Author: Andrew Horrall
Publisher: Manchester University Press
ISBN: 9780719057830
Category : History
Languages : en
Pages : 290
Book Description
Reg Prentice remains the most high-profile politician to cross the floor of the House of Commons in the post-war period. His defection reflected an important 'sea change' in British politics; the end of the post-war consensus and the beginnings of the Thatcher era. This book examines the key events surrounding Prentice's transition from a front-line Labour politician to a Conservative minister in the first Thatcher government. It focuses on the shifting political climate in Britain during the 1970s, as the post-war settlement came under pressure from adverse economic conditions, militant trade unionism and an assertive New Left. Prentice's story provides an important case study on the crisis that afflicted social democracy, highlighting Labour's left-right divide and the possibility of a realignment of British politics. This study will be invaluable to anyone interested in the turbulent and transitional nature of British politics during a watershed period.
Popular Culture in London C.1890-1918
Author: Andrew Horrall
Publisher: Manchester University Press
ISBN: 9780719057830
Category : History
Languages : en
Pages : 290
Book Description
Reg Prentice remains the most high-profile politician to cross the floor of the House of Commons in the post-war period. His defection reflected an important 'sea change' in British politics; the end of the post-war consensus and the beginnings of the Thatcher era. This book examines the key events surrounding Prentice's transition from a front-line Labour politician to a Conservative minister in the first Thatcher government. It focuses on the shifting political climate in Britain during the 1970s, as the post-war settlement came under pressure from adverse economic conditions, militant trade unionism and an assertive New Left. Prentice's story provides an important case study on the crisis that afflicted social democracy, highlighting Labour's left-right divide and the possibility of a realignment of British politics. This study will be invaluable to anyone interested in the turbulent and transitional nature of British politics during a watershed period.
Publisher: Manchester University Press
ISBN: 9780719057830
Category : History
Languages : en
Pages : 290
Book Description
Reg Prentice remains the most high-profile politician to cross the floor of the House of Commons in the post-war period. His defection reflected an important 'sea change' in British politics; the end of the post-war consensus and the beginnings of the Thatcher era. This book examines the key events surrounding Prentice's transition from a front-line Labour politician to a Conservative minister in the first Thatcher government. It focuses on the shifting political climate in Britain during the 1970s, as the post-war settlement came under pressure from adverse economic conditions, militant trade unionism and an assertive New Left. Prentice's story provides an important case study on the crisis that afflicted social democracy, highlighting Labour's left-right divide and the possibility of a realignment of British politics. This study will be invaluable to anyone interested in the turbulent and transitional nature of British politics during a watershed period.
Mendelssohn and Victorian England
Author: ColinTimothy Eatock
Publisher: Routledge
ISBN: 135155848X
Category : Music
Languages : en
Pages : 220
Book Description
This valuable book considers the reception of the composer, pianist, organist and conductor Felix Mendelssohn in nineteenth-century England, and his influence on English musical culture. Despite the composer's immense popularity in the nation during his lifetime and in the decades following his death, this is the first book to deal exclusively with the subject of Mendelssohn in England. Mendelssohn's highly successful ten trips to Britain, between 1829 and 1847, are documented and discussed in detail, as are his relationships with English musicians and a variety of prominent figures. An introductory chapter describes the musical life of England (especially London) at the time of Mendelssohn's arrival and the last two chapters deal with the composer's posthumous reception, to the end of the Victorian era. Eatock reveals Mendelssohn as a catalyst for the expansion of English musical culture in the nineteenth century. In taking this position, the author challenges much of the extant literature on the subject and provides an engaging story that brings Mendelssohn and his English experiences to life.
