Monumental Painting and Eucharistic Sacrifice in the Byzantine Sanctuary PDF Download
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Author: Sharon E. J. Gerstel
Publisher:
ISBN:
Category : Christianity and art
Languages : en
Pages : 604
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Book Description
Author: Sharon E. J. Gerstel
Publisher:
ISBN:
Category : Christianity and art
Languages : en
Pages : 604
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Book Description
Author: Gillian B. Elliott
Publisher: Routledge
ISBN: 1000603326
Category : Art
Languages : en
Pages : 236
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Book Description
This book explores the issue of ecclesiastical authority in Romanesque sculpture on the portals and other sculpted “gateways” of churches in the north Italian region of Lombardy. Gillian B. Elliott examines the liturgical connection between the ciborium over the altar (the most sacred threshold inside the church), and the sculpted portals that appeared on church exteriors in medieval Lombardy. In cities such as Milan, Civate, Como, and Pavia, the liturgy of Saint Ambrose was practiced as an alternative to the Roman liturgy and the churches were constructed to respond to the needs of Ambrosian liturgy. Not only do the Romanesque churches in these places correspond stylistically and iconographically, but they were also linked politically in an era of intense struggle for ultimate regional authority. The book considers liturgical and artistic links between interior church furnishings and exterior church sculptural programs, and also applies new spatial methodologies to the interior and exterior of churches in Lombardy. The book will be of interest to scholars working in art history, medieval studies, architectural history, and religious studies.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870997777
Category : Art, Byzantine
Languages : en
Pages : 604
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Book Description
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Henry Maguire
Publisher: Princeton University Press
ISBN: 0691050074
Category : Art
Languages : en
Pages : 240
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Book Description
The Byzantines surrounded themselves with their saints, invisible but constant companions, who were made visible by dreams, visions, and art. The composition and presentation of this imagined gallery followed a logical structure, a construct that was itself a collective work of art created by Byzantine society. The purpose of this book is to analyze the logic of the saint's image in Byzantium, both in portraits and in narrative scenes. Here Henry Maguire argues that the Byzantines gave to their images differing formal characteristics of movement, modeling, depth, and differentiation, according to the tasks that the icons were called upon to perform in the all-important business of communication between the visible and the invisible worlds. The book draws extensively on sources that have been relatively little utilized by art historians. It considers both domestic and ecclesiastical artifacts, showing how the former raised the problem of access by lay men and women to the supernatural and fueled the debates concerning the role of images in the Christian cult. Special attention is paid to the poems inscribed by the Byzantines upon their icons, and to the written lives of their saints, texts that offer the most direct and vivid insight into the everyday experience of art in Byzantium. The overall purpose of the book is to provide a new view of Byzantine art, one that integrates formal analysis with both theology and social history.
Author: Mark Guscin
Publisher: Cambridge Scholars Publishing
ISBN: 1527587312
Category : Art
Languages : en
Pages : 333
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Book Description
This volume presents the latest historical, theological and site-specific developments in the study of the Image of Edessa, shedding new light onto various different aspects of the icon. Experts from Russia, Spain, Australia, Georgia, Italy and the United Kingdom bring their latest findings together in order to reach a deeper understanding of this fascinating object.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 596
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Book Description
Abstracts of dissertations available on microfilm or as xerographic reproductions.
Author:
Publisher:
ISBN:
Category : Byzantine Empire
Languages : en
Pages : 576
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Book Description
Author: Andrew D. Dimarogonas
Publisher: CRC Press
ISBN: 9789057025624
Category : Social Science
Languages : en
Pages : 510
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Book Description
Presents 12,860 entries listing scholarly publications on Greek studies. Research and review journals, books, and monographs are indexed in the areas of classical, Hellenistic, Biblical, Byzantine, Medieval, and modern Greek studies., but no annotations are included. After the general listings, entries are also indexed by journal, text, name, geography, and subject. The CD-ROM contains an electronic version of the book. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Robert G. Calkins
Publisher: Cornell University Press
ISBN: 9780801493065
Category : Architecture
Languages : en
Pages : 348
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Book Description
This richly illustrated and scholarly study traces the development of art through the Middle Ages, from the early Christian catacombs of Italy and the treasures of Sutton Hoo to the masterpieces of Romanesque cathedrals and illuminated manuscripts.
Author: Sharon E. J. Gerstel
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
Sharon Gerstel evokes a wide range of written and painted sources in order to analyze the decoration of the Byzantine sanctuary from the perspective of its contemporary viewer, from monk to liturgical celebrant, from bishop to lay worshipper. In a new presentation of the sanctuary program, the author reveals to the modern reader what was and even today is manifest only to the clergy. In medieval Byzantium an artistic program developed behind the sanctuary screen for priests, whose actions and words were reflected in the painted decorations. Lay people were permitted to view certain parts of the painted program and the eucharistic celebration, but the sanctuary was increasingly obscured from them by curtains and icons. This book explores monuments from a single region (Macedonia) that range over a span of three hundred years (1028-1328). This period encompasses the beginnings of the new program, its establishment, and its expansion, and in the absence of surviving monuments from the Byzantine capital, Macedonia (now divided among Greece, Bulgaria, and the former Yugoslavian Republic that bears its name) contains an unbroken sequence of decorated churches. This detailed examination of a related group of monuments demonstrates the varying popularity of certain subjects and details of decoration, and how innovative approaches to Christian iconography were passed between painters and churches.
