Author: Jeanne Modigliani
Publisher:
ISBN:
Category : 1884-1920
Languages : en
Pages : 308
Book Description
Modigliani: Man and Myth
Author: Jeanne Modigliani
Publisher:
ISBN:
Category : 1884-1920
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : 1884-1920
Languages : en
Pages : 308
Book Description
Modigliani
Author: Meryle Secrest
Publisher: Knopf
ISBN: 0307595471
Category : Biography & Autobiography
Languages : en
Pages : 425
Book Description
“People like us . . . have different rights, different values than do ordinary people because we have different needs which put us . . . above their moral standards.” —Modigliani Amedeo (“Beloved of God”) Modigliani was considered to be the quintessential bohemian artist, his legend almost as infamous as Van Gogh’s. In Modigliani’s time, his work was seen as an oddity: contemporary with the Cubists but not part of their movement. His work was a link between such portraitists as Whistler, Sargent, and Toulouse-Lautrec and that of the Art Deco painters of the 1920s as well as the new approaches of Gauguin, Cézanne, and Picasso. Jean Cocteau called Modigliani “our aristocrat” and said, “There was something like a curse on this very noble boy. He was beautiful. Alcohol and misfortune took their toll on him.” In this major new biography, Meryle Secrest, one of our most admired biographers—whose work has been called “enthralling” (The Wall Street Journal); “rich in detail, scrupulously researched, and sympathetically written” (The New York Review of Books) —now gives us a fully realized portrait of one of the twentieth century’s master painters and sculptors: his upbringing, a Sephardic Jew from an impoverished but genteel Italian family; his going to Paris to make his fortune; his striking good looks (“How beautiful he was, my god how beautiful,” said one of his models) . . . his training as an artist . . .and his influences, including the Italian Renaissance, particularly the art of Botticelli; Nietzsche’s theories of the artist as Übermensch, divinely endowed, divinely inspired; the monochromatic backgrounds of Van Gogh and Cézanne; the work of the Romanian sculptor Brancusi; and the primitive sculptures of Africa and Oceania with their simplified, masklike triangular faces, elongated silhouettes, puckered lips, low foreheads, and heads on exaggeratedly long necks. We see the ways in which Modigliani’s long-kept-secret illness from tuberculosis (it almost killed him as a young man) affected his work and his attitude toward life ; how consumption caused him to embrace fatalism and idealism, creativity and death; and how he used alcohol and opium with laudanum as an antispasmodic to hide the symptoms of the disease and how, because of it, he came to be seen as a dissolute alcoholic. And throughout, we see the Paris that Modigliani lived in, a city in dynamic flux where art was still a noble cause; how Modigliani became part of a life in the streets and a world of art and artists then in a transforming revolution; Monet, Cézanne, Degas, Renoir, et al.—and others more radical—Matisse, Derain, etc., all living within blocks of one another. Secrest’s book, written with unprecedented access to letters, diaries, and photographs never before seen, is an extraordinary revelation of a life lived in art . . . Here is Modigliani, the man and the artist, seemingly shy, delicate, a man on a desperate mission, masquerading as an alcoholic, cheating death again and again, and calculating what he had to do in order to go on working and concealing his secret for however much time remained . . .
Publisher: Knopf
ISBN: 0307595471
Category : Biography & Autobiography
Languages : en
Pages : 425
Book Description
“People like us . . . have different rights, different values than do ordinary people because we have different needs which put us . . . above their moral standards.” —Modigliani Amedeo (“Beloved of God”) Modigliani was considered to be the quintessential bohemian artist, his legend almost as infamous as Van Gogh’s. In Modigliani’s time, his work was seen as an oddity: contemporary with the Cubists but not part of their movement. His work was a link between such portraitists as Whistler, Sargent, and Toulouse-Lautrec and that of the Art Deco painters of the 1920s as well as the new approaches of Gauguin, Cézanne, and Picasso. Jean Cocteau called Modigliani “our aristocrat” and said, “There was something like a curse on this very noble boy. He was beautiful. Alcohol and misfortune took their toll on him.” In this major new biography, Meryle Secrest, one of our most admired biographers—whose work has been called “enthralling” (The Wall Street Journal); “rich in detail, scrupulously researched, and sympathetically written” (The New York Review of Books) —now gives us a fully realized portrait of one of the twentieth century’s master painters and sculptors: his upbringing, a Sephardic Jew from an impoverished but genteel Italian family; his going to Paris to make his fortune; his striking good looks (“How beautiful he was, my god how beautiful,” said one of his models) . . . his training as an artist . . .and his influences, including the Italian Renaissance, particularly the art of Botticelli; Nietzsche’s theories of the artist as Übermensch, divinely endowed, divinely inspired; the monochromatic backgrounds of Van Gogh and Cézanne; the work of the Romanian sculptor Brancusi; and the primitive sculptures of Africa and Oceania with their simplified, masklike triangular faces, elongated silhouettes, puckered lips, low foreheads, and heads on exaggeratedly long necks. We see the ways in which Modigliani’s long-kept-secret illness from tuberculosis (it almost killed him as a young man) affected his work and his attitude toward life ; how consumption caused him to embrace fatalism and idealism, creativity and death; and how he used alcohol and opium with laudanum as an antispasmodic to hide the symptoms of the disease and how, because of it, he came to be seen as a dissolute alcoholic. And throughout, we see the Paris that Modigliani lived in, a city in dynamic flux where art was still a noble cause; how Modigliani became part of a life in the streets and a world of art and artists then in a transforming revolution; Monet, Cézanne, Degas, Renoir, et al.—and others more radical—Matisse, Derain, etc., all living within blocks of one another. Secrest’s book, written with unprecedented access to letters, diaries, and photographs never before seen, is an extraordinary revelation of a life lived in art . . . Here is Modigliani, the man and the artist, seemingly shy, delicate, a man on a desperate mission, masquerading as an alcoholic, cheating death again and again, and calculating what he had to do in order to go on working and concealing his secret for however much time remained . . .
