Author: Ellis Parker Butler
Publisher:
ISBN:
Category :
Languages : en
Pages : 159
Book Description
Mr. Perkins of Portland ...
Author: Ellis Parker Butler
Publisher:
ISBN:
Category :
Languages : en
Pages : 159
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 159
Book Description
Mr. Perkins of Portland [microform]
Author: Ellis Parker Butler
Publisher:
ISBN: 9780665807794
Category : Automobiles
Languages : en
Pages : 171
Book Description
Publisher:
ISBN: 9780665807794
Category : Automobiles
Languages : en
Pages : 171
Book Description
Mr. Perkins of Portland
Author: Ellis Parker Butler
Publisher: Copp Clark
ISBN:
Category : Automobiles
Languages : en
Pages : 192
Book Description
Publisher: Copp Clark
ISBN:
Category : Automobiles
Languages : en
Pages : 192
Book Description
Hearings
Author: United States. Congress Senate
Publisher:
ISBN:
Category :
Languages : en
Pages : 2800
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 2800
Book Description
Scribner's Monthly, an Illustrated Magazine for the People
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1018
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1018
Book Description
The Century Illustrated Monthly Magazine
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 998
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 998
Book Description
American Lumberman
Author:
Publisher:
ISBN:
Category : Lumber trade
Languages : en
Pages : 2130
Book Description
Publisher:
ISBN:
Category : Lumber trade
Languages : en
Pages : 2130
Book Description
Werner's Magazine
Author:
Publisher:
ISBN:
Category : Elocution
Languages : en
Pages : 1094
Book Description
Publisher:
ISBN:
Category : Elocution
Languages : en
Pages : 1094
Book Description
The Adman in the Parlor
Author: Ellen Gruber Garvey
Publisher: Oxford University Press
ISBN: 0195355318
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
How did advertising come to seem natural and ordinary to magazine readers by the end of the nineteenth century? The Adman in the Parlor explores readers' interactions with advertising during a period when not only consumption but advertising itself became established as a pleasure. Garvey argues that readers' participation in advertising, rather than top-down dictation by advertisers, made advertizing a central part of American culture. Garvey's analysis interweaves such texts and artifacts as advertising trade journals, magazines addressed to elite, middle class, and poorer readerships, scrapbooks, medical articles, paper dolls, chromolithographed trade cards, and contest rules. She tracks new forms of fictional realism that contained brand name references, courtship stories, and other fictional forms. As magazines became dependant on advertising rather than sales for their revenues, women's magazines led the way in making consumers of readers through the interplay of fiction, editorials, and advertising. General magazines, too, saw little conflict between these different interests. Instead, advertising and fiction came to act on one another in complex, unexpected ways. Magazine stories illustrated the multiple desires and social meanings embodied in the purchase of a product. Garvey takes the bicycle as a case study, and tracks how magazines mediated among competing medical, commercial, and feminist discourses to produce an alluring and unthreatening model of women bicycling in their stories. Advertising formed the national vocabulary. At once invisible, familiar, and intrusive, advertising both shaped fiction of the period and was shaped by it. The Adman in the Parlor unearths the lively conversations among writers and advertisers about the new prevalence of advertising for mass-produced, nationally distributed products.
Publisher: Oxford University Press
ISBN: 0195355318
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
How did advertising come to seem natural and ordinary to magazine readers by the end of the nineteenth century? The Adman in the Parlor explores readers' interactions with advertising during a period when not only consumption but advertising itself became established as a pleasure. Garvey argues that readers' participation in advertising, rather than top-down dictation by advertisers, made advertizing a central part of American culture. Garvey's analysis interweaves such texts and artifacts as advertising trade journals, magazines addressed to elite, middle class, and poorer readerships, scrapbooks, medical articles, paper dolls, chromolithographed trade cards, and contest rules. She tracks new forms of fictional realism that contained brand name references, courtship stories, and other fictional forms. As magazines became dependant on advertising rather than sales for their revenues, women's magazines led the way in making consumers of readers through the interplay of fiction, editorials, and advertising. General magazines, too, saw little conflict between these different interests. Instead, advertising and fiction came to act on one another in complex, unexpected ways. Magazine stories illustrated the multiple desires and social meanings embodied in the purchase of a product. Garvey takes the bicycle as a case study, and tracks how magazines mediated among competing medical, commercial, and feminist discourses to produce an alluring and unthreatening model of women bicycling in their stories. Advertising formed the national vocabulary. At once invisible, familiar, and intrusive, advertising both shaped fiction of the period and was shaped by it. The Adman in the Parlor unearths the lively conversations among writers and advertisers about the new prevalence of advertising for mass-produced, nationally distributed products.
Werner's Readings and Recitations
Author:
Publisher:
ISBN:
Category : Anthologies
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Anthologies
Languages : en
Pages : 198
Book Description