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Author: Caroline Knighton
Publisher: Bloomsbury Publishing
ISBN: 1350129038
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Modernist Wastes is a profound new critical reflection on the ways in which women writers and artists have been discarded and recovered in established definitions of modernism. Exploring the collaborative auto/biographical writings of Djuna Barnes and the artist, poetic and Dada performer Baroness Elsa von Freytag-Loringhoven, Caroline Knighton reveals how these very processes of discarding, recovery and re-use can open up new ways of understanding a distinctively female modernist artistic practice. Illustrated throughout with artworks, original letters and manuscript facsimiles, the book draws on new archival discoveries to place the feminist recovery of neglected female voices at the heart of our understanding of modernist and avant-garde literary culture.
Author: Caroline Knighton
Publisher: Bloomsbury Publishing
ISBN: 1350129038
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Modernist Wastes is a profound new critical reflection on the ways in which women writers and artists have been discarded and recovered in established definitions of modernism. Exploring the collaborative auto/biographical writings of Djuna Barnes and the artist, poetic and Dada performer Baroness Elsa von Freytag-Loringhoven, Caroline Knighton reveals how these very processes of discarding, recovery and re-use can open up new ways of understanding a distinctively female modernist artistic practice. Illustrated throughout with artworks, original letters and manuscript facsimiles, the book draws on new archival discoveries to place the feminist recovery of neglected female voices at the heart of our understanding of modernist and avant-garde literary culture.
Author: Joseph Elkanah Rosenberg
Publisher: Oxford University Press
ISBN: 0192593676
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and useless paper that reveal an increasingly uneasy relationship between literature and its own materials over the course of the twentieth-century. Wastepaper Modernism argues that these images are vital to our understanding of modernism, disclosing an anxiety about textual matter that lurks behind the desire for radically different modes of communication. At the same time that writers were becoming infatuated with new technologies like the cinema and the radio, they were also being haunted by their own pages. Having its roots in the late-nineteenth century, but finding its fullest constellation in the wake of the high modernist experimentation with novelistic form, "wastepaper modernism" arises when fiction imagines its own processes of transmission and representation breaking down. When the descriptive capabilities of the novel exhaust themselves, the wastepaper modernists picture instead the physical decay of the book's own primary matter. Bringing together book history and media theory with detailed close reading, Wastepaper Modernism reveals modernist literature's dark sense of itself as a ruin in the making.
Author: Rebecca S. Graff
Publisher: University Press of Florida
ISBN: 0813057558
Category : History
Languages : en
Pages : 221
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Book Description
Through archaeological and archival research from sites associated with the 1893 World’s Columbian Exposition in Chicago, Disposing of Modernity explores the changing world of urban America at the turn of the twentieth century. Featuring excavations of trash deposited during the fair, Rebecca Graff’s first-of-its-kind study reveals changing consumer patterns, notions of domesticity and progress, and anxieties about the modernization of society. Graff examines artifacts, architecture, and written records from the 1893 fair’s Ohio Building, which was used as a clubhouse for fairgoers in Jackson Park, and the Charnley-Persky House, an aesthetically modern city residence designed by Louis Sullivan and Frank Lloyd Wright. Many of the items she uncovers were products that first debuted at world’s fairs, and materials such as mineral water bottles, cheese containers, dentures, and dinnerware illustrate how fairs created markets for new goods and influenced consumer practices. Graff discusses how the fair’s ephemeral nature gave it transformative power in Chicago society, and she connects its accompanying “conspicuous disposal” habits to today’s waste disposal regimes. Reflecting on the planning of the Obama Presidential Center at the site of the Chicago World’s Fair, she draws attention to the ways the historical trends documented here continue in the present. Published in cooperation with the Society for Historical Archaeology
Author: C. Schmidt
Publisher: Springer
ISBN: 1137402792
Category : Literary Criticism
Languages : en
Pages : 391
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Book Description
Modernist debates about waste - both aesthetic and economic - often express biases against gender and sexual errancy. The Poetics of Waste looks at writers and artists who resist this ideology and respond by developing an excessive poetics.
