Author: Oliver Kozlarek
Publisher: V&R unipress GmbH
ISBN: 384710229X
Category : History
Languages : en
Pages : 231
Book Description
Contemporary theories of modernity recognize the plurality or »multiplicity± of modernities. Often the differences are seen as institutional or cultural differences. Although this sort of research is important it cannot be ignored that it does not provide a clear understanding of the »human consequences±. The tradition that today is known under the name of Critical Theory, on the contrary, has been interested always first of all in the human consequences. This book wants to follow this ambition. The question it tries to search answers for is: what are the experiences that human beings are making in and within global modernity? Another question is important: what are the affinities and what are the differences. Also Critical Theory was mainly interested in the Western experiences with and within global modernity. The book will challenge this limited view by looking how modernities is experienced in other parts of the world.0Following the tradition of critical theory, the volume enquires into the experiences people make with and in global modernity. It thereby seeks to draw attention to both affinities and differences in these experiences, and to depart from the western horizon of experience and consider other forms of experience. Current theories of modernity are based on the assumption of the diversity of modernity. This diversity is frequently understood to be the outcome of institutional and cultural differences.
Multiple Experiences of Modernity
Author: Oliver Kozlarek
Publisher: V&R unipress GmbH
ISBN: 384710229X
Category : History
Languages : en
Pages : 231
Book Description
Contemporary theories of modernity recognize the plurality or »multiplicity± of modernities. Often the differences are seen as institutional or cultural differences. Although this sort of research is important it cannot be ignored that it does not provide a clear understanding of the »human consequences±. The tradition that today is known under the name of Critical Theory, on the contrary, has been interested always first of all in the human consequences. This book wants to follow this ambition. The question it tries to search answers for is: what are the experiences that human beings are making in and within global modernity? Another question is important: what are the affinities and what are the differences. Also Critical Theory was mainly interested in the Western experiences with and within global modernity. The book will challenge this limited view by looking how modernities is experienced in other parts of the world.0Following the tradition of critical theory, the volume enquires into the experiences people make with and in global modernity. It thereby seeks to draw attention to both affinities and differences in these experiences, and to depart from the western horizon of experience and consider other forms of experience. Current theories of modernity are based on the assumption of the diversity of modernity. This diversity is frequently understood to be the outcome of institutional and cultural differences.
Publisher: V&R unipress GmbH
ISBN: 384710229X
Category : History
Languages : en
Pages : 231
Book Description
Contemporary theories of modernity recognize the plurality or »multiplicity± of modernities. Often the differences are seen as institutional or cultural differences. Although this sort of research is important it cannot be ignored that it does not provide a clear understanding of the »human consequences±. The tradition that today is known under the name of Critical Theory, on the contrary, has been interested always first of all in the human consequences. This book wants to follow this ambition. The question it tries to search answers for is: what are the experiences that human beings are making in and within global modernity? Another question is important: what are the affinities and what are the differences. Also Critical Theory was mainly interested in the Western experiences with and within global modernity. The book will challenge this limited view by looking how modernities is experienced in other parts of the world.0Following the tradition of critical theory, the volume enquires into the experiences people make with and in global modernity. It thereby seeks to draw attention to both affinities and differences in these experiences, and to depart from the western horizon of experience and consider other forms of experience. Current theories of modernity are based on the assumption of the diversity of modernity. This diversity is frequently understood to be the outcome of institutional and cultural differences.
Struggles for Recognition
Author: Juan Sebastián Ospina León
Publisher: University of California Press
ISBN: 0520305426
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Struggles for Recognition traces the emergence of melodrama in Latin American silent film and silent film culture. Juan Sebastián Ospina León draws on extensive archival research to reveal how melodrama visualized and shaped the social arena of urban modernity in early twentieth-century Latin America. Analyzing sociocultural contexts through film, this book demonstrates the ways in which melodrama was mobilized for both liberal and illiberal ends, revealing or concealing social inequities from Buenos Aires to Bogotá to Los Angeles. Ospina León critically engages Euro-American and Latin American scholarship seldom put into dialogue, offering an innovative theorization of melodrama relevant to scholars working within and across different national contexts.