The Uncannily Strange and Brief Life of Amedeo Modigliani
Author: Velibor Colic
Publisher: Pushkin Press
ISBN: 1908968532
Category : Fiction
Languages : en
Pages : 83
Book Description
The life of the painter Amedeo Modigliani (1884-1920) was chaotic and tragically brief. Consisting of a series of vignettes, mostly set in the painter's studio and peopled by his lover Jeanne Hébuterne (who ended her own life the day after Modigliani's death), the prostitutes who were his occasional models and several Bohemian visitors, the novel spans the last months of Modigliani's life, evoking the strange workings of the painter's troubled and often drug-fuelled mind and its expression in his paintings, ultimately succeeding in conveying something of the intense artistic life of Paris in the first decades of the twentieth century.
Publisher: Pushkin Press
ISBN: 1908968532
Category : Fiction
Languages : en
Pages : 83
Book Description
The life of the painter Amedeo Modigliani (1884-1920) was chaotic and tragically brief. Consisting of a series of vignettes, mostly set in the painter's studio and peopled by his lover Jeanne Hébuterne (who ended her own life the day after Modigliani's death), the prostitutes who were his occasional models and several Bohemian visitors, the novel spans the last months of Modigliani's life, evoking the strange workings of the painter's troubled and often drug-fuelled mind and its expression in his paintings, ultimately succeeding in conveying something of the intense artistic life of Paris in the first decades of the twentieth century.
Modigliani
Author: Jeanne Modigliani
Publisher: Pantianos Classics
ISBN: 9781789872873
Category :
Languages : en
Pages : 216
Book Description
Amedeo Modigliani stands as one of Italy's best-known painters and sculptors of the 20th century, posthumously renowned for his characteristic style and eccentric personality. Writing in the 1950s, Modigliani's daughter Jeanne was only a baby when her father died. Nevertheless, her interest in her father's short life resulted in this biography - the fruits of Jeanne's researches and conversations with those who remembered him are now considered valuable by art historians. We learn of the artist's early years in Italy, his journeys and work in France, his romances and excesses, and the challenges he faced selling his works. Though he had friends to lend him money when times were hard, Modigliani constantly grappled with poverty and illness. The final years of Modigliani's life saw his greatest yet most tragic romance, to the young art student Jeanne Hébuterne. A gifted painter in her own right, Jeanne fell in love with Modigliani and doted on him as his health faltered. When Modigliani expired from tuberculosis, Jeanne was inconsolable, and committed suicide two days later. It was not until the year 2000 that her artworks were showcased alongside her husband's, with the permission of her heirs. This biography includes more than 130 examples of the letters and artworks of Modigliani that the reader may appreciate and observe how his unique art progressed with the years.
Publisher: Pantianos Classics
ISBN: 9781789872873
Category :
Languages : en
Pages : 216
Book Description
Amedeo Modigliani stands as one of Italy's best-known painters and sculptors of the 20th century, posthumously renowned for his characteristic style and eccentric personality. Writing in the 1950s, Modigliani's daughter Jeanne was only a baby when her father died. Nevertheless, her interest in her father's short life resulted in this biography - the fruits of Jeanne's researches and conversations with those who remembered him are now considered valuable by art historians. We learn of the artist's early years in Italy, his journeys and work in France, his romances and excesses, and the challenges he faced selling his works. Though he had friends to lend him money when times were hard, Modigliani constantly grappled with poverty and illness. The final years of Modigliani's life saw his greatest yet most tragic romance, to the young art student Jeanne Hébuterne. A gifted painter in her own right, Jeanne fell in love with Modigliani and doted on him as his health faltered. When Modigliani expired from tuberculosis, Jeanne was inconsolable, and committed suicide two days later. It was not until the year 2000 that her artworks were showcased alongside her husband's, with the permission of her heirs. This biography includes more than 130 examples of the letters and artworks of Modigliani that the reader may appreciate and observe how his unique art progressed with the years.
