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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1630
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1630
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 158
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Book Description
Author: Annette M. D'Agostino
Publisher: McFarland
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
First published on March 9, 1907, The Moving Picture World was the first trade paper of the film industry. It continued until December 31, 1927. This index directs researchers to the appropriate pages of the magazine for biographical and career data on the early filmmakers--i.e., anyone involved in making a film: actors and actresses, producers, directors, camera grinders, writers, editors, company presidents, technical directors, stunt extras, and many others. Each entry includes professional postion or job slot, real name (if applicable), any relatives in cinema, article citations, the date and page location of the citations, and a notice of illustrations within the article.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 716
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Book Description
Author: MUSSER CHARLES
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 730
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Book Description
"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Joshua Malitsky
Publisher: John Wiley & Sons
ISBN: 1119116295
Category : Performing Arts
Languages : en
Pages : 500
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Book Description
This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes. The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume: Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media Explores documentary's multiple, complex geographic and geopolitical frameworks Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices. A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.
Author: Linda M. Waggoner
Publisher: U of Nebraska Press
ISBN: 1496215591
Category : Biography & Autobiography
Languages : en
Pages : 499
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Book Description
The epic biography Starring Red Wing! brings the exciting career, dedicated activism, and noteworthy legacy of Ho-Chunk actress Lilian Margaret St. Cyr vividly to life. Known to film audiences as “Princess Red Wing,” St. Cyr emerged as the most popular Native American actress in the pre-Hollywood and early studio-system era in the United States. Today St. Cyr is known for her portrayal of Naturich in Cecile B. DeMille’s The Squaw Man (1914); although DeMille claimed to have “discovered the little Indian girl,” the viewing public had already long adored her as a petite, daredevil Indian heroine. She befriended and worked with icons such as Mary Pickford, Jewell Carmen, Tom Mix, Max Sennett, and William Selig. Born on the Winnebago Reservation in 1884 and orphaned in 1888, she spent ten years in Indian boarding schools before graduating from the Carlisle Indian Industrial School in 1902. She married James Young Johnson, and in 1907 the couple reinvented themselves as the stage personas “Princess Red Wing” and “Young Deer,” performing in Wild West shows around New York and beginning their film careers. As their popularity grew, St. Cyr and Johnson decamped from the East Coast and helped establish the second motion picture company in Southern California, where Red Wing became a Native American leading lady in westerns until her career waned in 1917. After returning to the reservation to work as a housekeeper, she took her show on a two-year tour to educate the public about Native culture and lived out her life in New York, performing, educating, and crafting regalia. Starring Red Wing! is a sweeping narrative of St. Cyr’s evolution as America’s first Native American film star, from her childhood and performance career to her days as a respected elder of the multi-tribal New York City Indian Community.
Author: Eileen Bowser
Publisher: Univ of California Press
ISBN: 9780520085343
Category : Business & Economics
Languages : en
Pages : 356
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Book Description
"The Transformation of Cinema chronicles the history of the American film business from the days of storefront nickelodeons to the premiere of D.W. Griffith's The Birth of a Nation, complete with full symphony orchestra. Eileen Bowser here redresses the imbalance of the "Griffith did it all" cliché by discussing the efforts of countless lesser-known figures who also helped to create Hollywood and shape the growing film industry. The effect of the surroundings -- the size of the hall; whether the film was shown alone or along with vaudeville entertainment; and the size, quality, and relevance of the musical background -- are all examined for their impact on the filmgoing experience. Bowser documents the emergence of the star system, which set the stage for the classic silent-film era. By 1915 the silent film is seen as a full-fledged art form with its own style and place in the world of business."--Back cover.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 796
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Book Description
Author: Jeff Codori
Publisher: McFarland
ISBN: 1476638292
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
The period in film history between the regimentation of the Edison Trust and the vertical integration of the Studio System--roughly 1916 through 1920--was a time of structural and artistic experimentation for the American film industry. As the nature of the industry was evolving, society around it was changing as well; arts, politics and society were in a state of flux between old and new. Before the major studios dominated the industry, droves of smaller companies competed for the attention of the independent exhibitor, their gateway to the movie-goer. Their arena was in the pages of the trade press, and their weapons were their advertisements, often bold and eye-catching. The reporting of the trade journals, as they witnessed the evolution of the industry from its infancy towards the future, is the basis of this history. Pulled from the pages of the journals themselves as archived by the Media History Digital Library, the observations of the trade press writers are accompanied by cleaned and restored advertisements used in the battle among the young film companies. They offer a unique and vital look at this formative period of film history.
