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Author: Steven Feld
Publisher: Duke University Press
ISBN: 0822351625
Category : History
Languages : en
Pages : 327
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Book Description
The distinguished scholar Steven Feld shaped the field of the anthropology of sound and music. In this new work, he looks at the vernacular cosmopolitanism of a group of jazz players in Ghana, including some who have traveled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy. He describes their cosmopolitan outlook as an accoustemology, a way of knowing the world through sound. Feld combines memoir, biography, ethnography, and history, telling a story of diasporic intimacy and dialogue that contests both American nationalist and Afrocentric narrations of jazz history.
Author: Steven Feld
Publisher: Duke University Press
ISBN: 0822351625
Category : History
Languages : en
Pages : 327
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Book Description
The distinguished scholar Steven Feld shaped the field of the anthropology of sound and music. In this new work, he looks at the vernacular cosmopolitanism of a group of jazz players in Ghana, including some who have traveled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy. He describes their cosmopolitan outlook as an accoustemology, a way of knowing the world through sound. Feld combines memoir, biography, ethnography, and history, telling a story of diasporic intimacy and dialogue that contests both American nationalist and Afrocentric narrations of jazz history.
Author: Anastasia Belina
Publisher: Routledge
ISBN: 1351060937
Category : Music
Languages : en
Pages : 153
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Book Description
This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitanism and a false cosmopolitanism, the book presents studies that deepen understanding of the heritage of this concept – the various ways in which the term has been used to describe a wide range of activity and social outlooks. It ranges over a two hundred-year period, and more than a dozen countries, revealing how musicians and audiences have responded to a common humanity by embracing culture beyond regional or national boundaries. Among the various topics investigated are: musical cosmopolitanism among composers in Latin America, the Ottoman Empire, and Austro-Hungarian Empire; cosmopolitan popular music historiography; cosmopolitan musical entrepreneurs; and musical cosmopolitanism in the metropolises of New York and Shanghai.
Author: Adil Johan
Publisher: NUS Press
ISBN: 9814722634
Category : History
Languages : en
Pages : 416
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Book Description
The golden age of Malay film in the 1950s and 1960s was the product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid, increasingly homogenised over time. The commercial films of the period, and in particular their film music, from national cultural icons P. Ramlee and Zubir Said, remain important reference points for Malaysia and Singapore to this day. This is the first in-depth study of the film music of the period. It brings together ethnomusicological and cultural studies perspectives. Written in an engaging manner, thoroughly illustrated and incorporating musical scores, the book will appeal to dedicated film fans, musicians, composers and film-makers interested in Southeast Asia and the Malay world. But equally, the conceptual framework will be of interest to a broad range of scholars of Southeast Asia, as it brings together ideas of cosmopolitanism and cultural intimacy to narrate a history of nation-making in the region.
Author: Motti Regev
Publisher: John Wiley & Sons
ISBN: 0745670903
Category : Music
Languages : en
Pages : 298
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Book Description
Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.
Author: Matti Steinitz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110665557
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Whereas research on the global impact of US African American culture and politics and transnational connections in the African Diaspora has increased significantly since the release of Gilroy ́s Black Atlantic, the hemispheric dialogues between black communities in the US and Latin America have remained somewhat understudied until now. Focusing on the role of Soul music for the popularization of the Black Power movement in Afro-Latin American contexts in the 1960s and 1970s, this book aims to contribute to a better understanding of the networks of solidarity that connected geographically and linguistically distant afro-diasporic communities in their struggles for emancipation and against the diverse manifestations of white supremacy that have shaped societies throughout the Americas in the 20th century. Drawing on field research and interviews with musicians, DJs, and activists in New York, Rio de Janeiro and Panama, this multi-sited study traces the inter-American flows of Soul music in diverse Afro-Latin American contexts. Crossing boundaries between African American and Latin American Studies this book opens new perspectives to scholars of Black Transnationalism, music and social movements in the African diaspora of the Americas.
