Mr.& Mrs. Bancroft On and Off the Stage

Mr.& Mrs. Bancroft On and Off the Stage PDF Author: Bancroft Squire
Publisher:
ISBN: 9780259634812
Category :
Languages : en
Pages :

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Mr.& Mrs. Bancroft On and Off the Stage

Mr.& Mrs. Bancroft On and Off the Stage PDF Author: Bancroft Squire
Publisher:
ISBN: 9780259634812
Category :
Languages : en
Pages :

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Book Description


Mr. & Mrs. Bancroft on and Off the Stage

Mr. & Mrs. Bancroft on and Off the Stage PDF Author: Squire Bancroft
Publisher: London : R. Bentley
ISBN:
Category : Acting and actors
Languages : en
Pages : 410

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Mr. & Mrs. Bancroft on and Off the Stage

Mr. & Mrs. Bancroft on and Off the Stage PDF Author: Squire Bancroft
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 424

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Theatre History Studies 2017, Vol. 36

Theatre History Studies 2017, Vol. 36 PDF Author: Sara Freeman
Publisher: University of Alabama Press
ISBN: 0817371117
Category : Performing Arts
Languages : en
Pages : 371

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Book Description
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.

Mr. & Mrs. Bancroft on and Off the Stage

Mr. & Mrs. Bancroft on and Off the Stage PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Hunger on the Stage

Hunger on the Stage PDF Author: Elisabeth Angel-Perez
Publisher: Cambridge Scholars Publishing
ISBN: 1443814962
Category : Performing Arts
Languages : en
Pages : 300

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Book Description
In his short story “The Hunger Artist,” Kafka imagined the theatrical career of a “professional faster” whose performance consists merely in displaying his own starving body before an avid audience. Kafka thus paradoxically suggested that hunger, mere emptiness working its way through declining bodies, may be a privileged theatrical object. Hunger often signals an anchorage in socio-historical reality, and invites extreme situations on stage, articulating large-scale cataclysms (famines, the devastation of war) with personal tragedies (hunger-strikes, anorexia, etc.) in which characters experience the tenuousness of their own lives. Whether in the comic or in the tragic mode, staged hunger metaphorizes various kinds of starvation – material greed, spiritual, emotional, sexual starvation, and even linguistic insufficiency. This volume explores the aesthetic and ethical issues raised by hunger on the stage in the English-speaking world. It investigates the paradox of the hypervisibility of the thinning body and shows how, throughout history, hunger has given shape to innovative, powerfully transgressive dramaturgies.

The Lambs Theatre Club

The Lambs Theatre Club PDF Author: Lewis Hardee
Publisher: McFarland
ISBN: 0786423218
Category : Performing Arts
Languages : en
Pages : 289

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Book Description
"From its origins in 1874 as an intimate actors' dining club, The Lambs by 1925 had become the most famous theatrical club in the world-the stuff of fable. Drawn extensively from The Lambs' official archives, this work traces The Lambs' roots in London and its initial development in America, dominated by English and later Irish actors"--Provided by publisher.

Ma(r)king the Text

Ma(r)king the Text PDF Author: Joe Bray
Publisher: Routledge
ISBN: 0429778589
Category : Literary Collections
Languages : en
Pages : 362

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Book Description
First published in 2000, this volume is a unique collection of essays which draws our attention to the importance of those textual elements traditionally ignored in literary criticism. These include punctuation, footnotes, epigraphs, typography, cover design, white space and marginalia; features which significantly affect the meaning of a literary text. The first section of the book opens with a proposal for a new theory of punctuation. The essays which follow are devoted to detailed interpretations of particular marks in the work of individual writers, including Spenser, Richardson and George Eliot. The consequences of this approach to the literary text are examined in the second section of the book, which begins with a debate on editorial practice and responsibility, and features insights from editors. Attention is drawn in particular to the special issues thrown up by dramatic texts, translations and electronic editions. The relationship of marks to the main text is far from subordinate, and we cannot appreciate the full interpretative potential of a text without considering this. The essays here compel us to assess the interaction of textual and literary meaning. To mark a text is to make it.

Who's who

Who's who PDF Author: Henry Robert Addison
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 936

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Book Description
An annual biographical dictionary, with which is incorporated "Men and women of the time."

The Oxford Book of Theatrical Anecdotes

The Oxford Book of Theatrical Anecdotes PDF Author: Gyles Brandreth
Publisher: Oxford University Press
ISBN: 0191066524
Category : Performing Arts
Languages : en
Pages : 511

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Book Description
This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.