Publisher: Routledge
ISBN: 135155848X
Category : Music
Languages : en
Pages : 220
Book Description
This valuable book considers the reception of the composer, pianist, organist and conductor Felix Mendelssohn in nineteenth-century England, and his influence on English musical culture. Despite the composer's immense popularity in the nation during his lifetime and in the decades following his death, this is the first book to deal exclusively with the subject of Mendelssohn in England. Mendelssohn's highly successful ten trips to Britain, between 1829 and 1847, are documented and discussed in detail, as are his relationships with English musicians and a variety of prominent figures. An introductory chapter describes the musical life of England (especially London) at the time of Mendelssohn's arrival and the last two chapters deal with the composer's posthumous reception, to the end of the Victorian era. Eatock reveals Mendelssohn as a catalyst for the expansion of English musical culture in the nineteenth century. In taking this position, the author challenges much of the extant literature on the subject and provides an engaging story that brings Mendelssohn and his English experiences to life.
Two Centuries of British Symphonism
Author: Jürgen Schaarwächter
Publisher: Georg Olms Verlag
ISBN: 3487152282
Category : Music
Languages : en
Pages : 619
Book Description
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
Publisher: Georg Olms Verlag
ISBN: 3487152282
Category : Music
Languages : en
Pages : 619
Book Description
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
The British Union Catalogue of Music Periodicals
Author: John Wagstaff
Publisher: Routledge
ISBN: 0429802617
Category : Music
Languages : en
Pages : 1007
Book Description
First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.
Publisher: Routledge
ISBN: 0429802617
Category : Music
Languages : en
Pages : 1007
Book Description
First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.
British Women Composers and Instrumental Chamber Music in the Early Twentieth Century
Author: Laura Seddon
Publisher: Routledge
ISBN: 1317171349
Category : Music
Languages : en
Pages : 249
Book Description
This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.
Publisher: Routledge
ISBN: 1317171349
Category : Music
Languages : en
Pages : 249
Book Description
This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.
International Who's who in Music and Musical Gazetteer
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 898
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 898
Book Description
Face to Face with Orchestra and Chorus, Second, Expanded Edition
Author: Don V Moses
Publisher: Indiana University Press
ISBN: 9780253216991
Category : Music
Languages : en
Pages : 228
Book Description
This guide is written for choral conductors who are presented with the daunting task of conducting a full-sized orchestra. It is a survival kit, featuring an overview of the orchestral instruments and their particular needs, rehearsal tips, and guidelines for proper baroque technique.
Publisher: Indiana University Press
ISBN: 9780253216991
Category : Music
Languages : en
Pages : 228
Book Description
This guide is written for choral conductors who are presented with the daunting task of conducting a full-sized orchestra. It is a survival kit, featuring an overview of the orchestral instruments and their particular needs, rehearsal tips, and guidelines for proper baroque technique.
Mozart
Author: Brien Masters
Publisher: Temple Lodge Publishing
ISBN: 9781902636818
Category : Music
Languages : en
Pages : 170
Book Description
When he was first introduced to the idea that human consciousness has been evolving over the centuries and millennia, Brien Masters discovered the possibility of gaining insight into this phenomenon by examining the musical styles of various classical composers. Following years of musical study and practice, in Mozart's music he detected a reflection of humanity's emerging consciousness of selfhood and individuality. Two hundred and fifty years after his birth, Mozart continues to be acknowledged universally as a musical genius. Recognition of his work, however, goes beyond the pleasure we derive from listening to his music. In the 1990s, psychologists discovered the so-called Mozart Effect, the notion that listening to Mozart enhances mental capacities and even health. In this study, the author considers Mozart in relation to the evolution of human consciousness. Could Mozart's music affect changes in human makeup? Masters studies Mozart's musical style and considers the nature of the human "I." By analyzing Mozart's compositions, the author shows how the principles of the "I" are particularly evident his music. Masters tells us that his book may be read as his attempt to "describe the self's journey toward the richness of Mozart's musical style [and] to shed Mozartean light onto the self as the central element in the human constitution. The former perspective is a comment on the significance of his genius appearing in the second half of the eighteenth century. The latter has relevance, among other things, for the debate on and understanding of the so-called Mozart Effect today." Relevant musical scores are included for those who wish to study the relevant pieces in greater detail.