Publisher: University of California Press
ISBN: 0520305426
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Struggles for Recognition traces the emergence of melodrama in Latin American silent film and silent film culture. Juan Sebastián Ospina León draws on extensive archival research to reveal how melodrama visualized and shaped the social arena of urban modernity in early twentieth-century Latin America. Analyzing sociocultural contexts through film, this book demonstrates the ways in which melodrama was mobilized for both liberal and illiberal ends, revealing or concealing social inequities from Buenos Aires to Bogotá to Los Angeles. Ospina León critically engages Euro-American and Latin American scholarship seldom put into dialogue, offering an innovative theorization of melodrama relevant to scholars working within and across different national contexts.
A Cultural History of Theatre in the Modern Age
Author: Kim Solga
Publisher: Bloomsbury Publishing
ISBN: 1350135488
Category : History
Languages : en
Pages : 297
Book Description
To call something modern is to assert something fundamental about the social, cultural, economic and technical sophistication of that thing, over and against what has come before. A Cultural History of Theatre in the Modern Age provides an interdisciplinary overview of theatre and performance in their social and material contexts from the late 19th century through the early 2000s, emphasizing key developments and trends that both exemplify and trouble the various meanings of the term 'modern', and the identity of modernist theatre and performance. Highly illustrated with 40 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Publisher: Bloomsbury Publishing
ISBN: 1350135488
Category : History
Languages : en
Pages : 297
Book Description
To call something modern is to assert something fundamental about the social, cultural, economic and technical sophistication of that thing, over and against what has come before. A Cultural History of Theatre in the Modern Age provides an interdisciplinary overview of theatre and performance in their social and material contexts from the late 19th century through the early 2000s, emphasizing key developments and trends that both exemplify and trouble the various meanings of the term 'modern', and the identity of modernist theatre and performance. Highly illustrated with 40 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
African Languages, Literatures, and Postcolonial Modernity
Author: Samba Camara
Publisher: Cambridge Scholars Publishing
ISBN: 1527559009
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
This book offers a fresh look into the “languages of postcolonial modernity” in Africa and, to a lesser degree, its diaspora. It foregrounds the notion of postcolonial modernity in reference to modernization as experienced in the postcolony and its contemporary legacies, and investigates how African languages and literatures, both as means of communication and as instruments of cultural agency, have embodied and mediated modernity. Each chapter grapples with the literary or linguistic dimensions of postcolonial modernity as portrayed in African novels, film, poetry or popular music or as embodied in African and Afro-diasporic languages and dialects. The chapters also reveal how literature and language, respectively, document and embody discourses, phenomena, histories, ideologies, and beliefs that resulted from the legacies of colonialism.
Publisher: Cambridge Scholars Publishing
ISBN: 1527559009
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
This book offers a fresh look into the “languages of postcolonial modernity” in Africa and, to a lesser degree, its diaspora. It foregrounds the notion of postcolonial modernity in reference to modernization as experienced in the postcolony and its contemporary legacies, and investigates how African languages and literatures, both as means of communication and as instruments of cultural agency, have embodied and mediated modernity. Each chapter grapples with the literary or linguistic dimensions of postcolonial modernity as portrayed in African novels, film, poetry or popular music or as embodied in African and Afro-diasporic languages and dialects. The chapters also reveal how literature and language, respectively, document and embody discourses, phenomena, histories, ideologies, and beliefs that resulted from the legacies of colonialism.
The Making and Selling of Post-Mao Beijing
Author: Anne-Marie Broudehoux
Publisher: Routledge
ISBN: 1134360614
Category : Architecture
Languages : en
Pages : 281
Book Description
This book explores the transformation of the Chinese capital both socially and physically during the final decades of the twentieth century.
Publisher: Routledge
ISBN: 1134360614
Category : Architecture
Languages : en
Pages : 281
Book Description
This book explores the transformation of the Chinese capital both socially and physically during the final decades of the twentieth century.
