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Author: Hans Joas
Publisher: Polity
ISBN: 9780745626451
Category : Social Science
Languages : en
Pages : 256
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Book Description
Written by one of Europe's leading social theorists, this book takes up the claims of modernity and confronts them with a stark reality: the ongoing proliferation of war. How can contemporary social and political thought come to terms with this apparent failure of modernity? Throughout the 20th century the global struggle of ideologies put paid to the dream that wars were somehow the relic of a bygone, unenlightened age. But now in the aftermath of the Cold War era, how are we to account for the persistence of war and state violence? Drawing on a wide range of material, from World War I and Vietnam to the Gulf War and the conflicts in the Balkans, Joas engages with current debates in the sociology and politics of war and develops his own distinctive line of argument concerning the role of warfare in modern societies. He aligns himself with figures such as Giddens and Mann in the attempt to establish a new and non-functionalist theory of social change. This compelling and timely study confronts one of the great paradoxes of our era, and Joas's book is a substantial contribution towards a new historico-sociological perspectiveon the twentieth century. It will be of particular interest to students and scholars of sociology and politics, and will appeal to anyone who has puzzled over the persistence of modern war, and the limits of enlightenment as an historical force.
Author: Hans Joas
Publisher: Polity
ISBN: 9780745626451
Category : Social Science
Languages : en
Pages : 256
Get Book Here
Book Description
Written by one of Europe's leading social theorists, this book takes up the claims of modernity and confronts them with a stark reality: the ongoing proliferation of war. How can contemporary social and political thought come to terms with this apparent failure of modernity? Throughout the 20th century the global struggle of ideologies put paid to the dream that wars were somehow the relic of a bygone, unenlightened age. But now in the aftermath of the Cold War era, how are we to account for the persistence of war and state violence? Drawing on a wide range of material, from World War I and Vietnam to the Gulf War and the conflicts in the Balkans, Joas engages with current debates in the sociology and politics of war and develops his own distinctive line of argument concerning the role of warfare in modern societies. He aligns himself with figures such as Giddens and Mann in the attempt to establish a new and non-functionalist theory of social change. This compelling and timely study confronts one of the great paradoxes of our era, and Joas's book is a substantial contribution towards a new historico-sociological perspectiveon the twentieth century. It will be of particular interest to students and scholars of sociology and politics, and will appeal to anyone who has puzzled over the persistence of modern war, and the limits of enlightenment as an historical force.
Author: Nelson Maldonado-Torres
Publisher: Duke University Press
ISBN: 9780822341703
Category : History
Languages : en
Pages : 364
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Book Description
DIVAn analysis of Western attitudes toward war from a subaltern perspective that brings new insights into Western philosophical paradigms. /div
Author:
Publisher: Univ. Press of Mississippi
ISBN: 9781604737127
Category :
Languages : en
Pages : 232
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Book Description
Author: Philip K. Lawrence
Publisher: Springer
ISBN: 1349142182
Category : Political Science
Languages : en
Pages : 214
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Book Description
Modernity and War explores and assesses the development of war in the modern period. The book examines the contradiction between the optimistic view of social progress in the West and the actual involvement of Western states in mass violence. The author explains the violence of the modern form of war by analysing cultural trends in Western states and their connections to racism, nationalism and narcissism. The text also explains how the practice of air warfare distances Western citizens from the consequences of contemporary military violence.
Author: Xiaojue Wang
Publisher: BRILL
ISBN: 1684175356
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
"The year 1949 witnessed China divided into multiple political and cultural entities. How did this momentous shift affect Chinese literary topography? Modernity with a Cold War Face examines the competing, converging, and conflicting modes of envisioning a modern nation in mid-twentieth century Chinese literature. Bridging the 1949 divide in both literary historical periodization and political demarcation, Xiaojue Wang proposes a new framework to consider Chinese literature beyond national boundaries, as something arising out of the larger global geopolitical and cultural conflict of the Cold War. Examining a body of heretofore understudied literary and cultural production in mainland China, Taiwan, Hong Kong, and overseas during a crucial period after World War II, Wang traces how Chinese writers collected artistic fragments, blended feminist and socialist agendas, constructed ambivalent stances toward colonial modernity and an imaginary homeland, translated foreign literature to shape a new Chinese subjectivity, and revisited the classics for a new time. Reflecting historical reality in fictional terms, their work forged a path toward multiple modernities as they created alternative ways of connection, communication, and articulation to uncover and undermine Cold War dichotomous antagonism. "
Author: Roger Cooter
Publisher:
ISBN:
Category : History
Languages : en
Pages : 276
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Book Description
This volume presents the first scholarly assessment of the interconnections between war, medicine, society and modernity. Covering the period 1870 to 1945, this work emphasises the effects of warfare on the development of the modern world.
Author: Kate Hill
Publisher: Routledge
ISBN: 1000260399
Category : Art
Languages : en
Pages : 241
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Book Description
Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war effort, analyses how wartime collecting shaped the nature of the objects held by a variety of museums, and demonstrates how museums of war and of the military came into existence during this period. Closely focused around conflicts which had the most wide-ranging impact on museums, this collection includes reflections on museums such as the Louvre, the Stedelijk in the Netherlands, the Canadian War Museum and the State Art Collections Dresden. Museums, Modernity and Conflict will be of interest to academics and students worldwide, particularly those engaged in the study of museums, war and history. Showing how the past continues to shape contemporary museum work in a variety of different and sometimes unexpected ways, the book will also be of interest to museum practitioners.
Author: David A. Davis
Publisher: Univ. Press of Mississippi
ISBN: 1496815424
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.
Author: Robert H. Kargon
Publisher: University of Pittsburgh Press
ISBN: 0822981149
Category : Science
Languages : en
Pages : 271
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Book Description
Since the first world's fair in London in 1851, at the dawn of the era of industrialization, international expositions served as ideal platforms for rival nations to showcase their advancements in design, architecture, science and technology, industry, and politics. Before the outbreak of World War II, countries competing for leadership on the world stage waged a different kind of war—with cultural achievements and propaganda—appealing to their own national strengths and versions of modernity in the struggle for power. World's Fairs on the Eve of War examines five fairs and expositions from across the globe—including three that were staged (Paris, 1937; Dusseldorf, 1937; and New York, 1939-40), and two that were in development before the war began but never executed (Tokyo, 1940; and Rome, 1942). This coauthored work considers representations of science and technology at world's fairs as influential cultural forces and at a critical moment in history, when tensions and ideological divisions between political regimes would soon lead to war.
Author: Romy Golan
Publisher: Yale University Press
ISBN: 9780300063509
Category : Art
Languages : en
Pages : 254
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Book Description
Golan argues that reactionary issues such as anti-urbanism, the return to the soil, regionalism, corporatism, xenophobia, and doubts about the new technology became central to cultural and art-historical discourse. Focusing on the overlap of avant-garde and middle-of-the-road production, she investigates the import of these issues not only in, painting, sculpture, and architecture (concentrating on the work of Leger, Picasso, Le Corbusier, Ozenfant, Derain, the Surrealists, and the so-called naifs), but also in the decorative arts, in the spectacle of world and colonial fairs, and in literature. Throughout she finds evidence that artists turned from the aesthetics of the machine age toward a more organic, naturalistic art. This leads her to ask whether the famous and momentous shift of the avant-garde from Paris to New York in 1939 did not, in fact, begin two decades earlier, in 1918.
