World War I and Southern Modernism

World War I and Southern Modernism PDF Author: David A. Davis
Publisher: Univ. Press of Mississippi
ISBN: 1496815440
Category : Literary Criticism
Languages : en
Pages : 240

Get Book

Book Description
When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.

World War I and Southern Modernism

World War I and Southern Modernism PDF Author: David A. Davis
Publisher: Univ. Press of Mississippi
ISBN: 1496815440
Category : Literary Criticism
Languages : en
Pages : 240

Get Book

Book Description
When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.

Modernism Relocated

Modernism Relocated PDF Author: John C. Welchman
Publisher: Allen & Unwin Australia
ISBN: 9781863735827
Category : Art
Languages : en
Pages : 324

Get Book

Book Description
Illustrated collection of interrelated essays which re-examine the history and theory of visual cultures in the 20th century. Addressing European Dada and Surrealism, US Conceptual Art and post-modern photographs, Australian performance and Aboriginal representation, the author argues for a new understanding of the relationships between visuality and textuality, 'central' and minority practices, modernism and post-modernism. Includes an index. The author is currently a visiting professor in the department of visual and environmental studies at Harvard University. He is co-author of 'The Dada and Surrealist Word-Image' and editor of 'Rethinking Borders' (forthcoming).

Art as Abstract Machine

Art as Abstract Machine PDF Author: Stephen Zepke
Publisher: Routledge
ISBN: 1135465762
Category : Philosophy
Languages : en
Pages : 318

Get Book

Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Differential Aesthetics

Differential Aesthetics PDF Author: Penny Florence
Publisher: Routledge
ISBN: 1351726064
Category : Philosophy
Languages : en
Pages : 296

Get Book

Book Description
This title was first published in 2000. This is an interdisciplinary and international collection on aesthetics with contributions from artists and philosophers and the range of thinkers about art in between. It aims to provide a forum for the kinds of question that used to be addressed within traditional aesthetics, but which have until recently been sidelined in critical writing about art and indeed in many of the most important art practices. The collection as a whole is situated in relation to feminists' approaches, but the editors hope that it will not be read as limited to them.

Modernism

Modernism PDF Author: Robin Walz
Publisher: Routledge
ISBN: 1317860934
Category : History
Languages : en
Pages : 199

Get Book

Book Description
Robin Walz’s updated Modernism, now part of the Seminar Studies series, has been updated to include significant primary source material and features to make it more accessible for students returning to, or studying the topic for the first time. The twentieth century was a period of seismic change on a global scale, witnessing two world wars, the rise and fall of communism, the establishment of a global economy, the beginnings of global warming and a complete reversal in the status of women in large parts of the world. The modernist movements of the early twentieth century launched a cultural revolution without which the multi-media-driven world in which we live today would not have been possible. Today modernism is enshrined in art galleries and university courses. Its techniques of abstraction and montage, and its creative impulse to innovate and shock, are the stock-in-trade of commercial advertising, feature films, television and computer-generated graphics. In this concise cultural history, Robin Walz vividly recaptures what was revolutionary about modernism. He shows how an aesthetic concept, arising from a diversity of cultural movements, from Cubism and Bauhaus to Abstract Expressionism and Pop Art, and operating in different ways across the fields of art, literature, music, design and architecture, came to turn intellectual and cultural life and assumptions upside down, first in Europe and then around the world. From the nineteenth century origins of modernism to its postmodern legacies, this book will give the reader access to the big picture of modernism as a dynamic historical process and an unfinished project which still speaks to our times.

Islamic Modernism and the Re-Enchantment of the Sacred in the Age of History

Islamic Modernism and the Re-Enchantment of the Sacred in the Age of History PDF Author: Ringer Monica M. Ringer
Publisher: Edinburgh University Press
ISBN: 1474478751
Category : History
Languages : en
Pages : 327

Get Book

Book Description
This book is principally a study of the complex relationship of religion to modernity. Monica M. Ringer argues that modernity should be understood as the consequence, not the cause, of the new intellectual landscape of the 19th century. Using the lens of Islamic modernism she uncovers the underlying epistemology and methodology of historicism that penetrated the Middle East and South Asia in this period, both forcing and enabling a recalibration of the definition, nature, function and place of religion. She shows that Muslim Modernists, like their counterparts in other religious traditions, engaged in a sophisticated project of theological reform designed to marry their twin commitments to religion and to modernity. They were in conversation not only with European scholarship and Catholic modernism, but more importantly, with their own complex Islamic traditions.

The Space and Place of Modernism

The Space and Place of Modernism PDF Author: Adam McKible
Publisher: Routledge
ISBN: 1136067868
Category : Literary Criticism
Languages : en
Pages : 210

Get Book

Book Description
This book examines reactions to the Russian Revolution by four little magazines of the teens and twenties (The Liberator, The Messenger, The Little Review, and The Dial) in order to analyze some of the ways modernist writers negotiate the competing demands of aesthetics, political commitment and race. Re-examining interconnections among such superficially disparate phenomena as the Harlem Renaissance, Greenwich Village bohemianism, modernism and Leftist politics, this book rightly emphasizes the vitality of little magazines and argues for their necessary place in the study of modernism.

Hybrid Modernity

Hybrid Modernity PDF Author: Mary G. Padua
Publisher: Routledge
ISBN: 1317119282
Category : Architecture
Languages : en
Pages : 211

Get Book

Book Description
This book provides a detailed historical and design analysis of the development of parks and modern landscape architecture in late 20th century China. It questions whether the fusion of international influences with the local Chinese design vocabulary in late 20th century China has created a distinctive and novel approach to the design of public parks. Hybrid Modernity proposes a new theory for examining the design of public parks built in post-Mao China since the reforms and sets the various processes for China’s late 20th century socio-cultural context. Drawing on modernization theory, research on China’s modernity, local and global cultural trends, it illustrates through a range of case studies ways hybrid modernity defines a new design genre and language for the spatial forms of parks that emerged in China’s secondary cities. Featured case studies include the Living Water Park in Chengdu, Sichuan province, Zhongshan Shipyard Park in Guangdong Province, Jinji Lake Landscape Master Plan in Suzhou, Jiangsu province, and the West Lake Southern Scenic Area Master Plan in Hangzhou, Zhejiang province. This book argues that these forms represent a new stage in China’s history of landscape architecture. The work reveals that as a new profession, landscape architecture has greatly contributed to China’s massive urban experiment. This book is an ideal read for students enrolled in landscape architecture, architecture, fine arts and urban planning programs who are engaged in learning the arts and international design education.

Relocating Cultural Studies

Relocating Cultural Studies PDF Author: Valda Blundell
Publisher: Routledge
ISBN: 1134904223
Category : Social Science
Languages : en
Pages : 244

Get Book

Book Description
Britain is no longer the sole organizing centre for cultural studies. The contributors to this volume demonstrate how cultural studies has diffused into other English-speaking countries and how its original concerns have been renegotiated and changed. The result is a landmark book which provides students with an unrivalled guide to the international phenomenon of cultural studies.

Making Modernism Soviet

Making Modernism Soviet PDF Author: Pamela Kachurin
Publisher: Northwestern University Press
ISBN: 0810167263
Category : History
Languages : en
Pages : 171

Get Book

Book Description
Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.