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Author: John Sullivan Dwight
Publisher: BoD – Books on Demand
ISBN: 3375090471
Category : Fiction
Languages : en
Pages : 430
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Book Description
Reprint of the original, first published in 1865.
Author: Hal Leonard Publishing Corporation
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781540043795
Category : Music
Languages : en
Pages : 48
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Book Description
(Manuscript Paper). This specially designed, all-encompassing "note-taking" music manuscript paper was designed with music students and creators in mind. Unlike standard manuscript paper, it utilizes multifunctional work spaces to give users the freedom to merge musical notation with regular note-taking areas in thoughtful, hybrid layouts of musical staves, designated writing spaces, and piano/keyboard graphics. It includes a study guide, charts and scales, including: the grand staff * simple and compound meters * intervals * seventh chords * the circle of 5ths * major and minor scales * triads * functional chords * and more.
Author: Notebooks Journals
Publisher:
ISBN: 9781539383918
Category :
Languages : en
Pages : 100
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Book Description
The Classic Notebooks & Journals is the travel companion perfect for writings, drawings, notes, musical compositions, or anything else you choose. Many artists, musicians, writers and thinkers over the past have used notebooks and journals to hold sketches, musical passages, stories and thoughts; among them: Frida Kahlo, Vincent van Gogh, Pablo Picasso, Ernest Hemingway, Jack Kerouac, Charlotte Bront�, Kurt Cobain, Ludwig Van Beethoven and Ralph Waldo Emerson. Keep a record of your reflections on the road. Details:Sizes: -Pocket 4 x 6 inches - 10.16 x 15.24 centimeters (A6)-Large 5,5 x 8,5 inches - 13.97 x 21.59 centimeters (A5)-Extra Large 7 x 10 inches- 17.78 x 25.4 centimeters (B5) Cover: Full-color laminated cover, Matte finish. 12 colors available: Black, Blue, Purple, Coral, Red, Orange, Yellow, Green, Sky Blue, Beige, Gray and White. Interior: 100 pages of good quality white paper. Page Design:Plain Notebook (blank pages).Ruled Notebook (composition notebook).Squared Notebook (yeah squares!).Musicians Notebook (blank sheet music manuscript book).
Author: Pepperdale Books
Publisher: Independently Published
ISBN: 9781720091295
Category : Music
Languages : en
Pages : 52
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Book Description
A 50 page blank music manuscript notebook, pocket sized for convenience and composing on the go. Ideal for music students, theory students, music teachers and the professional musician. A great gift for the aspiring songwriter or young musician. 10 staves per page, 5''x 8'' (12.70 x 20.32cm) in size.
Author: John Sullivan Dwight
Publisher: BoD – Books on Demand
ISBN: 3375090471
Category : Fiction
Languages : en
Pages : 430
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Book Description
Reprint of the original, first published in 1865.
Author: Friedemann Sallis
Publisher: Cambridge University Press
ISBN: 1316239608
Category : Music
Languages : en
Pages : 297
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Book Description
The term 'music sketch' relates to the vast variety of documents that are used by composers to work out a musical technique or idea and to prepare their work for performance or publication. These documents can often provide crucial insights into authorship, biography, editorial practice and musical analysis. This introduction provides students and scholars with the knowledge and skills they need to embark on research projects involving the study of composers' working documents. Presenting examples of the compositional process over a 400-year period, it includes a selection of detailed case studies on how sketches were created and the techniques that were used, such as transcription and the sorting of loose leaves. Numerous illustrations of manuscripts and autographs, many of which have never been published before, show how these vital documents can be used to better understand compositional processes.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 566
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Book Description
Author: Bruce Swedien
Publisher: Hal Leonard
ISBN: 1476855064
Category : Music
Languages : en
Pages : 357
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Book Description
(Book). Ever since his father gave him a disc recorder at the tender age of 10, Bruce Swedien has known what he wanted to do for the rest of his life. The names of the people he has worked with are too many to list, but when one mentions musicians like Count Basie, Duke Ellington, Oscar Peterson, Sarah Vaughan, Eddie Harris, Quincy Jones, Jennifer Lopez, and even Michael Jackson, a great deal is immediately understood. In this book, Swedien generously gives away detailed information from his lifetime in the studio-from a musical, technical, and very personal perspective. This book has something for everyone who is interested in music, especially those curious about the stories behind the scenes of some of the best music to ever come out of the recording studio.
Author: Andrea Lindmayr-Brandl
Publisher: Routledge
ISBN: 1000387089
Category : Music
Languages : en
Pages : 423
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Book Description
This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.
Author: Judah Matras
Publisher: Academic Studies PRess
ISBN: 1644697483
Category : Music
Languages : en
Pages : 377
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Book Description
This book introduces the topics of Enlightenment, Counter-Enlightenment, and social demography in Western art musics and demonstrates their historical and sociological importance. The essays in this book explore the concepts of “existential irony” and “sanctification,” which have been mentioned or discussed by music scholars, historians, and musicologists only either in connection with specific composers’ works (Shostakovich’s, in the case of “existential irony”) or very parenthetically, merely in passing in the biographies of composers of “classical” musics. This groundbreaking work illustrates their generality and sociological sources and correlates in contemporary Western art musics.
Author: Steven Zohn
Publisher: Oxford University Press
ISBN: 0198037961
Category : Music
Languages : en
Pages : 721
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Book Description
Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.
