Music and the Queer Body in English Literature at the Fin de Siècle PDF Download
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Author: Fraser Riddell
Publisher: Cambridge University Press
ISBN: 1108839207
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
The first comprehensive study of music and queer identities in late-nineteenth and early-twentieth century English literature.
Author: Fraser Riddell
Publisher: Cambridge University Press
ISBN: 1108839207
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
The first comprehensive study of music and queer identities in late-nineteenth and early-twentieth century English literature.
Author: Fraser Riddell
Publisher: Cambridge University Press
ISBN: 1108996337
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
Author: Jane Desmarais
Publisher: Oxford University Press
ISBN: 0190066954
Category : Literary Criticism
Languages : en
Pages : 745
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Book Description
Edited by Jane Desmarais and David Weir.
Author: David Fuller
Publisher: Springer Nature
ISBN: 3030744434
Category : Literary Criticism
Languages : en
Pages : 558
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Book Description
This open access book studies breath and breathing in literature and culture and provides crucial insights into the history of medicine, health and the emotions, the foundations of beliefs concerning body, spirit and world, the connections between breath and creativity and the phenomenology of breath and breathlessness. Contributions span the classical, medieval, early modern, Romantic, Victorian, modern and contemporary periods, drawing on medical writings, philosophy, theology and the visual arts as well as on literary, historical and cultural studies. The collection illustrates the complex significance and symbolic power of breath and breathlessness across time: breath is written deeply into ideas of nature, spirituality, emotion, creativity and being, and is inextricable from notions of consciousness, spirit, inspiration, voice, feeling, freedom and movement. The volume also demonstrates the long-standing connections between breath and place, politics and aesthetics, illuminating both contrasts and continuities.
Author: Charles Martindale
Publisher: Cambridge University Press
ISBN: 1108835899
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
The first collected study of Pater's significance to criticism, revealing his pivotal role in establishing principles of the literary essay.
Author: Matthew Rowlinson
Publisher: Cambridge University Press
ISBN: 1009409956
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.
Author: Aaron Rosenberg
Publisher:
ISBN: 1009271822
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
At the turn of the twentieth century, novelists faced an unprecedented crisis of scale. While exponential increases in industrial production, resource extraction, and technological complexity accelerated daily life, growing concerns about deep time, evolution, globalization, and extinction destabilised scale's value as a measure of reality. Here, Aaron Rosenberg examines how four novelists moved radically beyond novelistic realism, repurposing the genres-romance, melodrama, gothic, and epic-it had ostensibly superseded. He demonstrates how H. G. Wells, Thomas Hardy, Joseph Conrad, and Virginia Woolf engaged with climatic and ecological crises that persist today, requiring us to navigate multiple temporal and spatial scales simultaneously. The volume shows that problems of scale constrain our responses to crisis by shaping the linguistic, aesthetic, and narrative structures through which we imagine it. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Lauren Gillingham
Publisher: Cambridge University Press
ISBN: 1009296566
Category : Design
Languages : en
Pages : 327
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Book Description
Lauren Gillingham reveals how a modern notion of fashion helped to transform the novel in nineteenth-century Britain.
Author: Rosalind Parry
Publisher: Cambridge University Press
ISBN: 1009272012
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
Author: Elizabeth Helsinger
Publisher: Cambridge University Press
ISBN: 1009200208
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Conversing in Verse considers when and why poets turn to conversation to explore and expand the potential of poetry.