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Author: Richard Hand
Publisher: Manchester University Press
ISBN: 1526125439
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations. The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage.
Author: Richard J. Hand
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a whole. Horror film's history is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself however, also abounds with its own myriad transformations and transmutations.
Author: Richard Hand
Publisher: Manchester University Press
ISBN: 1526125439
Category : Performing Arts
Languages : en
Pages : 273
Get Book Here
Book Description
The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations. The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage.
Author: Terry Collins
Publisher: Capstone
ISBN: 1429673273
Category : Juvenile Nonfiction
Languages : en
Pages : 18
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Book Description
In cartoon format, uses bigfoot to explain the science of adaptation.
Author: Carlyn Beccia
Publisher: Carolrhoda Books
ISBN: 1512449164
Category : Juvenile Nonfiction
Languages : en
Pages : 156
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Book Description
Could Dr. Frankenstein's machine ever animate a body? Why should vampires drink from veins and not arteries? What body parts are best for zombies to eat? (It's not brains.) This fascinating encyclopedia of monsters delves into the history and science behind eight legendary creatures, from Bigfoot and the kraken to zombies and more. Find out each monster's origin story and the real-world history that informed it, and then explore the science of each creature in fun and surprising ways. Tips and infographics--including monster anatomy, how to survive a vampire attack, and real-life giant creatures of the deep sea--make this a highly visual and fun-to-browse book.
Author: Rick Walton
Publisher: Feiwel & Friends
ISBN: 1466816538
Category : Juvenile Fiction
Languages : en
Pages : 56
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Book Description
This is a laugh-out-loud funny and devilish send-up of Ludwig Bemelmans's Madeline for little monsters everywhere. Frankenstein is the scariest of all the monsters in Miss Devel's castle. He can frighten anything—animals, parents, even rocks. Until one night, Miss Devel wakes up and runs downstairs to find that Frankenstein has lost his head! Frankenstein by Rick Walton and illustrated by Nathan Hale is a delightful twist on a classic story that parents and kids can both enjoy together. This is the perfect funny picture book read for Halloween or the fall season. Praise for Frankenstein: “Walton twists the classic rhymes of the original with glee ('In two crooked lines, they bonked their heads / pulled out their teeth / and wet their beds') while Hale reenacts each scene with devilish mayhem.” -Booklist “The illustrations have traded sunny yellow for pumpkin orange backgrounds and make comically sly allusions to the original title.” -Kirkus Reviews
Author: Dennis R. Cutchins
Publisher: Manchester University Press
ISBN: 1526108933
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
This edited collection explores the afterlife of Mary Shelley's Frankenstein in theatre and film, radio, literature and graphics novels, making a substantial contribution to the field of adaptation studies.
Author: Mark A. McCutcheon
Publisher: Athabasca University Press
ISBN: 1771992247
Category : Social Science
Languages : en
Pages : 248
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Book Description
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology—that human-made monstrosity—today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology.
Author: Andrew Smith
Publisher: Cambridge University Press
ISBN: 1107086191
Category : Comics & Graphic Novels
Languages : en
Pages : 291
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Book Description
Sixteen original essays by leading scholars on Mary Shelley's novel provide an introduction to Frankenstein and its various critical contexts.
Author: Verena Bernardi
Publisher: Vernon Press
ISBN: 1622737946
Category : Social Science
Languages : en
Pages : 298
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Book Description
We know all kinds of monsters. Vampires who suck human blood, werewolves who harass tourists in London or Paris, zombies who long to feast on our brains, or Godzilla, who is famous in and outside of Japan for destroying whole cities at once. Regardless of their monstrosity, all of these creatures are figments of the human mind and as real as they may seem, monsters are and always have been constructed by human beings. In other words, they are imagined. How they are imagined, however, depends on many different aspects and changes throughout history. The present volume provides an insight into the construction of monstrosity in different kinds of media, including literature, film, and TV series. It will show how and by whom monsters are really created, how time changes the perception of monsters and what characterizes specific monstrosities in their specific historical contexts. The book will provide valuable insights for scholars in different fields, whose interest focuses on either media studies or history.
Author: Jamie Barlowe
Publisher: Taylor & Francis
ISBN: 1040100805
Category : Fiction
Languages : en
Pages : 166
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Book Description
Silent Film Adaptations of Novels by British and American Women Writers, 1903–1929 focuses on fifty-three silent film adaptations of the novels of acclaimed authors George Eliot, Charlotte Brontë, Emily Brontë, Mary Shelley, Louisa May Alcott, Harriet Beecher Stowe, Willa Cather, and Edith Wharton. Many of the films are unknown or dismissed, and most of them are degraded, destroyed, or lost—burned in warehouse fires, spontaneously combusted in storage cans, or quietly turned to dust. Their content and production and distribution details are reconstructed through archival resources as individual narratives that, when considered collectively, constitute a broader narrative of lost knowledge—a fragmented and buried early twentieth-century story now reclaimed and retold for the first time to a twenty-first-century audience. This collective narrative also demonstrates the extent to which the adaptations are intertextually and ideologically entangled with concurrently released early “woman’s films” to re-promote and re-instill the norm of idealized white, married, domesticated womanhood during a time of extraordinary cultural change for women. Retelling this lost narrative also allows for a reassessment of the place and function of the adaptations in the development of the silent film industry and as cinematic precedent for the hundreds of sound adaptations of the literary texts of these eight women writers produced from 1931 to the 2020s.
