio, newspapers, games, Internet, and media content in general, all departing from the idea that the access to such content is made available through the payment of a license fee or subscription, or simply because its either paid or available for free (being supported by advertisements or under a "freemium" business model). That is, we look at content and the way people interact with it within a given system of thought that sees content and its distribution channels as the product of relationships between media companies, organizations, and individualseffectively, a commercial relationship of a contractual kind, with accordant rights and obligations. But what if, for a moment, we turned our attention to the empirical evidence of media consumption practice, not just in Asia, Africa, and South America, but also all over Europe and North America? All over the world, we are witnessing a growing number of people building media relationships outside those institutionalized sets of rules. We do not intend to discuss whether we are dealing with legal or illegal practices; our launching point for this analysis is that, when a very significant proportion of the population is building its mediation through alternative channels of obtaining content, such behavior should be studied in order to deepen our knowledge of media cultures. Because we need a title to characterize those cultures in all their diversitybut at the same time, in their commonplacenesswe propose to call it "Piracy Cultures."
Author: Thomas P. Winkler
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
While the Internet has presented unprecedented potential for the profitability of recorded music, it has also created many challenges for a reactive copyright system. Opportunistic entrepreneurs have developed lucrative distribution models that circumvent copyright protection. Moreover, these e-commerce models, which embrace the Confucian ideal of sharing, have normalized a culture of music piracy in China. This normalization has catalyzed a culturally inspired copyright dispute between the United States and China. This article explores the history of Chinese copyright law as it has been shaped by Confucian political culture, and discusses the socioeconomic factors hindering the effective enforcement of China's modern copyright regime. Additionally, it reveals that the ex-post legal strategy utilized to combat music piracy in China has compounded the enforcement issues due to its insensitivity to such cultural norms. Ultimately, in reconsidering the efficacy of the recording industry's ex-post legal strategy, the article proposes an ex-ante anthropological approach that embraces and interacts with Chinese culture. Furthermore, it advances a grassroots educational program called Thru the Music that attempts to promote copyright consciousness through Chinese hip-hop culture. By tailoring this educational campaign to suit the current creating and consuming culture of Chinese hip-hop, it allows the music to speak for itself, redefining the norms of Chinese music consumption.
Author: Gini Graham Scott
Publisher: Simon and Schuster
ISBN: 1621534952
Category : Law
Languages : en
Pages : 322
Get Book Here
Book Description
The international battle against Internet pirates has been heating up. Increasingly law enforcement is paying attention to book piracy as ebook publishing gains an ever-larger market share. With this threat to their health and even survival, publishers and authors must act much like the music, film, and software giants that have waged war against pirates for the past two decades. Now, The Battle against Internet Piracy opens a discussion on what happens to the victims of piracy. Drawing from a large number of interviews—from writers, self-publishers, mainstream publishers, researchers, students, admitted pirates, free speech advocates, attorneys, and local and international law enforcement officials—the text speaks to such issues as: •Why pirates have acted and how they feel about it •The conflict over constitutional rights and piracy •The current laws surrounding Internet piracy •Examples of cases taken against some pirates •Alternatives to piracy •Personal experiences of being ripped off •The ways piracy affects different industries and how they’ve responded Author Gini Graham Scott prepares readers to arm themselves against these modern perils by learning about copyright, infringement, and how to prevent, combat, and end book piracy. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: Hendrik Storstein Spilker
Publisher: Routledge
ISBN: 1317201930
Category : Social Science
Languages : en
Pages : 376
Get Book Here
Book Description
The digital music revolution and the rise of piracy cultures has transformed the music world as we knew it. Digital Music Distribution aims to go beyond the polarized and reductive perception of ‘piracy wars’ to offer a broader and richer understanding of the paradoxes inherent in new forms of distribution. Covering both production and consumption perspectives, Spilker analyses the changes and regulatory issues through original case studies, looking at how digital music distribution has both changed and been changed by the cultural practices and politicking of ordinary youth, their parents, music counter cultures, artists and bands, record companies, technology developers, mass media and regulatory authorities. Exploring the fundamental change in distribution, Spilker investigates paradoxes such as: The criminalization of file-sharing leading not to conflicts, but to increased collaboration between youths and their parents; Why the circulation of cultural content, extremely damaging for its producers, has instead been advantageous for the manufacturers of recording equipment; Why more artists are recording in professional sound studios, despite the proliferation of good quality equipment for home recording; Why mass media, hit by many of the same challenges as the music industry, has been so critical of the way it has tackled these challenges. A rare and timely volume looking at the changes induced by the digitalization of music distribution, Digital Music Distribution will appeal to undergraduate students and policy makers interested in fields such as Media Studies, Digital Media, Music Business, Sociology and Cultural Studies.
Author: Patrik Wikström
Publisher: John Wiley & Sons
ISBN: 074565522X
Category : Social Science
Languages : en
Pages : 273
Get Book Here
Book Description
The music industry is going through a period of immense change brought about in part by the digital revolution. What is the role of music in the age of computers and the internet? How has the music industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This is the first major study of the music industry in the new millennium. Wikström provides an international overview of the music industry and its future prospects in the world of global entertainment. They illuminate the workings of the music industry, and capture the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. The Music Industry will become a standard work on the music industry at the beginning of the 21st century. It will be of great interest to students and scholars of media and communication studies, cultural studies, popular music, sociology and economics. It will also be of great value to professionals in the music industry, policy makers, and to anyone interested in the future of music.
Author: Robert Levine
Publisher: Anchor
ISBN: 0385533772
Category : Business & Economics
Languages : en
Pages : 347
Get Book Here
Book Description
How did the newspaper, music, and film industries go from raking in big bucks to scooping up digital dimes? Their customers were lured away by the free ride of technology. Now, business journalist Robert Levine shows how they can get back on track. On the Internet, “information wants to be free.” This memorable phrase shaped the online business model, but it is now driving the media companies on whom the digital industry feeds out of business. Today, newspaper stocks have fallen to all-time lows as papers are pressured to give away content, music sales have fallen by more than half since file sharing became common, TV ratings are plummeting as viewership migrates online, and publishers face off against Amazon over the price of digital books. In Free Ride, Robert Levine narrates an epic tale of value destruction that moves from the corridors of Congress, where the law was passed that legalized YouTube, to the dorm room of Shawn Fanning, the founder of Napster; from the bargain-pricing dramas involving iTunes and Kindle to Google’s fateful decision to digitize first and ask questions later. Levine charts how the media industry lost control of its destiny and suggests innovative ways it can resist the pull of zero. Fearless in its reporting and analysis, Free Ride is the business history of the decade and a much-needed call to action.