Modigliani Unmasked
Author: Mason Klein
Publisher: Yale University Press
ISBN: 0300225490
Category : Art
Languages : en
Pages : 173
Book Description
An illuminating study of Amedeo Modigliani's early drawings and how they reflect the artist's conception of identity One of the great artists of the 20th century, Amedeo Modigliani (1884-1920) is celebrated for revolutionizing modern portraiture, particularly in his later paintings and sculpture. Modigliani Unmasked examines the artist's rarely seen early works on paper, offering revelatory insights into his artistic sensibilities and concerns as he developed his signature style of graceful, elongated figures. An Italian Sephardic Jew working in turn-of-the-century Paris, Modigliani embraced his status as an outsider, and his early drawings show a marked awareness of the role of ethnicity and race within society. Placing these drawings within the context of the artist's larger oeuvre, Mason Klein reveals how Modigliani's preoccupation with identity spurred the artist to reconceive the modern portrait, arguing that Modigliani ultimately came to think of identity as beyond national or cultural boundaries. Lavishly illustrated with the artist's paintings and over one hundred drawings collected by Dr. Paul Alexandre, Modigliani's close friend and first patron, this book provides an engaging and long overdue analysis of Modigliani's early body of work on paper.
Publisher: Yale University Press
ISBN: 0300225490
Category : Art
Languages : en
Pages : 173
Book Description
An illuminating study of Amedeo Modigliani's early drawings and how they reflect the artist's conception of identity One of the great artists of the 20th century, Amedeo Modigliani (1884-1920) is celebrated for revolutionizing modern portraiture, particularly in his later paintings and sculpture. Modigliani Unmasked examines the artist's rarely seen early works on paper, offering revelatory insights into his artistic sensibilities and concerns as he developed his signature style of graceful, elongated figures. An Italian Sephardic Jew working in turn-of-the-century Paris, Modigliani embraced his status as an outsider, and his early drawings show a marked awareness of the role of ethnicity and race within society. Placing these drawings within the context of the artist's larger oeuvre, Mason Klein reveals how Modigliani's preoccupation with identity spurred the artist to reconceive the modern portrait, arguing that Modigliani ultimately came to think of identity as beyond national or cultural boundaries. Lavishly illustrated with the artist's paintings and over one hundred drawings collected by Dr. Paul Alexandre, Modigliani's close friend and first patron, this book provides an engaging and long overdue analysis of Modigliani's early body of work on paper.
Modigliani
Author: Jeffrey Meyers
Publisher: HMH
ISBN: 0544391217
Category : Biography & Autobiography
Languages : en
Pages : 309
Book Description
A biographer explores the artist’s tragic life, and transcendent work, in early twentieth-century Paris—“a vibrant portrait of a deeply unhappy man” (Publishers Weekly). In 1920, at the age of thirty-five, Amedeo Modigliani died in poverty and neglect in Paris, much like a figure out of La Bohéme. His life had been as dramatic as his death. An Italian Jew from a bourgeois family, “Modi” had a weakness for drink, hashish, and the many women—including the Russian poet Anna Akhmatova—who were drawn to his good looks. His painting thrived on chaos, but his bohemian lifestyle, combined with a youthful case of tuberculosis, eventually took a fatal toll. His friends included Picasso, Utrillo, Soutine, and other important artists of his day, yet his own work stood apart, generating little interest while he lived. Today’s art world, however, acknowledges him as a master whose limited oeuvre—sculptures, portraits, and some of the most appealing nudes in the whole of modern art—cannot satisfy collectors’ demand. With a lively but judicious hand, biographer Jeffrey Meyers sketches Modigliani and the art he produced, illuminating not only this little-known figure but also the painters, writers, lovers, and others who inhabited early twentieth-century Paris with him.
