Author: Ruth M. Stone
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 134
Book Description
This book introduces the musical traditions of West Africa and discusses the diversity, motifs, and structure of West African music within the larger patterns of the region's culture.
Music in West Africa
Author: Ruth M. Stone
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 134
Book Description
This book introduces the musical traditions of West Africa and discusses the diversity, motifs, and structure of West African music within the larger patterns of the region's culture.
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 134
Book Description
This book introduces the musical traditions of West Africa and discusses the diversity, motifs, and structure of West African music within the larger patterns of the region's culture.
Djoliba Crossing
Author: Dave Kobrenski
Publisher: Artemisia Books
ISBN: 0982668996
Category : Music
Languages : en
Pages : 182
Book Description
Take a journey into the heart of West Africa... Artist, musician, and author Dave Kobrenski takes the reader on a musical and visual journey up the Djoliba river in Guinea to explore ancient music traditions, as well as to understand the challenges that face a country "balancing between the world of its ancient traditions and the frontier of modern ideals and influences." Dozens of original paintings and drawings accompany vivid first-hand accounts of the music, culture, and people of Guinea, while scores of rhythm notations make this a unique and valuable resource for musicians, educators, and travel enthusiasts alike. From the author's preface: "Part travelogue, part sketchbook, this is a book about glimpsing in the everyday dust of existence the potential for rich and meaningful expressions of being in the world; of seeing that beyond the tattered common cloth of life hangs a veil of mystery infused with magic and wonder."
Publisher: Artemisia Books
ISBN: 0982668996
Category : Music
Languages : en
Pages : 182
Book Description
Take a journey into the heart of West Africa... Artist, musician, and author Dave Kobrenski takes the reader on a musical and visual journey up the Djoliba river in Guinea to explore ancient music traditions, as well as to understand the challenges that face a country "balancing between the world of its ancient traditions and the frontier of modern ideals and influences." Dozens of original paintings and drawings accompany vivid first-hand accounts of the music, culture, and people of Guinea, while scores of rhythm notations make this a unique and valuable resource for musicians, educators, and travel enthusiasts alike. From the author's preface: "Part travelogue, part sketchbook, this is a book about glimpsing in the everyday dust of existence the potential for rich and meaningful expressions of being in the world; of seeing that beyond the tattered common cloth of life hangs a veil of mystery infused with magic and wonder."
Music and Culture of West Africa
Author: Gloria J. Gibson
Publisher:
ISBN: 9780253338327
Category : History
Languages : en
Pages :
Book Description
A multimedia investigation of the Straus Expedition, a 1934 field research study in West Africa; includes sound recordings, photographs, and film footage. Interactive sections allow users to explore musical principles and techniques that are common in African music.
Publisher:
ISBN: 9780253338327
Category : History
Languages : en
Pages :
Book Description
A multimedia investigation of the Straus Expedition, a 1934 field research study in West Africa; includes sound recordings, photographs, and film footage. Interactive sections allow users to explore musical principles and techniques that are common in African music.
Mande Music
Author: Eric Charry
Publisher: University of Chicago Press
ISBN: 9780226101613
Category : Music
Languages : en
Pages : 544
Book Description
With Mande Music, Eric Charry offers the most comprehensive source available on one of Africa's richest and most sophisticated music cultures. Using resources as disparate as early Arabic travel accounts, oral histories, and archival research as well as his own extensive studies in Mali, Guinea, Senegal, and the Gambia, Charry traces this music culture from its origins in the thirteenth-century Mali empire to the recording studios of Paris and New York. He focuses on the four major spheres of Mande music—hunter's music, music of the jelis or griots, jembe and other drumming, and guitar-based modern music—exploring how each evolved, the types of instruments used, the major artists, and how each sphere relates to the others. With its maps, illustrations, and musical transcriptions as well as an exhaustive bibliography, discography, and videography, this book is essential reading for those seeking an in-depth look at one of the most exciting, innovative, and deep-rooted phenomena on the world music scene. A compact disc is available separately.
