Music, Cosmology, and the Politics of Harmony in Early China PDF Download
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Author: Erica Fox Brindley
Publisher: State University of New York Press
ISBN: 1438443153
Category : Religion
Languages : en
Pages : 240
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Book Description
Winner of the 2013 Reading Committee Accolade for a Specialist Publication in the Humanities presented by the International Convention of Asia Scholars In early China, conceptions of music became important culturally and politically. This fascinating book examines a wide range of texts and discourse on music during this period (ca. 500–100 BCE) in light of the rise of religious, protoscientific beliefs on the intrinsic harmony of the cosmos. By tracking how music began to take on cosmic and religious significance, Erica Fox Brindley shows how music was used as a tool for such enterprises as state unification and cultural imperialism. She also outlines how musical discourse accompanied the growth of an explicit psychology of the emotions, served as a fundamental medium for spiritual attunement with the cosmos, and was thought to have utility and potency in medicine. While discussions of music in state ritual or as an aesthetic and cultural practice abound, this book is unique in linking music to religious belief and demonstrating its convergences with key religious, political, and intellectual transformations in early China.
Author: Erica Fox Brindley
Publisher: State University of New York Press
ISBN: 1438443153
Category : Religion
Languages : en
Pages : 240
Get Book Here
Book Description
Winner of the 2013 Reading Committee Accolade for a Specialist Publication in the Humanities presented by the International Convention of Asia Scholars In early China, conceptions of music became important culturally and politically. This fascinating book examines a wide range of texts and discourse on music during this period (ca. 500–100 BCE) in light of the rise of religious, protoscientific beliefs on the intrinsic harmony of the cosmos. By tracking how music began to take on cosmic and religious significance, Erica Fox Brindley shows how music was used as a tool for such enterprises as state unification and cultural imperialism. She also outlines how musical discourse accompanied the growth of an explicit psychology of the emotions, served as a fundamental medium for spiritual attunement with the cosmos, and was thought to have utility and potency in medicine. While discussions of music in state ritual or as an aesthetic and cultural practice abound, this book is unique in linking music to religious belief and demonstrating its convergences with key religious, political, and intellectual transformations in early China.
Author: Erica Fox Brindley
Publisher: SUNY Press
ISBN: 1438443137
Category : Religion
Languages : en
Pages : 240
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Book Description
Explores the religious, political, and cultural significance attributed to music in early China. In early China, conceptions of music became important culturally and politically. This fascinating book examines a wide range of texts and discourse on music during this period (ca. 500100 BCE) in light of the rise of religious, protoscientific beliefs on the intrinsic harmony of the cosmos. By tracking how music began to take on cosmic and religious significance, Erica Fox Brindley shows how music was used as a tool for such enterprises as state unification and cultural imperialism. She also outlines how musical discourse accompanied the growth of an explicit psychology of the emotions, served as a fundamental medium for spiritual attunement with the cosmos, and was thought to have utility and potency in medicine. While discussions of music in state ritual or as an aesthetic and cultural practice abound, this book is unique in linking music to religious belief and demonstrating its convergences with key religious, political, and intellectual transformations in early China.
Author: Elizabeth Childs-Johnson
Publisher: Oxford University Press, USA
ISBN: 0199328366
Category : History
Languages : en
Pages : 825
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Book Description
A chronological and interdisciplinary study of early China from the Neolithic through Warring States periods (ca 5000-500BCE).
Author: Thomas Radice
Publisher: Bloomsbury Publishing
ISBN: 1350358983
Category : Religion
Languages : en
Pages : 157
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Book Description
Examining early Chinese ritual discourse during the Warring States and early Western Han Periods, this book reveals how performance became a fundamental feature of ritual and politics in early China. Through a dramaturgical lens, Thomas Radice explores the extent to which performer/spectator relationships influenced all aspects of early Chinese religious, ethical, and political discourse. Arguing that the Confucians conceived ritual as primarily a dramaturgical matter, this book demonstrates not only that theatricality was necessary for expression and deception in a community of spectators, but also how a theatrical 'presence' ultimately became essential to all forms of public life in early China. Thomas Radice illuminates previously unexplored connections between early Chinese texts, aesthetics, and traditions.
Author: Xiaoye You
Publisher: SIU Press
ISBN: 0809338971
Category : Chinese language
Languages : en
Pages : 233
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Book Description
This book argues that political persuasion expanded in early imperial China through diverse written genres, and that what ancient Chinese called wenti jingwei, or genre networks, provides the central means to understand rhetoric and government at the time.