Publisher: Temple Lodge Publishing
ISBN: 9781902636818
Category : Music
Languages : en
Pages : 170
Book Description
When he was first introduced to the idea that human consciousness has been evolving over the centuries and millennia, Brien Masters discovered the possibility of gaining insight into this phenomenon by examining the musical styles of various classical composers. Following years of musical study and practice, in Mozart's music he detected a reflection of humanity's emerging consciousness of selfhood and individuality. Two hundred and fifty years after his birth, Mozart continues to be acknowledged universally as a musical genius. Recognition of his work, however, goes beyond the pleasure we derive from listening to his music. In the 1990s, psychologists discovered the so-called Mozart Effect, the notion that listening to Mozart enhances mental capacities and even health. In this study, the author considers Mozart in relation to the evolution of human consciousness. Could Mozart's music affect changes in human makeup? Masters studies Mozart's musical style and considers the nature of the human "I." By analyzing Mozart's compositions, the author shows how the principles of the "I" are particularly evident his music. Masters tells us that his book may be read as his attempt to "describe the self's journey toward the richness of Mozart's musical style [and] to shed Mozartean light onto the self as the central element in the human constitution. The former perspective is a comment on the significance of his genius appearing in the second half of the eighteenth century. The latter has relevance, among other things, for the debate on and understanding of the so-called Mozart Effect today." Relevant musical scores are included for those who wish to study the relevant pieces in greater detail.
Plays Unpleasant
Author: George Bernard Shaw
Publisher: Penguin
ISBN: 9780140437935
Category : Drama
Languages : en
Pages : 324
Book Description
Exclusive to Penguin Classics: the definitive text of Shaw’s volume of “unpleasant” plays, Widowers’ Houses, The Philanderer, and Mrs. Warren’s Profession—part of the official Bernard Shaw Library A Penguin Classic With Plays Unpleasant, Shaw issued a radical challenge to his audiences’ complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers’ Houses, depicts Harry Trench’s dilemma on learning that the inheritance of his fiancée comes from her father’s income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven—who is not inclined to give him up so easily. And in Mrs. Warren's Profession, Vivie Warren is forced to reconsider her own future when she discovers that her mother's immoral earnings funded her genteel upbringing. This is the definitive text under the editorial supervision of Dan H. Laurence. This volume includes Shaw’s prefaces, cast lists from the first productions of the plays, and a list of his principal works.
Publisher: Penguin
ISBN: 9780140437935
Category : Drama
Languages : en
Pages : 324
Book Description
Exclusive to Penguin Classics: the definitive text of Shaw’s volume of “unpleasant” plays, Widowers’ Houses, The Philanderer, and Mrs. Warren’s Profession—part of the official Bernard Shaw Library A Penguin Classic With Plays Unpleasant, Shaw issued a radical challenge to his audiences’ complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers’ Houses, depicts Harry Trench’s dilemma on learning that the inheritance of his fiancée comes from her father’s income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven—who is not inclined to give him up so easily. And in Mrs. Warren's Profession, Vivie Warren is forced to reconsider her own future when she discovers that her mother's immoral earnings funded her genteel upbringing. This is the definitive text under the editorial supervision of Dan H. Laurence. This volume includes Shaw’s prefaces, cast lists from the first productions of the plays, and a list of his principal works.
The Prima Donna and Opera, 1815-1930
Author: Susan Rutherford
Publisher: Cambridge University Press
ISBN: 052185167X
Category : Music
Languages : en
Pages : 26
Book Description
An examination of the female opera singer during the nineteenth and twentieth centuries.
Publisher: Cambridge University Press
ISBN: 052185167X
Category : Music
Languages : en
Pages : 26
Book Description
An examination of the female opera singer during the nineteenth and twentieth centuries.