Through the Kaleidoscope
Author: Vivian Schelling
Publisher: Verso
ISBN: 9781859847497
Category : Latin America
Languages : en
Pages : 324
Book Description
Modernity in Latin America is defined above all by its multi-layered, kaleidoscopic quality. Reminiscent of Octavio Paz's labyrinth, it is a modernity which has accommodated a piling-on of new traditions to old, a blending of external cultures with local, and of high cultures with more popular ones—mixes which allowed a rich and celebratory avant-garde movement, for example, to emerge in the 1920s, and prompted the explosive growth of cities like Rio de Janeiro. Many such cultural (as well as technological) innovations have occurred without equivalent changes in social and political life, however, and so the region has also been at the mercy of what might be termed an uneven development in many of its civic institutions. In this prestigious volume of original essays, many of the best writers on the region are brought together to examine the nature and manifestations of a specifically Latin American modernity. Beatriz Sarlo and Nicolau Sevcenko write about Buenos Aires and Sao Paulo in an exploration of twentieth century urban experience and shifting patterns of migration and immigration; Renato Ortiz and Ana Lopez look at mass media and the ways in which radio, television and cinema have shaped modernity; Jose Jorge de Carvalho, Jose de Souza Martins and Nelson Manrique address questions of religion, politics, ideology and social movements; Gwen Kirkpatrick and Beatriz Rezende explore the intricacies of artistic and literary modernism; and Nestor Canclini and Ruben Oliven open the collection with essays which unravel the many forces – the legacy of slavery, the freedom from an unquestioning faith in development and 'progress', the impact of globalisation – that have given rise to a characteristically hybrid modernity.
Publisher: Verso
ISBN: 9781859847497
Category : Latin America
Languages : en
Pages : 324
Book Description
Modernity in Latin America is defined above all by its multi-layered, kaleidoscopic quality. Reminiscent of Octavio Paz's labyrinth, it is a modernity which has accommodated a piling-on of new traditions to old, a blending of external cultures with local, and of high cultures with more popular ones—mixes which allowed a rich and celebratory avant-garde movement, for example, to emerge in the 1920s, and prompted the explosive growth of cities like Rio de Janeiro. Many such cultural (as well as technological) innovations have occurred without equivalent changes in social and political life, however, and so the region has also been at the mercy of what might be termed an uneven development in many of its civic institutions. In this prestigious volume of original essays, many of the best writers on the region are brought together to examine the nature and manifestations of a specifically Latin American modernity. Beatriz Sarlo and Nicolau Sevcenko write about Buenos Aires and Sao Paulo in an exploration of twentieth century urban experience and shifting patterns of migration and immigration; Renato Ortiz and Ana Lopez look at mass media and the ways in which radio, television and cinema have shaped modernity; Jose Jorge de Carvalho, Jose de Souza Martins and Nelson Manrique address questions of religion, politics, ideology and social movements; Gwen Kirkpatrick and Beatriz Rezende explore the intricacies of artistic and literary modernism; and Nestor Canclini and Ruben Oliven open the collection with essays which unravel the many forces – the legacy of slavery, the freedom from an unquestioning faith in development and 'progress', the impact of globalisation – that have given rise to a characteristically hybrid modernity.
The Routledge Companion to Modernity, Space and Gender
Author: Alexandra Staub
Publisher: Routledge
ISBN: 1351719432
Category : Architecture
Languages : en
Pages : 571
Book Description
The Routledge Companion to Modernity, Space and Gender reframes the discussion of modernity, space and gender by examining how "modernity" has been defined in various cultural contexts of the twentieth and twenty-first centuries, how this definition has been expressed spatially and architecturally, and what effect this has had on women in their everyday lives. In doing so, this volume presents theories and methods for understanding space and gender as they relate to the development of cities, urban space and individual building types (such as housing, work spaces or commercial spaces) in both the creation of and resistance to social transformations and modern global capitalism. The book contains a diverse range of case studies from the US, Europe, the UK, and Asian countries such as China and India, which bring together a multiplicity of approaches to a continuing and common issue and reinforces the need for alternatives to the existing theoretical canon.
