Author: Mon Eveil Relative Editions
Publisher:
ISBN:
Category :
Languages : fr
Pages : 31
Book Description
⭐ Livre éducatif et ludique pour apprendre et s'amuser ✔️ Un imagier attrayant et tout en couleurs.✔️ 30 pages d'exemples de contraires avec des illustrations de grande qualité.✔️ Un petit prix pour un maximum de découvertes avec votre enfant.🎁 Cadeau idéal et ludique pour les enfants et les tout-petits à l'occasion de Noël, d'un anniversaire, ou pour leur temps libre à la maison ou en vacances.
Mon Premier Imagier les Contraires
Les contraires
Author: Langue au chat,
Publisher:
ISBN: 9782874315190
Category : Board books
Languages : fr
Pages : 25
Book Description
Quel est le contraire de noir ? Et de plein ? Par opposition à un adulte, comment est un enfant ? Voici un petit imagier pour te familiariser avec les contraires. Langue au chat propose de nombreuses collections d'imagiers et d'activités pour une découverte ludique des premiers apprentissages. Les p'tits doux : Les mots - Animaux de la mer - Les chiffres - Les couleurs. À découvrir : Mes premiers mots - Ma première ferme. Les coffrets d'activités : Les lettres - Les chiffres et les formes. Grand imagier : Mon premier livre des mots - Mon grand imagier de la ferme. Les livres-surprises : Les mots - Les animaux.
Publisher:
ISBN: 9782874315190
Category : Board books
Languages : fr
Pages : 25
Book Description
Quel est le contraire de noir ? Et de plein ? Par opposition à un adulte, comment est un enfant ? Voici un petit imagier pour te familiariser avec les contraires. Langue au chat propose de nombreuses collections d'imagiers et d'activités pour une découverte ludique des premiers apprentissages. Les p'tits doux : Les mots - Animaux de la mer - Les chiffres - Les couleurs. À découvrir : Mes premiers mots - Ma première ferme. Les coffrets d'activités : Les lettres - Les chiffres et les formes. Grand imagier : Mon premier livre des mots - Mon grand imagier de la ferme. Les livres-surprises : Les mots - Les animaux.
Mon imagier des contraires
Author: Biboune Collection Editions
Publisher:
ISBN:
Category :
Languages : fr
Pages : 32
Book Description
Un imagier coloré pour apprendre les contraires en s'amusant ! Caractéristiques: Couverture souple, finition mate Format: 21,6 cm x 21,6 cm 30 pages d'exemples de contraires colorées et joliment illustrées pour un apprentissage ludique Chaque mot à mémoriser a son équivalent en français et en anglais Convient aux tout-petits dès 2 ans et aux enfants en maternelle
Publisher:
ISBN:
Category :
Languages : fr
Pages : 32
Book Description
Un imagier coloré pour apprendre les contraires en s'amusant ! Caractéristiques: Couverture souple, finition mate Format: 21,6 cm x 21,6 cm 30 pages d'exemples de contraires colorées et joliment illustrées pour un apprentissage ludique Chaque mot à mémoriser a son équivalent en français et en anglais Convient aux tout-petits dès 2 ans et aux enfants en maternelle
Mon imagier des contraires
Author: Nathalie Choux
Publisher:
ISBN: 9782092537961
Category : Board books
Languages : fr
Pages : 10
Book Description
Curieux petit, curieux pour la vie !
Publisher:
ISBN: 9782092537961
Category : Board books
Languages : fr
Pages : 10
Book Description
Curieux petit, curieux pour la vie !
