Author: Edward Allen
Publisher: Cambridge University Press
ISBN: 1108496326
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Modernist Invention attends to the parallel histories of media technology and modernist American poetry.
Author: Gregory Castle
Publisher: Cambridge University Press
ISBN: 1316298582
Category : Literary Criticism
Languages : en
Pages : 549
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Book Description
A History of the Modernist Novel reassesses the modernist canon and produces a wealth of new comparative analyses that radically revise the novel's history. Drawing on American, English, Irish, Russian, French and German traditions, leading scholars challenge existing attitudes about realism and modernism and draw new attention to everyday life and everyday objects. In addition to its exploration of new forms such as the modernist genre novel and experimental historical novel, this book considers the novel in postcolonial, transnational and cosmopolitan contexts. A History of the Modernist Novel also considers the novel's global reach while suggesting that the epoch of modernism is not yet finished.
Author: Allana Lindgren
Publisher: Routledge
ISBN: 1317696158
Category : Literary Criticism
Languages : en
Pages : 977
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Book Description
The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.
Author: Morton Levitt
Publisher: UPNE
ISBN: 9781584655008
Category : Fiction
Languages : en
Pages : 222
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Book Description
A wide-ranging response to The Rhetoric of Fiction.
Author: Laura Winkiel
Publisher: Routledge
ISBN: 1317537890
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Modernism: The Basics provides an accessible overview of the study of modernism in its global dimensions. Examining the key concepts, history and varied forms of the field, it guides the reader through the major approaches, outlining key debates, to answer such questions as: What is modernism? How did modernism begin? Has modernism developed differently in different media? How is it related to postmodernism and postcolonialism? How have politics, urbanization and new technologies affected modernism? With engaging examples from art, literature and historical documents, each chapter provides suggestions for further reading, histories of relevant movements and clear definitions of key terminology, making this an essential guide for anyone approaching the study of modernism for the first time.
Author: Clare Cavanagh
Publisher: Princeton University Press
ISBN: 1400821495
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
If modernism marked, as some critics claim, an "apocalypse of cultural community," then Osip Mandelstam (1891-1938) must rank among its most representative figures. Born to Central European Jews in Warsaw on the cusp of the modern age, he could claim neither Russian nor European traditions as his birthright. Describing the poetic movement he helped to found, Acmeism, as a "yearning for world culture," he defined the impulse that charges his own poetry and prose. Clare Cavanagh has written a sustained study placing Mandelstam's "remembrance and invention" of a usable poetic past in the context of modernist writing in general, with particular attention to the work of T. S. Eliot and Ezra Pound. Cavanagh traces Mandelstam’s creation of tradition from his earliest lyrics to his last verses, written shortly before his arrest and subsequent death in a Stalinist camp. Her work shows how the poet, generalizing from his own dilemmas and disruptions, addressed his epoch’s paradoxical legacy of disinheritance--and how he responded to this unwelcome legacy with one of modernism’s most complex, ambitious, and challenging visions of tradition. Drawing on not only Russian and Western modernist writing and theory, but also modern European Jewish culture, Russian religious thought, postrevolutionary politics, and even silent film, Cavanagh traces Mandelstam’s recovery of a "world culture" vital, vast, and varied enough to satisfy the desires of the quintessential outcast modernist.
Author: Catherine Driscoll
Publisher: University Press of Florida
ISBN: 0813043204
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
For many scholars, cultural studies is viewed as a product of postmodern criticism and as the antithesis of modernism. In this brilliant work, Catherine Driscoll argues persuasively that we must view what we call cultural studies as a direct continuation of the innovations and concerns of modernism and the modernists. In making her case, Driscoll provides a fresh take on arguments--some seemingly unresolvable--that pivot on modernism's desire for novelty. Defining modernity as a critical attitude rather than a time period, she describes the many things these ostensibly different fields of inquiry have in common and reveals why cultural studies must be viewed as a fundamentally modernist project. Casting a wide net across the shared interests of modernism and cultural studies, including cinema, fiction, fashion, art, and popular music, Driscoll explores such themes as love and work, adolescence and everyday life, the significance of the everyday, the popular as a field of power, and the importance of representation to identity and experience in modernity.
Author: James Rann
Publisher: University of Wisconsin Press
ISBN: 0299328104
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
In the early twentieth century, a group of writers banded together in Moscow to create purely original modes of expression. These avant-garde artists, known as the Futurists, distinguished themselves by mastering the art of the scandal and making shocking denunciations of beloved icons. With publications such as "A Slap in the Face of Public Taste," they suggested that Aleksandr Pushkin, the founder of Russian literature, be tossed off the side of their "steamship of modernity." Through systematic and detailed readings of Futurist texts, James Rann offers the first book-length study of the tensions between the outspoken literary group and the great national poet. He observes how those in the movement engaged with and invented a new Pushkin, who by turns became a founding father to rebel against, a source of inspiration to draw from, a prophet foreseeing the future, and a monument to revive. Rann's analysis contributes to the understanding of both the Futurists and Pushkin's complex legacy. The Unlikely Futurist will appeal broadly to scholars of Slavic studies, especially those interested in literature and modernism.
Author: Michael Szalay
Publisher: Duke University Press
ISBN: 9780822325628
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
DIVArgues that the writers of the 30s and 40s--Hemingway, Ayn Rand, John Dos Passos, Gertrude Stein, Richard Wright, Wallace Stevens et al. -- identified and understood the formal problems of literary modernism through an idea of the social and an idiom of s/div
Author: Bruce Fleming
Publisher: Routledge
ISBN: 1000550907
Category : Social Science
Languages : en
Pages : 221
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Book Description
This book identifies the—now moribund—Modernist spirit of the twentieth century, with its "make it new" attitude in the arts, and its tendency towards abstraction and the scientific process, as the impetus behind the academic structures of universities and museums, together with the development of discrete scholarly disciplines such as literary theory, sociology, and art history based on quasi-scientific principles. Arguing that the Modernist project is approaching exhaustion and that the insights that it has left to yield are approaching triviality, it explores the Modernist links between the arts and academic pursuits of the West—and their relationship with street protests—in the long twentieth century, considering what might follow this Modernist era. An examination of the broad cultural and intellectual—and now political—trends of our age, and their decline, The End of the Modernist Era in Arts and Academia will appeal to scholars and students of social theory, philosophy, literary studies, and cultural studies.
