Music in Traditional Indian Theatre PDF Download
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Author: Rani Balbir Kaur
Publisher:
ISBN:
Category : Dramatic music
Languages : en
Pages : 216
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Book Description
Author: Kapila Vatsyayan
Publisher:
ISBN: 9788123744612
Category : Indic drama
Languages : en
Pages : 245
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Book Description
Written by one of most renowned culture historians of our times, the present fresh edition with an afterword by the author , describes and presents an analysis of forms such as Yaksagna,Bhagvatamala,Chau,Nautanki,Ramlila,Etc.
Author: Bruno Nettl
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
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Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Shovana Narayan
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 216
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Book Description
The book, Indian Theatre and Dance Traditions covers a wide horizon and provides an insight into the multi dimensional theatrical traditions of India that include drama, dance and music, folk and classical. This book also .covers areas of puppetry, martial arts and the tradition of masks. It delves into the roots of various streams of Indian culture including a deep reflection on the .applicability of the ancient treatise on dramaturgy, the Natyasastra. This book is rich in information, yet it caters to all sections of society, the uninitiated and the initiated.
Author: Nemicandra Jaina
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 128
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Book Description
Author: Deepti Priya Mehrotra
Publisher: Penguin Books India
ISBN: 9780143100430
Category : Biography & Autobiography
Languages : en
Pages : 330
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Book Description
For Nearly A Century, Nautanki Reigned As North India'S Most Popular Form Of Entertainment, And Gulab Bai Shone As Its Brightest Star. Fusing Dance And Dialogue, Music And Romance, Humour And Melodrama, This Travelling Folk Theatre Was A Precursor To Bollywood. In Cities And Villages, People Watched All Night, Drawn Into A World Of Fantasy And Make-Believe. Gulab, A 12-Year-Old Girl From The Bedia Caste, Joined Nautanki In 1931. Reputed To Be The First Female Actor In Nautanki, She Rose To Dizzy Heights As The Heroine Of Countless Dramas And Later Started The Great Gulab Theatre Company. Gulab Bai Was Awarded The Padmashree, A Mark Of National Honour&Mdash;Yet She Died Sad And Bewildered, For The Form To Which She Had Devoted Her Life Was Languishing. To Tell Gulab Bai'S Story&Mdash;And Reconstruct The Social History Of A Genre&Mdash;The Author Travelled To Gulab'S Village And Kanpur'S Rail Bazaar, Met Family Members And Co-Artistes, Gathered Oral Narratives, Traced Drama Scripts And Song Recordings. The Tale That Emerges Is A Wonderfully Intimate Portrayal Of A Dying Art And Its Uncrowned Queen.
Author: Alison Arnold
Publisher: Routledge
ISBN: 1351544381
Category : Music
Languages : en
Pages : 1126
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Book Description
In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.
Author: Farley P. Richmond
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120809819
Category : Folklore
Languages : en
Pages : 518
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Book Description
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
Author: Manohar Laxman Varadpande
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 376
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Book Description
Author:
Publisher:
ISBN:
Category : Dramatists
Languages : en
Pages : 208
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Book Description
Author: Ananda Lal
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
Theatres of India, edited by Professor Ananda Lal, is a comprehensive and accessible guide to theatre in India. The volume surveys both rural and urban modes of Indian theatre across its history of over 2000 years. The first section brings together entries that discuss theatres of India's linguistic regions. The second section includes entries on specific forms and genres, as well as on topics such as street theatre, music, and Tagore's dramatic oeuvre. The book avoids both the Western scholarship's obsession with traditional Asian forms of performance, as well as Indian city-based theatre workers' view that traditional forms do not even qualify as 'theatre'. 'Theatre' in this volume is defined as any form that contains theatre's fundamental element, acting. Importantly, the entries are accompanied by photographs of performances that allow us to view the 'visual-ness' of India's performance forms. In keeping with the highest standards of international reference publishing, Ananda Lal has compiled and edited material from several contributors so that each entry allows us to tap individual documentation and knowledge. Also included in this pioneering, authoritative, and collective resource are short bibliographies for every entry on the regional theatres. Theatres of India will be useful for general readers, theatre professionals, as well as students and researchers of theatre and performance studies.