Mon petit monde
Author: Okidokid
Publisher:
ISBN: 9782381750880
Category :
Languages : fr
Pages : 10
Book Description
Publisher:
ISBN: 9782381750880
Category :
Languages : fr
Pages : 10
Book Description
L' imagier des contraires
Author: Judith Pincemin
Publisher:
ISBN: 9782350242675
Category :
Languages : fr
Pages : 31
Book Description
Publisher:
ISBN: 9782350242675
Category :
Languages : fr
Pages : 31
Book Description
Mon premier imagier
Author:
Publisher:
ISBN: 9782492278471
Category :
Languages : fr
Pages : 0
Book Description
Publisher:
ISBN: 9782492278471
Category :
Languages : fr
Pages : 0
Book Description
Mon petit imagier
Author: Piccolia,
Publisher:
ISBN: 9782753029538
Category :
Languages : fr
Pages : 21
Book Description
Un petit livre cartonné à la couverture molletonnée et aux coins arrondis pour faire découvrir aux tout-petits les contraires. De jolies illustrations aux couleurs vives pour attirer leur regard.
Publisher:
ISBN: 9782753029538
Category :
Languages : fr
Pages : 21
Book Description
Un petit livre cartonné à la couverture molletonnée et aux coins arrondis pour faire découvrir aux tout-petits les contraires. De jolies illustrations aux couleurs vives pour attirer leur regard.
"Our Fathers Have Told Us."
Author: John Ruskin
Publisher:
ISBN:
Category : Christian literature, Early (Selections: Extracts, etc.)
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Christian literature, Early (Selections: Extracts, etc.)
Languages : en
Pages : 348
Book Description
Courbet's Realism
Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226262154
Category : Art
Languages : en
Pages : 416
Book Description
"'This book,' Michael Fried's work opens, 'was written not so much chapter by chapter as painting by painting over a span of roughly ten years.' Courbet's Realism is a magnificent work and its very first sentence brings us up against the qualities of mind of its author, qualities that make it as impressive as it is. It allows us to reconstruct the keen eye, the commitment to perception, the gift of rapt concentration, the conviction that great paintings are not necessarily understood easily, and the further conviction that a great painter deserves to get from us as good as he gives. By drawing on these qualities, Fried achieves something out of reach for all but a handful of his colleagues. In his writing, art history takes on some of the character of art itself. It is driven by the same stubborn resolve to open our eyes."—Richard Wollheim, San Francisco Review of Books Courbet's Realism is clearly a major contribution to the highly active field of Courbet studies. . . . But to contribute here and now is necessarily also to contribute to central debates about art history itself, and so the book is also—I hesitate to say 'more importantly,' because of the way object and method are woven together in it—a major contribution to current attempts to rethink the foundations and objects of art history. . . . It will not be an easy book to come to terms with; for all its engagement with contemporary literary theory and related developments, it is not an application of anything, and its deeply thought-through arguments will not fall easily in line with the emerging shapes of the various 'new art histories' that tap many of the same theoretical resources. At this moment, there may be nothing more valuable than such a work."—Stephen Melville, Art History
Publisher: University of Chicago Press
ISBN: 9780226262154
Category : Art
Languages : en
Pages : 416
Book Description
"'This book,' Michael Fried's work opens, 'was written not so much chapter by chapter as painting by painting over a span of roughly ten years.' Courbet's Realism is a magnificent work and its very first sentence brings us up against the qualities of mind of its author, qualities that make it as impressive as it is. It allows us to reconstruct the keen eye, the commitment to perception, the gift of rapt concentration, the conviction that great paintings are not necessarily understood easily, and the further conviction that a great painter deserves to get from us as good as he gives. By drawing on these qualities, Fried achieves something out of reach for all but a handful of his colleagues. In his writing, art history takes on some of the character of art itself. It is driven by the same stubborn resolve to open our eyes."—Richard Wollheim, San Francisco Review of Books Courbet's Realism is clearly a major contribution to the highly active field of Courbet studies. . . . But to contribute here and now is necessarily also to contribute to central debates about art history itself, and so the book is also—I hesitate to say 'more importantly,' because of the way object and method are woven together in it—a major contribution to current attempts to rethink the foundations and objects of art history. . . . It will not be an easy book to come to terms with; for all its engagement with contemporary literary theory and related developments, it is not an application of anything, and its deeply thought-through arguments will not fall easily in line with the emerging shapes of the various 'new art histories' that tap many of the same theoretical resources. At this moment, there may be nothing more valuable than such a work."—Stephen Melville, Art History