Publisher: University of Chicago Press
ISBN: 9780226101613
Category : Music
Languages : en
Pages : 544
Book Description
With Mande Music, Eric Charry offers the most comprehensive source available on one of Africa's richest and most sophisticated music cultures. Using resources as disparate as early Arabic travel accounts, oral histories, and archival research as well as his own extensive studies in Mali, Guinea, Senegal, and the Gambia, Charry traces this music culture from its origins in the thirteenth-century Mali empire to the recording studios of Paris and New York. He focuses on the four major spheres of Mande music—hunter's music, music of the jelis or griots, jembe and other drumming, and guitar-based modern music—exploring how each evolved, the types of instruments used, the major artists, and how each sphere relates to the others. With its maps, illustrations, and musical transcriptions as well as an exhaustive bibliography, discography, and videography, this book is essential reading for those seeking an in-depth look at one of the most exciting, innovative, and deep-rooted phenomena on the world music scene. A compact disc is available separately.
Fiddling in West Africa
Author: Jacqueline Cogdell DjeDje
Publisher: Indiana University Press
ISBN: 0253349249
Category : Dagbani (African people)
Languages : en
Pages : 0
Book Description
Fiddling has had a lengthy history in Africa which has long been ignored. Jacqueline Cogdell DjeDje corrects this oversight with an expansive study on fiddling in the Fulbe, Hausa, and Dagbamba cultures of West Africa. DjeDje not only explains the history of the instrument itself, but also discusses the processes of stylistic transference and adaptation, suggesting how these may have contributed to differing performance practices. Additionally, DjeDje delves into the music, the performance context, the musicians behind the fiddle, the meaning of the instrument, and its use in these three cultures. This detailed work helps the reader understand and appreciate three little-known musical cultures in West Africa and the fiddle's influence upon them.
Publisher: Indiana University Press
ISBN: 0253349249
Category : Dagbani (African people)
Languages : en
Pages : 0
Book Description
Fiddling has had a lengthy history in Africa which has long been ignored. Jacqueline Cogdell DjeDje corrects this oversight with an expansive study on fiddling in the Fulbe, Hausa, and Dagbamba cultures of West Africa. DjeDje not only explains the history of the instrument itself, but also discusses the processes of stylistic transference and adaptation, suggesting how these may have contributed to differing performance practices. Additionally, DjeDje delves into the music, the performance context, the musicians behind the fiddle, the meaning of the instrument, and its use in these three cultures. This detailed work helps the reader understand and appreciate three little-known musical cultures in West Africa and the fiddle's influence upon them.
Drawing on Culture
Author: Dave Kobrenski
Publisher:
ISBN: 9780982668931
Category :
Languages : en
Pages :
Book Description
In Drawing on Culture, artist and ethnomusicologist Dave Kobrenski explores traditional cultures from around the world. West Africa is the first in the series and consists of more than 30 artworks done on location while traveling through villages along the Niger River in Guinée. Through detailed field drawings accompanied by his own notes, Kobrenski provides a glimpse into the lives and culture of a people maintaining their ancient traditions, even as the modern world encroaches.
Publisher:
ISBN: 9780982668931
Category :
Languages : en
Pages :
Book Description
In Drawing on Culture, artist and ethnomusicologist Dave Kobrenski explores traditional cultures from around the world. West Africa is the first in the series and consists of more than 30 artworks done on location while traveling through villages along the Niger River in Guinée. Through detailed field drawings accompanied by his own notes, Kobrenski provides a glimpse into the lives and culture of a people maintaining their ancient traditions, even as the modern world encroaches.
Africa and the Blues
Author: Gerhard Kubik
Publisher: Univ. Press of Mississippi
ISBN: 9781578061464
Category : Music
Languages : en
Pages : 268
Book Description
In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world [Publisher description].
Publisher: Univ. Press of Mississippi
ISBN: 9781578061464
Category : Music
Languages : en
Pages : 268
Book Description
In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world [Publisher description].
Hip Hop Africa
Author: Eric Charry
Publisher: Indiana University Press
ISBN: 0253005825
Category : Music
Languages : en
Pages : 405
Book Description
Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.
Publisher: Indiana University Press
ISBN: 0253005825
Category : Music
Languages : en
Pages : 405
Book Description
Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.