Author: Amanda Boetzkes
Publisher: MIT Press
ISBN: 0262039338
Category : Art
Languages : en
Pages : 273
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Book Description
An argument for the centrality of the visual culture of waste—as seen in works by international contemporary artists—to the study of our ecological condition. Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition. Boetzkes examines a series of works by an international roster of celebrated artists, including Thomas Hirschhorn, Francis Alÿs, Song Dong, Tara Donovan, Agnès Varda, Gabriel Orozco, and Mel Chin, among others, mapping waste art from its modernist origins to the development of a new waste imaginary generated by contemporary artists. Boetzkes argues that these artists do not offer a predictable or facile critique of consumer culture. Bearing this in mind, she explores the ambivalent relationship between waste (both aestheticized and reviled) and a global economic regime that curbs energy expenditure while promoting profitable forms of resource consumption.
Author: Elizabeth Outka
Publisher: Columbia University Press
ISBN: 0231546319
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
The influenza pandemic of 1918–1919 took the lives of between 50 and 100 million people worldwide, and the United States suffered more casualties than in all the wars of the twentieth and twenty-first centuries combined. Yet despite these catastrophic death tolls, the pandemic faded from historical and cultural memory in the United States and throughout Europe, overshadowed by World War One and the turmoil of the interwar period. In Viral Modernism, Elizabeth Outka reveals the literary and cultural impact of one of the deadliest plagues in history, bringing to light how it shaped canonical works of fiction and poetry. Outka shows how and why the contours of modernism shift when we account for the pandemic’s hidden but widespread presence. She investigates the miasmic manifestations of the pandemic and its spectral dead in interwar Anglo-American literature, uncovering the traces of an outbreak that brought a nonhuman, invisible horror into every community. Viral Modernism examines how literature and culture represented the virus’s deathly fecundity, as writers wrestled with the scope of mass death in the domestic sphere amid fears of wider social collapse. Outka analyzes overt treatments of the pandemic by authors like Katherine Anne Porter and Thomas Wolfe and its subtle presence in works by Virginia Woolf, T. S. Eliot, and W. B. Yeats. She uncovers links to the disease in popular culture, from early zombie resurrection to the resurgence of spiritualism. Viral Modernism brings the pandemic to the center of the era, revealing a vast tragedy that has hidden in plain sight.
Author: James Longenbach
Publisher: Princeton University Press
ISBN: 1400858518
Category : Poetry
Languages : en
Pages : 299
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Book Description
By thoroughly examining T. S. Eliot and Ezra Pound collected and uncollected writings, James Longenbach presents their understandings of the philosophical idea of history and analyzes the strategies of historical interpretation they discussed in their critical prose and embodied in their poems including history." Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Christopher Butler
Publisher: Oxford University Press
ISBN: 0192804413
Category : Art
Languages : en
Pages : 137
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Book Description
A compact introduction to modernism--why it began, what it is, and how it hasshaped virtually all aspects of 20th and 21st century life
Author: Kevin Jackson
Publisher: Macmillan + ORM
ISBN: 0374710333
Category : History
Languages : en
Pages : 419
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Book Description
Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.
Author: T. S. Eliot
Publisher: Graphic Arts Books
ISBN: 151328469X
Category : Poetry
Languages : en
Pages : 19
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Book Description
The Waste Land (1922) is a poem by T.S. Eliot. After suffering a nervous breakdown, Eliot took a leave of absence from his job at a London bank to stay with his wife Vivienne at the coastal town of Margate. He worked on the poem during these months before showing an early draft to Ezra Pound, who helped edit the poem toward publication. The Waste Land, dedicated to Pound, includes hundreds of quotations of and allusions to such figures as Homer, Sophocles, Virgil, Ovid, Dante, Saint Augustine, Chaucer, Baudelaire, and Whitman, to name only a few. Divided into five sections—“The Burial of the Dead;” “A Game of Chess;” “The Fire Sermon;” “Death by Water;” and “What the Thunder Said”—The Waste Land is a complex poem that translates Eliot’s fragile emotional state and increasing dissatisfaction with married life into an apocalyptic vision of postwar England. The poem begins with a meditation on despair before moving to a polyphonic narration by figures on the theme. The third section focuses on death and denial through the lens of eastern and western religions, using Saint Augustine as a prominent figure. Eliot then moves from a brief lyric poem to an apocalyptic conclusion, declaring: “He who was living is now dead / We who were living are now dying / With a little patience.” Both personal and universal, global in scope and intensely insular, The Waste Land changed the course of literary history, inspiring countless poets and establishing Eliot’s reputation as one of the foremost artists of his generation. With a beautifully designed cover and professionally typeset manuscript, this edition of T.S. Eliot’s The Waste Land is a classic of English literature reimagined for modern readers.
