Music in the Medieval World PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Music in the Medieval World PDF full book. Access full book title Music in the Medieval World by Albert Seay. Download full books in PDF and EPUB format.
Author: Albert Seay
Publisher: Waveland PressInc
ISBN: 9780881336351
Category : Music
Languages : en
Pages : 182
Get Book
Book Description
This book introduces the music of the Middle Ages while tracing the interrelations between the labors of musicians on the practical side & the monuments of rational organization erected by the thinkers of the age.
Author: Albert Seay
Publisher: Waveland PressInc
ISBN: 9780881336351
Category : Music
Languages : en
Pages : 182
Get Book
Book Description
This book introduces the music of the Middle Ages while tracing the interrelations between the labors of musicians on the practical side & the monuments of rational organization erected by the thinkers of the age.
Author: Jeremy Yudkin
Publisher: Oxford University Press, USA
ISBN: 9780190206123
Category : Music
Languages : en
Pages : 0
Get Book
Book Description
Combines a complete history and score anthology for students of medieval music, Music in Medieval Europe combines a cultural history of the Middle Ages and in-depth scholarship on the music and leading composers active during the period. The text includes an integrated anthology of key works with approachable and enlightening explanations, making it easily accessible to both beginning and advanced students. Its chronological organization, broad scope, and detailed music analyses makes Music in Medieval Europe an ideal introductory text. Features, Covers the major composers, musical styles, and works of the medieval period, An in-text anthology features all of the major works, eliminating the need for a separate purchase, A wide variety of source materials, all translated by Jeremy Yudkin, offers fresh interpretations of classic works, Illustrations of source manuscripts and artwork provide added context Book jacket.
Author: Albert Seay
Publisher: Englewood Cliffs, N.J. : Prentice-Hall
ISBN:
Category : Music
Languages : en
Pages : 200
Get Book
Book Description
This book introduces the music of the Middle Ages while tracing the interrelations between the labors of musicians on the practical side & the monuments of rational organization erected by the thinkers of the age.
Author: John Caldwell
Publisher: Routledge
ISBN: 0429575262
Category : History
Languages : en
Pages : 316
Get Book
Book Description
Originally published in 1978, Medieval Music explores the fascinating development of medieval western music from its often obscure origins in the Jewish synagogue and early Church, to the mid-fifteenth century. The book is intended as a straightforward survey of medieval music and emphases the technical aspects such as form, style and notation. It is illustrated by nearly one hundred musical examples, the majority of which have been transcribed from original sources and many of which contains chapters on Latin chant and other forms of sacred monophony, secular song, early polyphony, the ars antiqua, French and Italian fourteenth-century music, English music, and fifteenth-century music. Each chapter is followed by a classified bibliography divided into musical sources, literary sources and modern studies; in addition to a comprehensive bibliography.
Author: Lisa Nielson
Publisher: Bloomsbury Publishing
ISBN: 0755617908
Category : History
Languages : en
Pages : 375
Get Book
Book Description
During the early medieval Islamicate period (800–1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments – including chronicles, literary sources, memoirs and musical treatises – as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists.
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
Get Book
Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: TimothyJ. McGee
Publisher: Routledge
ISBN: 135156272X
Category : Music
Languages : en
Pages : 556
Get Book
Book Description
This is a collection of twenty-nine of the most influential articles and papers about medieval musical instruments and their repertory. The authors discuss the construction of the instruments, their playing technique, the occasions for which they performed and their repertory. Taken as a whole, they paint a very broad, as well as detailed, picture of instrumental performance during the medieval period.
Author: Suzanne Lord
Publisher: Bloomsbury Publishing USA
ISBN: 0313083681
Category : Music
Languages : en
Pages : 216
Get Book
Book Description
Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany,the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of the middle ages. Topics include: the British Isles, Dance Music, Eastern Europe, France, Germanic Lands, Harps, Italy, the Low Countries, Spain, and more.
Author: Nancy Van Deusen
Publisher: Bloomsbury Publishing USA
ISBN: 1573569968
Category : Music
Languages : en
Pages : 218
Get Book
Book Description
An urgently needed guide to understanding medieval music to be used as a text for the university undergraduate, graduate students in music and interdisciplinary medieval studies, and for the professional musicologist and medievalist. This book will also be appreciated by everyone interested in early music. Nancy van Deusen's The Cultural Context of Medieval Music addresses the mental landscape surrounding music that, especially, was sung and experienced in the Middle Ages. Largely anonymous in its composition, and apparently lacking the motivation of fame and commerce, music within a well thought-out system of education served a purpose that goes far beyond casual entertainment or personal professional advancement. Offering experience through performance, music exemplified the basic principles not only of the material and possible measurements of the visible world—such as of objects, relationships, and movement—but also of the invisible materials of sound and time, making it an ideal medium for working with unseen substances such as concepts, imaginations, and ideas. St. Augustine in the late fourth century reinforced the importance of music for the process of learning when he wrote that nothing could be truly understood without music. This book shows how this, in fact, is the case—a message of great relevance today.
Author: Bruce W. Holsinger
Publisher: Stanford University Press
ISBN: 9780804740586
Category : Music
Languages : en
Pages : 500
Get Book
Book Description
Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.