Highlife Music in West Africa
Author: Sonny Oti
Publisher: African Books Collective
ISBN: 978842208X
Category : Education
Languages : en
Pages : 210
Book Description
Highlife Music in West Africa is an excursion into the origins and development of an extraordinary music form. Highlife music is essentially an urban music, but unlike dance music performed using Western musical instruments, its dynamism is based less in the aesthetics of form and style than in song-texts. Critics treat highlife as a popular music genre, but this fails to acknowledge the role that the lyrics of highlife music played in the search for political, economic, and national growth and stability in Africa. Highlife musicians' messages, like drama and theater scripts, not only reflect Africa's culture but also highlight her social, economic, and political problems. The involvement of radicals and Pan-Africanists has helped elevate highlife musicians from the status of entertainers to a more serious and responsible one, as modern African town criers, whose song-texts are communal messages, warnings, and counseling.
Publisher: African Books Collective
ISBN: 978842208X
Category : Education
Languages : en
Pages : 210
Book Description
Highlife Music in West Africa is an excursion into the origins and development of an extraordinary music form. Highlife music is essentially an urban music, but unlike dance music performed using Western musical instruments, its dynamism is based less in the aesthetics of form and style than in song-texts. Critics treat highlife as a popular music genre, but this fails to acknowledge the role that the lyrics of highlife music played in the search for political, economic, and national growth and stability in Africa. Highlife musicians' messages, like drama and theater scripts, not only reflect Africa's culture but also highlight her social, economic, and political problems. The involvement of radicals and Pan-Africanists has helped elevate highlife musicians from the status of entertainers to a more serious and responsible one, as modern African town criers, whose song-texts are communal messages, warnings, and counseling.
From Timbuktu to the Mississippi Delta
Author: Pascal Bokar Thiam
Publisher: Cognella Academic Publishing
ISBN: 9781634871051
Category : Aesthetics, African
Languages : en
Pages : 156
Book Description
From Timbuktu to the Mississippi Delta explores how West African standards of aesthetics and sociocultural traits have moved into mainstream American culture and become social norms. I was curious to know why African Americans (and the country as a whole, for that matter) began clapping on beats two and four, and why we'd get dirty looks if we were caught clapping on the wrong beat. I had a desire to know why the identity of the music of our nation, with its majority population of European descent, had the musical textures, bent pitches, and blue notes of Africa. I wondered why a sense of swing developed here that was closer in syncopation to African culture than to the classical music of Vienna or the Paris Opera. And finally, I wanted to know why our nation's youth moved suggestively on the dance floor with their hips-movements that are closer in aesthetics to African dance than to ballet. The journey began on the banks of the mighty Niger River. Pascal Bokar Thiam, Ed.D., is on the faculty of the University of San Francisco, California, and the French American International School where he teaches jazz and world music courses in the Performing Arts Division. He is a jazz guitarist and vocalist of Senegalese and French background. His CD Savanna Jazz Club, which combines the music of Charlie Parker and Dizzy Gillespie with Senegalese rhythms, made the top 40 of U.S. jazz radio stations nationwide. He is the owner of the award-winning Savanna Jazz Club of San Francisco. His areas of interest include jazz education, social justice, and diversity.
Publisher: Cognella Academic Publishing
ISBN: 9781634871051
Category : Aesthetics, African
Languages : en
Pages : 156
Book Description
From Timbuktu to the Mississippi Delta explores how West African standards of aesthetics and sociocultural traits have moved into mainstream American culture and become social norms. I was curious to know why African Americans (and the country as a whole, for that matter) began clapping on beats two and four, and why we'd get dirty looks if we were caught clapping on the wrong beat. I had a desire to know why the identity of the music of our nation, with its majority population of European descent, had the musical textures, bent pitches, and blue notes of Africa. I wondered why a sense of swing developed here that was closer in syncopation to African culture than to the classical music of Vienna or the Paris Opera. And finally, I wanted to know why our nation's youth moved suggestively on the dance floor with their hips-movements that are closer in aesthetics to African dance than to ballet. The journey began on the banks of the mighty Niger River. Pascal Bokar Thiam, Ed.D., is on the faculty of the University of San Francisco, California, and the French American International School where he teaches jazz and world music courses in the Performing Arts Division. He is a jazz guitarist and vocalist of Senegalese and French background. His CD Savanna Jazz Club, which combines the music of Charlie Parker and Dizzy Gillespie with Senegalese rhythms, made the top 40 of U.S. jazz radio stations nationwide. He is the owner of the award-winning Savanna Jazz Club of San Francisco. His areas of interest include jazz education, social justice, and diversity.