Author: Adam Kielman
Publisher: University of Chicago Press
ISBN: 0226817792
Category : Music
Languages : en
Pages : 209
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Book Description
A fascinating look at how the popular musical culture of Guangzhou expresses the city’s unique cosmopolitanism. Guangzhou is a large Chinese city like many others. With a booming economy and abundant job opportunities, it has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world’s largest economies. This openness and energy have led to a thriving popular music scene that is every bit the equal of Beijing’s. But the musical culture of Guangzhou expresses the city’s unique cosmopolitanism. A port city that once played a key role in China’s maritime Silk Road, Guangzhou has long been an international hub. Now, new migrants to the city are incorporating diverse Chinese folk traditions into the musical tapestry. In Sonic Mobilities, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands and small-town roots while forging new cosmopolitan musical connections. These bands make music that captures the intersection of the global and local that has come to define Guangzhou, for example by writing songs with a popular Jamaican reggae beat and lyrics in their distinct regional dialects mostly incomprehensible to their audiences. These bands create a sound both instantly recognizable and totally foreign, international and hyper-local. This juxtaposition, Kielman argues, is an apt expression of the demographic, geographic, and political shifts underway in Guangzhou and across the country. Bridging ethnomusicology, popular music studies, cultural geography, and media studies, Kielman examines the cultural dimensions of shifts in conceptualizations of self, space, publics, and state in a rapidly transforming the People’s Republic of China.
Author: Xiao Mei
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832556869
Category :
Languages : en
Pages : 224
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Book Description
The musical bow is usually considered one of the earliest instruments in the history of instrumental development; yet, the validity of this view has not been proven. In all likelihood, it was one among many other early instruments created to produce sound. The same can be said in general for all the simple chordophones called zithers, of which the musical bow is one type. The papers collected in this volume have been initially presented at the International Council for Traditional Music Colloquium (ICTM) held in Shanghai in December 2022. They try to challenge some previous depictions of instrumental development and one-sided explanations of musical histories. They specifically focus on exploring the interrelationship between instrumental development and the availability of natural resources in particular geographical regions. While the papers at the colloquium focused on sound production, they also explored the role of ethnomusicology as a discipline in guiding local decision making and interregional research co-operation.
Author: Robert L. Chard
Publisher: BRILL
ISBN: 9004465316
Category : Religion
Languages : en
Pages : 231
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Book Description
This book presents extensive primary sources to reveal how Confucians in Early China parlay their knowledge of ritual into political power, from the ancient aristocratic culture of the Spring and Autumn era to the state religion of the Han empire.
Author: Yu Hui
Publisher: Oxford University Press
ISBN: 0190661984
Category : Music
Languages : en
Pages : 569
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Book Description
In The Oxford Handbook of Music in China and the Chinese Diaspora, twenty-three scholars advance knowledge and understandings of Chinese music studies. Each contribution develops a theoretical model to illuminate new insights into a key musical genre or context. This handbook is categorized into three parts. In Part One, authors explore the extensive, remarkable, and polyvocal historical legacies of Chinese music. Ranging from archaeological findings to the creation of music history, chapters address enduring historical practices and emerging cultural expressions. Part Two focuses on evolving practice across a spectrum of key instrumental and vocal genres. Each chapter provides a portrait of musical change, tying musical transformations to the social dimensions underpinning that change. Part Three responds to the role that prominent issues, including sexuality, humanism, the amateur, and ethnicity, play in the broad field of Chinese music studies. Scholars present systematic orientations for researchers in the third decade of the twenty-first century. This volume incorporates extensive input from researchers based in China, Taiwan, and among Chinese communities across the world. Using a model of collaborative inquiry, The Oxford Handbook of Music in China and the Chinese Diaspora features diverse insider voices alongside authors positioned across the anglophone world.
Author: Vittorio Cotesta
Publisher: BRILL
ISBN: 9004464727
Category : Social Science
Languages : en
Pages : 653
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Book Description
Vittorio Cotesta’s The Heavens and the Earth traces the origin of the images of the world typical of the Graeco-Roman, Ancient Chinese and Medieval Islamic civilisations. Each of them had its own peculiar way of understanding the universe, life, death, society, power, humanity and its destiny. The comparative analysis carried out here suggests that they all shared a common human aspiration despite their differences: human being is unique; differences are details which enrich its image. Today, the traditions derived from these civilisations are often in competition and conflict. Reference to a common vision of humanity as a shared universal entity should lead, instead, to a quest for understanding and dialogue.
