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Author: Seth Howes
Publisher: Camden House (NY)
ISBN: 1640140689
Category : History
Languages : en
Pages : 282
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Book Description
Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years
Author: Seth Howes
Publisher: Camden House (NY)
ISBN: 1640140689
Category : History
Languages : en
Pages : 282
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Book Description
Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years
Author: Heather D. Freeman
Publisher: Bloomsbury Publishing
ISBN: 1472571991
Category : Computers
Languages : en
Pages : 289
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Book Description
If you need a fun, hands-on introduction to core animation techniques - then look no further! Heather Freeman guides you through a wide range of practical projects, helping you establish and build skills in narrative animation, motion graphics and visual effects. Each chapter begins by summarizing historical and theoretical concerns and connecting them with current practice and applications - all beautifully illustrated with stills from classic commercial and independent films, as well as contemporary examples from student work. Having established this context, the remainder of the chapter focuses on walking readers through their own creative projects. Topics covered include early animation technologies and techniques, scenes and staging, character animation, animated type, visual effects and motion graphics, pre- through post-production and experimental approaches to motion graphics. Dozens of sample files are available online, for experimentation and to get readers started on each exercise. The companion website also includes example animations as well as links to recommended software tutorials, recommended artist websites, blogs and animation channels.
Author: Sara Blaylock
Publisher: MIT Press
ISBN: 0262368803
Category : Art
Languages : en
Pages : 329
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Book Description
How East German artists made their country’s experimental art scene a form of (counter) public life. Experimental artists in the final years of the German Democratic Republic did not practice their art in the shadows, on the margins, hiding away from the Stasi’s prying eyes. In fact, as Sara Blaylock shows, many cultivated a critical influence over the very bureaucracies meant to keep them in line, undermining state authority through forthright rather than covert projects. In Parallel Public, Blaylock describes how some East German artists made their country’s experimental art scene a form of (counter) public life, creating an alternative to the crumbling collective underpinnings of the state. Blaylock examines the work of artists who used body-based practices—including performance, film, and photography—to create new vocabularies of representation, sharing their projects through independent networks of dissemination and display. From the collective films and fashion shows of Erfurt's Women Artists Group, which fused art with feminist political action, to Gino Hahnemann, the queer filmmaker and poet who set nudes alight in city parks, these creators were as bold in their ventures as they were indifferent to state power. Parallel Public is the first work of its kind on experimental art in East Germany to be written in English. Blaylock draws on extensive interviews with artists, art historians, and organizers; artist-made publications; official reports from the Union of Fine Artists; and Stasi surveillance records. As she recounts the role culture played in the GDR’s rapid decline, she reveals East German artists as dissenters and witnesses, citizens and agents, their work both antidote to and diagnosis of a weakening state.
Author: Kathy McQuillen Martensen
Publisher: Elsevier Health Sciences
ISBN: 0323277136
Category : Medical
Languages : en
Pages : 593
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Book Description
This comprehensive guide provides all the tools you need to accurately evaluate radiographic images and make the adjustments needed to acquire the best possible diagnostic quality images. You’ll discover how to evaluate an image, identify any improper positioning or techniques that caused poor quality, and correct the problem. No other text is devoted to equipping you with the critical thinking skills needed to properly position patients for optimal radiographs and help minimize the need for repeat images. Chapter outlines give you an at-a-glance summary of chapter content Labeled images with analysis and correction help you develop your skills for producing optimal images, thus reducing the need for repeat procedures Student workbook provides additional opportunities to apply what you’ve learned in the text Expanded digital radiography content includes advances in digital imaging to keep you up-to-date in the field Chapter objectives help you master key content Quick reference tables highlight significant information More bone photographic images better illustrate difficult-to-evaluate procedures More pediatric and trauma images improve your ability to produce optimal images of different procedures
Author: Gregory Zinman
Publisher: University of California Press
ISBN: 0520302729
Category : Art
Languages : en
Pages : 391
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Book Description
Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
Author:
Publisher:
ISBN:
Category : Motion picture film
Languages : en
Pages : 512
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Book Description
Author: Isabelle McNeill
Publisher: Edinburgh University Press
ISBN: 074864220X
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.Memory and the Moving Image:*Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films*Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability*Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations*Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and AgnA*s Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui*Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories.Works considered include Jean-Luc Godard's Histoire(s) du CinA(c)ma (1989-98), Yamina Benguigui's MA(c)moires d'ImmigrA(c)s (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's CachA(c) (2005) and AgnA*s Varda's multi-media exhibition, L'Ale et Elle (2006).
Author: Qingsheng Zhu
Publisher: World Scientific
ISBN: 9814479136
Category : Computers
Languages : en
Pages : 1009
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Book Description
This book presents the latest techniques, algorithms, research accomplishments and trend in computer science and engineering. It collects together 222 peer reviewed papers presented at the 11th Joint International Computer Conference. The theme of this year is “IT: Intellectual Capital for the Betterment of Human Life”. The articles in this book cover a wide range of active and interesting areas such as Digital Entertainment, Grid Computing, Embedded System, Web Service and Knowledge Engineering. This book serves as a good reference not only for researchers but also for graduate students in corresponding fields.The proceedings have been selected for coverage in:•Index to Scientific & Technical Proceedings (ISTP CDROM version / ISI Proceedings)•CC Proceedings — Engineering & Physical Sciences
Author: Wheeler Dixon
Publisher: Anthem Press
ISBN: 1783080256
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
More and more, just a few canonical classics, such as Michael Curtiz’s “Casablanca” (1942) or Victor Fleming’s “Gone With The Wind” (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s? This collection of essays aims to highlight some of the lesser-known treasures of the past – those titles that have been pushed aside by today’s wave of cinema amnesia.
Author:
Publisher:
ISBN:
Category : Motion picture theaters
Languages : en
Pages : 824
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Book Description
