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Author: R. A. Sharpe
Publisher: Clarendon Press
ISBN: 9780198238850
Category : Language Arts & Disciplines
Languages : en
Pages : 250
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Book Description
The metaphor of music as a language has exerted a deep influence on the way we think about music and the way we hear it: we conceive of music as expressive and as something to be understood. These two ideas underpin the thought that it is a humanist art. Sharpe suggests that Western music may have entered a new period in which the language analogy and the humanist conception are becoming less and less appropriate."--BOOK JACKET.
Author: R. A. Sharpe
Publisher: Clarendon Press
ISBN: 9780198238850
Category : Language Arts & Disciplines
Languages : en
Pages : 250
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Book Description
The metaphor of music as a language has exerted a deep influence on the way we think about music and the way we hear it: we conceive of music as expressive and as something to be understood. These two ideas underpin the thought that it is a humanist art. Sharpe suggests that Western music may have entered a new period in which the language analogy and the humanist conception are becoming less and less appropriate."--BOOK JACKET.
Author: Nancy Kovaleff Baker
Publisher: Pendragon Press
ISBN: 9780945193296
Category : Music
Languages : en
Pages : 562
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Book Description
Author: Claude V. Palisca
Publisher:
ISBN: 9780300049626
Category : Humanism
Languages : en
Pages : 471
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Book Description
Author: Walter L. Wehner
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272
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Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Author: Edward A. Lippman
Publisher: Pendragon Press
ISBN: 9781576471210
Category : Juvenile Nonfiction
Languages : en
Pages : 336
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Book Description
Our field of inquiry - Material - Form - Meaning - Style - Permanence - Composites - Context - Conception.
Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
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Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author: Walter L. Wehner
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 152
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Book Description
Author: Margaret Lucille Kekewich
Publisher: Yale University Press
ISBN: 9780300082210
Category : History
Languages : en
Pages : 304
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Book Description
These are explored through a reassessment of the role of humanism, with case studies in music (Josquin Desprez), moral philosophy (Valla, Castiglione, Erasmus, More) and political thought (Machiavelli)." "This book is the first in a series of three specifically designed for the Open University course, The Renaissance in Europe: A Cultural Enquiry. The series is designed to appeal both to the general reader and to those studying undergraduate arts courses in the period."--BOOK JACKET.
Author: James Haar
Publisher: Boydell Press
ISBN: 9781843832003
Category : Music
Languages : en
Pages : 606
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Book Description
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