Publisher: Routledge
ISBN: 1351719432
Category : Architecture
Languages : en
Pages : 571
Book Description
The Routledge Companion to Modernity, Space and Gender reframes the discussion of modernity, space and gender by examining how "modernity" has been defined in various cultural contexts of the twentieth and twenty-first centuries, how this definition has been expressed spatially and architecturally, and what effect this has had on women in their everyday lives. In doing so, this volume presents theories and methods for understanding space and gender as they relate to the development of cities, urban space and individual building types (such as housing, work spaces or commercial spaces) in both the creation of and resistance to social transformations and modern global capitalism. The book contains a diverse range of case studies from the US, Europe, the UK, and Asian countries such as China and India, which bring together a multiplicity of approaches to a continuing and common issue and reinforces the need for alternatives to the existing theoretical canon.
The Making of the Middle Class
Author: A. Ricardo López
Publisher: Duke University Press
ISBN: 0822351293
Category : History
Languages : en
Pages : 461
Book Description
The contributors question the current academic understanding of what is known as the global middle class. They see middle-class formation as transnational and they examine this group through the lenses of economics, gender, race, and religion from the mid-nineteenth century to today.
Publisher: Duke University Press
ISBN: 0822351293
Category : History
Languages : en
Pages : 461
Book Description
The contributors question the current academic understanding of what is known as the global middle class. They see middle-class formation as transnational and they examine this group through the lenses of economics, gender, race, and religion from the mid-nineteenth century to today.
The Cambridge History of Black and Asian British Writing
Author: Susheila Nasta
Publisher: Cambridge University Press
ISBN: 1108169007
Category : Literary Criticism
Languages : en
Pages : 862
Book Description
The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship.
Publisher: Cambridge University Press
ISBN: 1108169007
Category : Literary Criticism
Languages : en
Pages : 862
Book Description
The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship.
Pretty Liar
Author: Natalie Khazaal
Publisher: Syracuse University Press
ISBN: 0815654510
Category : Performing Arts
Languages : en
Pages : 344
Book Description
How did a new, irresistible brand of television emerge from the Lebanese Civil War (1975–91) to conquer the Arab region in the satellite era? What role did seductive news anchors, cool language teachers, superheroes, and gossip magazines play in negotiating a modern relationship between television and audiences? How did the government lose its television monopoly to sectarian militias? Pretty Liar tells the untold story of the coevolution of Lebanese television and its audience, and the ways in which the Civil War of 1975–91 influenced that transformation. Based on empirical data, Khazaal explores the rise of language and gender politics in Lebanese television and the storm of controversy during which these issues became a referendum on television’s relevance. This groundbreaking book challenges the narrow focus on present-day satellite television and social media, offering the first account of how broadcast television transformed media legitimacy in the Arab world. With its analysis of news, entertainment, and educational shows from Télé Liban and LBC, novels, periodicals, and popular culture, Pretty Liar demonstrates how television became a site for politics and political resistance, feminism, and the cradle of the postwar Lebanese culture. The history of television in Lebanon is not merely a record of corporate technology but the saga of a people and their continuing demand for responsive media during times of civil unrest.
Publisher: Syracuse University Press
ISBN: 0815654510
Category : Performing Arts
Languages : en
Pages : 344
Book Description
How did a new, irresistible brand of television emerge from the Lebanese Civil War (1975–91) to conquer the Arab region in the satellite era? What role did seductive news anchors, cool language teachers, superheroes, and gossip magazines play in negotiating a modern relationship between television and audiences? How did the government lose its television monopoly to sectarian militias? Pretty Liar tells the untold story of the coevolution of Lebanese television and its audience, and the ways in which the Civil War of 1975–91 influenced that transformation. Based on empirical data, Khazaal explores the rise of language and gender politics in Lebanese television and the storm of controversy during which these issues became a referendum on television’s relevance. This groundbreaking book challenges the narrow focus on present-day satellite television and social media, offering the first account of how broadcast television transformed media legitimacy in the Arab world. With its analysis of news, entertainment, and educational shows from Télé Liban and LBC, novels, periodicals, and popular culture, Pretty Liar demonstrates how television became a site for politics and political resistance, feminism, and the cradle of the postwar Lebanese culture. The history of television in Lebanon is not merely a record of corporate technology but the saga of a people and their continuing demand for responsive media during times of civil unrest.