Author: Dipesh Chakrabarty
Publisher: Duke University Press
ISBN: 0822383381
Category : Social Science
Languages : en
Pages : 253
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Book Description
As the final installment of Public Culture’s Millennial Quartet, Cosmopolitanism assesses the pasts and possible futures of cosmopolitanism—or ways of thinking, feeling, and acting beyond one’s particular society. With contributions from distinguished scholars in disciplines such as literary studies, art history, South Asian studies, and anthropology, this volume recenters the history and theory of translocal political aspirations and cultural ideas from the usual Western vantage point to areas outside Europe, such as South Asia, China, and Africa. By examining new archives, proposing new theoretical formulations, and suggesting new possibilities of political practice, the contributors critically probe the concept of cosmopolitanism. On the one hand, cosmopolitanism may be taken to promise a form of supraregional political solidarity, but on the other, these essays argue, it may erode precisely those intimate cultural differences that derive their meaning from particular places and traditions. Given that most cosmopolitan political formations—from the Roman empire and European imperialism to contemporary globalization—have been coercive and unequal, can there be a noncoercive and egalitarian cosmopolitan politics? Finally, the volume asks whether cosmopolitanism can promise any universalism that is not the unwarranted generalization of some Western particular. Contributors. Ackbar Abbas, Arjun Appadurai, Homi K. Bhabha, T. K. Biaya, Carol A. Breckenridge, Dipesh Chakrabarty, Ousame Ndiaye Dago, Mamadou Diouf, Wu Hung, Walter D. Mignolo, Sheldon Pollock, Steven Randall
Author:
Publisher: BRILL
ISBN: 9004353437
Category : History
Languages : en
Pages : 313
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Book Description
This book addresses different dimensions of cosmopolitanism in the Portuguese-speaking world which have caused much debate, such as migration and globalisation. The volume includes contributions from leading specialists in History, Musicology, Literary Studies, Anthropology and Political Sciences. It focuses on specific processes in Brazil, Portugal, West Africa, Angola, and other parts of the world, from the sixteenth century to the present. Central topics are intercontinental trading elites, the cultural impact of forced and voluntary migration, the republic of letters, the possibilities created by freemasonry and liberalism, the adaptation of the Azorean Holy Ghost Feast to the United States, international links of conservative politicians, the international projection of the new Angolan elite, architecture and urban planning. Contributors are: Vanda Anastácio, Cátia Antunes, Paulo Arruda, Francisco Bethencourt, Toby Green, Philip J. Havik, David R. M. Irving, João Leal, Giovanni Leoni, Ricardo Soares de Oliveira, António Costa Pinto, and Phillip Rothwell.
Author: Hala Halim
Publisher: Fordham Univ Press
ISBN: 0823251764
Category : History
Languages : en
Pages : 481
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Book Description
Interrogating how Alexandria became enshrined as the exemplary cosmopolitan space in the Middle East, this book mounts a radical critique of Eurocentric conceptions of cosmopolitanism. The dominant account of Alexandrian cosmopolitanism elevates things European in the city's culture and simultaneously places things Egyptian under the sign of decline. The book goes beyond this civilization/barbarism binary to trace other modes of intercultural solidarity. Halim presents a comparative study of literary representations, addressing poetry, fiction, guidebooks, and operettas, among other genres. She reappraises three writers--C. P. Cavafy, E. M. Forster, and Lawrence Durrell--whom she maintains have been cast as the canon of Alexandria. Attending to issues of genre, gender, ethnicity, and class, she refutes the view that these writers' representations are largely congruent and uncovers a variety of positions ranging from Orientalist to anti-colonial. The book then turns to Bernard de Zogheb, a virtually unpublished writer, and elicits his Camp parodies of elite Levantine mores in operettas one of which centers on Cavafy. Drawing on Arabic critical and historical texts, as well as contemporary writers' and filmmakers' engagement with the canonical triumvirate, Halim orchestrates an Egyptian dialogue with the European representations.
Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 0226816966
Category : Music
Languages : en
Pages : 420
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Book Description
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.
Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0199711984
Category : Music
Languages : en
Pages : 605
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Book Description
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.
