Music and Literature in German Romanticism PDF Download
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Author: Siobhán Donovan
Publisher: Camden House
ISBN: 9781571132581
Category : History
Languages : en
Pages : 274
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Book Description
During the Romantic era, many in Germany believed music to be the highest art form, representing the quintessence of Romanticism and able to express what could not be expressed in words. This book studies the work of composers during this period and examines the cross-over between music and literature.
Author: Siobhán Donovan
Publisher: Camden House
ISBN: 9781571132581
Category : History
Languages : en
Pages : 274
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Book Description
During the Romantic era, many in Germany believed music to be the highest art form, representing the quintessence of Romanticism and able to express what could not be expressed in words. This book studies the work of composers during this period and examines the cross-over between music and literature.
Author: Nicholas Saul
Publisher: Cambridge University Press
ISBN: 0521848911
Category : History
Languages : en
Pages : 363
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Book Description
Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Author: Miranda Eva Stanyon
Publisher: University of Pennsylvania Press
ISBN: 0812253086
Category : Literary Collections
Languages : en
Pages : 286
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Book Description
What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.
Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1108475434
Category : History
Languages : en
Pages : 403
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Book Description
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Author: Ernst Behler
Publisher: Cambridge University Press
ISBN: 0521325854
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Professor Behler provides a view of the literary work and the artistic process developed in the German Romantic period.
Author:
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Author: William Vaughan
Publisher: Yale University Press
ISBN: 9780300060478
Category : Art
Languages : en
Pages : 290
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Book Description
The early 19th century was a period in German art in which painting played a significant part in the cultural resurgence commonly known as the Romantic Movement. This Movement and some of its chief exponents are examined against a background of German literature, philosophy and music.
Author: Stanley Appelbaum
Publisher: Courier Corporation
ISBN: 0486120384
Category : Foreign Language Study
Languages : en
Pages : 292
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Book Description
Over 130 poems by 23 poets, including Goethe, Schiller, Holderlin, Tieck, Heine, Nietzsche, many others. New literal English translations on facing pages. Introduction.
Author: David E. Wellbery
Publisher: Harvard University Press
ISBN: 9780674015036
Category : Education
Languages : en
Pages : 1038
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Book Description
'A New History of German Literature' offers some 200 essays on events in German literary history.
Author: Paola Mayer
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228000254
Category : Literary Criticism
Languages : en
Pages : 501
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Book Description
Enlightenment – both the phenomenon specific to the eighteenth century and the continuing trend in Western thought – is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann – the father of the modern fantastic – with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.
