They Fought the Law PDF Download
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Author: Stan Soocher
Publisher: Schirmer Trade Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
"This account of the most famous lawsuits in rock history ... traces the difficulties rockers have faced dealing with bad contracts, personnel problems, litigious fans, and crooked managers and accountants."--Jacket.
Author: Stan Soocher
Publisher: Schirmer Trade Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
"This account of the most famous lawsuits in rock history ... traces the difficulties rockers have faced dealing with bad contracts, personnel problems, litigious fans, and crooked managers and accountants."--Jacket.
Author: Christopher Hogwood
Publisher:
ISBN:
Category : Courts and courtiers
Languages : en
Pages : 136
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Book Description
Author: Katy Farina
Publisher: Union Square & Co.
ISBN: 1454939990
Category : Juvenile Fiction
Languages : en
Pages : 126
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Book Description
A charming fairy tale—told in graphic novel style—about two unlikely friends who encourage each other to pursue their dreams. “Katy’s work is so expressive and fun! The way she seamlessly blends high drama, big laughs, and tender family moments blows me away . . .” Gale Galligan, New York Times bestselling author of The Baby-Sitters Club graphic novels In order to buy seeds for her beautiful garden, Arietta plans to sell her treasured family violin. Then music-loving Princess Cassia spots Arietta with the instrument and excitedly asks her to perform at her upcoming birthday party. What the Princess doesn’t realize is, Arietta can’t play! Too ashamed to tell Cassia the truth, Arietta sets out to learn a special song for the occasion. But as Arietta’s musical passion blossoms, her devotion to her garden fades . . . and her trees and flowers begin to die. Will she be able to master the tune in time for Cassia’s celebration—and save the garden, too?
Author: Peter Bennett
Publisher: Cambridge University Press
ISBN: 1108830633
Category : History
Languages : en
Pages : 339
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Book Description
A study of the strategies by which sacred music and liturgy was used to legitimate Louis XIII's power.
Author: Wendy Hilton
Publisher: Pendragon Press
ISBN: 9780945193982
Category : Juvenile Nonfiction
Languages : en
Pages : 478
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Book Description
This collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.
Author: Donald Sanders
Publisher: Lexington Books
ISBN: 0739167278
Category : Music
Languages : en
Pages : 214
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Book Description
Beginning in the second half of the fifteenth century, under the patronage of the Gonzaga family, the northern Italian city of Mantua became a vibrant center for visual art, theatre, and music. The performance at the Gonzaga court of Poliziano's Fabula di Orfeo, around 1480, marked the beginning of secular music theatre. The use of musical numbers within the drama anticipated the beginnings of opera at Florence a century later, as well as the first masterpiece of the genre, Monteverdi's La favola d'Orfeo at Mantua in 1607. Mantua reached the zenith of its artistic distinction during the reign of Duke Vincenzo I, between 1587 and 1612. During this time, Wert and Gastoldi were joined at the court by the important Jewish composer Salamone Rossi and, most notably, by Monteverdi. The premieres of his Orfeo and Arisanna made the Gonzaga court, for that brief period, the most important center in the development of opera. In Music at the Gonzaga Court in Mantua, Donald C. Sanders discusses musical composition at the court in the context of the brilliant visual art that provided such a conducive environment. Sanders also traces the history of this very colorful family and their relationships with the emperors, kings, and popes who shaped modern Europe. Part history, part musicology, Sanders' analysis spans the fifteenth century through the seventeenth century, filling informative gaps with details essential for students in courses on Renaissance or Baroque music, or in more specialized courses on madrigal, opera, or liturgical music. Music at the Gonzaga Court in Mantua is also important reading for knowledgeable musical amateurs and anyone with interest in Italian history and arts.
Author: Honey Meconi
Publisher: Oxford University Press, USA
ISBN: 9780198165545
Category : History
Languages : en
Pages : 424
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Book Description
For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
Author: Suzanne G. Cusick
Publisher:
ISBN:
Category :
Languages : en
Pages : 445
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Book Description
Author: Samantha Owens
Publisher: Boydell & Brewer
ISBN: 1783270586
Category : Music
Languages : en
Pages : 506
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Book Description
Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast ofmusic directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Associate Professor in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARYOLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN
Author: Kwasi Ampene
Publisher: Routledge
ISBN: 9781032235585
Category :
Languages : en
Pages : 280
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Book Description
Asante Court Music and Verbal Arts in Ghana is a comprehensive portrait of Asante court musical arts. Weaving together historical narratives with analyses of texts performed on drums, ivory trumpets, and a cane flute, the book includes a critical assembly of ancient song texts, the poetry of bards (kwadwom), and referential poetry performed by members of the constabulary (apae). The focus is on the intersections between lived experience, music, and values, and refers to musical examples drawn from court ceremonies, rituals, festivals, as well as casual performances elicited in the course of fieldwork. For the Asante, the performing arts are complex sites for recording and storing personal experiences, and they have done so for centuries with remarkable consistency and self-consciousness. This book draws on archaeological, archival, historical, ethnographical and analytical sources to craft a view of the Asante experience as manifested in its musical and allied arts. Its goal is to privilege the voices of the Asante and how they express their history, religious philosophy, social values, economic, and political experiences through the musical and allied arts. The author's theoretical formulation includes the concept of value, referring to ideas, worldview concepts, beliefs, and social relationships that inform musical practices and choices in Asante.