Publisher: HMH
ISBN: 0544391217
Category : Biography & Autobiography
Languages : en
Pages : 309
Book Description
A biographer explores the artist’s tragic life, and transcendent work, in early twentieth-century Paris—“a vibrant portrait of a deeply unhappy man” (Publishers Weekly). In 1920, at the age of thirty-five, Amedeo Modigliani died in poverty and neglect in Paris, much like a figure out of La Bohéme. His life had been as dramatic as his death. An Italian Jew from a bourgeois family, “Modi” had a weakness for drink, hashish, and the many women—including the Russian poet Anna Akhmatova—who were drawn to his good looks. His painting thrived on chaos, but his bohemian lifestyle, combined with a youthful case of tuberculosis, eventually took a fatal toll. His friends included Picasso, Utrillo, Soutine, and other important artists of his day, yet his own work stood apart, generating little interest while he lived. Today’s art world, however, acknowledges him as a master whose limited oeuvre—sculptures, portraits, and some of the most appealing nudes in the whole of modern art—cannot satisfy collectors’ demand. With a lively but judicious hand, biographer Jeffrey Meyers sketches Modigliani and the art he produced, illuminating not only this little-known figure but also the painters, writers, lovers, and others who inhabited early twentieth-century Paris with him.
Wild Thing: The Short, Spellbinding Life of Jimi Hendrix
Author: Philip Norman
Publisher: Liveright Publishing
ISBN: 1631495909
Category : Biography & Autobiography
Languages : en
Pages : 375
Book Description
Hailed for its astounding portrait of Jimi Hendrix, Philip Norman’s Wild Thing has become the definitive biography of rock’s most outrageous—and tragic—genius. Today, Jimi Hendrix (1942–1970) is celebrated as the greatest rock guitarist of all time. But before he was setting guitars and the world aflame, James Marshall Hendrix was a shy kid in Seattle, plucking at a broken ukulele. Bringing Hendrix’s story to vivid life against the backdrop of midcentury rock, and interweaving new interviews with friends, lovers, bandmates, and his family, Wild Thing vividly reconstructs Hendrix’s remarkable career, from playing segregated clubs on the Chitlin’ Circuit to achieving stardom in Swinging London.
Publisher: Liveright Publishing
ISBN: 1631495909
Category : Biography & Autobiography
Languages : en
Pages : 375
Book Description
Hailed for its astounding portrait of Jimi Hendrix, Philip Norman’s Wild Thing has become the definitive biography of rock’s most outrageous—and tragic—genius. Today, Jimi Hendrix (1942–1970) is celebrated as the greatest rock guitarist of all time. But before he was setting guitars and the world aflame, James Marshall Hendrix was a shy kid in Seattle, plucking at a broken ukulele. Bringing Hendrix’s story to vivid life against the backdrop of midcentury rock, and interweaving new interviews with friends, lovers, bandmates, and his family, Wild Thing vividly reconstructs Hendrix’s remarkable career, from playing segregated clubs on the Chitlin’ Circuit to achieving stardom in Swinging London.
The Age of the Avant-Garde
Author: Hilton Kramer
Publisher: Transaction Publishers
ISBN: 1412813859
Category : Literary Criticism
Languages : en
Pages : 645
Book Description
Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world. The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson Pollock and Claes Oldenburg, are discussed and often drastically revaluated. A brilliant introductory essay traces the rise and fall of the avant-garde as a historical phenomenon, and examines some of the cultural problems which the collapse of the avant-garde poses for the future of art. In addition, there are chapters on art critics, museums, the relation of avant-garde art to radical politics, and on the growth of photography as a fine art. This collection is not intended to be the last word on one of the greatest as well as one of the most complex periods in the history of the artistic imagination. The essays and reviews gathered here were written in response to particular occasions and for specific deadlines--in the conviction that a start in the arduous task of critical revaluation needed to be made, not because a critical theory prescribed it but because our experience compelled it!
Publisher: Transaction Publishers
ISBN: 1412813859
Category : Literary Criticism
Languages : en
Pages : 645
Book Description
Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world. The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson Pollock and Claes Oldenburg, are discussed and often drastically revaluated. A brilliant introductory essay traces the rise and fall of the avant-garde as a historical phenomenon, and examines some of the cultural problems which the collapse of the avant-garde poses for the future of art. In addition, there are chapters on art critics, museums, the relation of avant-garde art to radical politics, and on the growth of photography as a fine art. This collection is not intended to be the last word on one of the greatest as well as one of the most complex periods in the history of the artistic imagination. The essays and reviews gathered here were written in response to particular occasions and for specific deadlines--in the conviction that a start in the arduous task of critical revaluation needed to be made, not because a critical theory prescribed it but because our experience compelled it!
The Cambridge History of Modernism
Author: Vincent Sherry
Publisher: Cambridge University Press
ISBN: 1316720535
Category : Literary Criticism
Languages : en
Pages : 1579
Book Description
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
Publisher: Cambridge University Press
ISBN: 1316720535
Category : Literary Criticism
Languages : en
Pages : 1579
Book Description
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
To Paint is to Love Again
Author: Henry Miller
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 72
Book Description