Murray Marks and His Friends PDF Download
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Author: George Charles Williamson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Author: George Charles Williamson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Author: G. G. Williamson
Publisher: Read Books Ltd
ISBN: 144748794X
Category : Biography & Autobiography
Languages : en
Pages : 171
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 662
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 660
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 620
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Book Description
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 580
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
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Book Description
Author: Alfred Emanuel Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 626
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Book Description
Author: Alla Myzelev
Publisher: Routledge
ISBN: 1351558935
Category : Art
Languages : en
Pages : 386
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Book Description
Interweaving notions of identity and subjectivity, spatial contexts, materiality and meaning, this collection makes a significant contribution to debates around the status and interpretation of visual and material culture. Material Cultures, 1740-1920 has four primary theoretical and historiographic lines of inquiry. The first is how concepts of otherness and difference inform, imbricate, and impose themselves on identity and the modes of acquisition as well as the objects themselves. The second concern explores the intricacies of how objects and their subjects negotiate and represent spatial narratives. The third thread attempts to unravel the ideological underpinnings of collections of individuals which inevitably and invariably rub up against the social, the institutional, and the political. Finally, at the heart of Material Cultures, 1740-1920 is an intervention moving beyond the disciplinary ethos of material culture to argue more firmly for the aesthetic, visual, and semiotic potency inseparable from any understanding of material objects integral to the lives of their collecting subjects. The collection argues that objects are semiotic conduits or signs of meanings, pleasures, and desires that are deeply subjective; more often than not, they reveal racial, gendered, and sexual identities. As the volume demonstrates through its various case studies, material and visual cultures are not as separate as our current disciplinary ethos would lead us to believe.
