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Author: Jason Harding
Publisher: Oxford University Press
ISBN: 019255459X
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
This book explores the incorporation of untranslated fragments from various languages within modernist writing. It studies non-translation in modernist fiction, poetry, and other forms of writing, with a principally European focus and addresses the following questions: what are the aesthetic and cultural implications of non-translation for modernist literature? How did non-translation shape the poetics, and cultural politics, of some of the most important writers of this key period? This edited volume, written by leading scholars of modernism, explores American, British, and Irish texts, alongside major French and German writers and the wider modernist recovery of Classical languages. The chapters analyse non-translation from the dual perspectives of both 'insider' and 'outsider', unsettling that false opposition and articulating in the process their individuality of expression and experience. The range of voices explored indicates something of the reach and vitality of the matter of translation—and specifically non-translation—across a selection of poetry, fiction, and non-fictional prose, while focusing on mainly canonical voices. Together, these essays seek to provoke and extend debate on the aesthetic, cultural, political, and conceptual dimensions of non-translation as an important yet hitherto neglected facet of modernism, thus helping to re-define our understanding of that movement. It demonstrates the rich possibilities of reading modernism through instances of non-translation.
Author: Jason Harding
Publisher: Oxford University Press
ISBN: 019255459X
Category : Literary Criticism
Languages : en
Pages : 243
Get Book Here
Book Description
This book explores the incorporation of untranslated fragments from various languages within modernist writing. It studies non-translation in modernist fiction, poetry, and other forms of writing, with a principally European focus and addresses the following questions: what are the aesthetic and cultural implications of non-translation for modernist literature? How did non-translation shape the poetics, and cultural politics, of some of the most important writers of this key period? This edited volume, written by leading scholars of modernism, explores American, British, and Irish texts, alongside major French and German writers and the wider modernist recovery of Classical languages. The chapters analyse non-translation from the dual perspectives of both 'insider' and 'outsider', unsettling that false opposition and articulating in the process their individuality of expression and experience. The range of voices explored indicates something of the reach and vitality of the matter of translation—and specifically non-translation—across a selection of poetry, fiction, and non-fictional prose, while focusing on mainly canonical voices. Together, these essays seek to provoke and extend debate on the aesthetic, cultural, political, and conceptual dimensions of non-translation as an important yet hitherto neglected facet of modernism, thus helping to re-define our understanding of that movement. It demonstrates the rich possibilities of reading modernism through instances of non-translation.
Author: Jason Harding
Publisher:
ISBN: 0198821441
Category : Language Arts & Disciplines
Languages : en
Pages : 243
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Book Description
A collection on the incorporation of untranslated fragments from other languages within modernist writing. It explores non-translation in modernist fiction, poetry, and other forms of writing by writers such as Antonin Artaud, T. S. Eliot, Henry James, James Joyce, Stephane Mallarme, Ezra Pound, Rainer Maria Rilke, and William Carlos Williams.
Author: Jason Harding
Publisher:
ISBN: 9780191883170
Category : Literature, Modern
Languages : en
Pages :
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Book Description
This book explores the incorporation of untranslated fragments from various languages within modernist writing. It studies non-translation in modernist fiction, poetry, and other forms of writing, with a principally European focus and addresses the following questions: what are the aesthetic and cultural implications of non-translation for modernist literature? How did non-translation shape the poetics, and cultural politics, of some of the most important writers of this key period? This edited volume, written by leading scholars of modernism, explores American, British, and Irish texts, alongside major French and German writers and the wider modernist recovery of Classical languages. The chapters analyse non-translation from the dual perspectives of both 'insider' and 'outsider', unsettling that false opposition and articulating in the process their individuality of expression and experience. The range of voices explored indicates something of the reach and vitality of the matter of translation-and specifically non-translation-across a selection of poetry, fiction, and non-fictional prose, while focusing on mainly canonical voices. Together, these essays seek to provoke and extend debate on the aesthetic, cultural, political, and conceptual dimensions of non-translation as an important yet hitherto neglected facet of modernism, thus helping to re-define our understanding of that movement. It demonstrates the rich possibilities of reading modernism through instances of non-translation.
Author: Vera M. Kutzinski
Publisher: Cornell University Press
ISBN: 0801466245
Category : Literary Criticism
Languages : en
Pages : 375
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Book Description
The poet Langston Hughes was a tireless world traveler and a prolific translator, editor, and marketer. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. In The Worlds of Langston Hughes, Vera Kutzinski contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking. Focusing on Hughes's autobiographies, translations of his poetry, his own translations, and the political lyrics that brought him to the attention of the infamous McCarthy Committee, she shows that translating and being translated—and often mistranslated—are as vital to Hughes's own poetics as they are to understanding the historical network of cultural relations known as literary modernism.As Kutzinski maps the trajectory of Hughes's writings across Europe and the Americas, we see the remarkable extent to which the translations of his poetry were in conversation with the work of other modernist writers. Kutzinski spotlights cities whose role as meeting places for modernists from all over the world has yet to be fully explored: Madrid, Havana, Buenos Aires, Mexico City, and of course Harlem. The result is a fresh look at Hughes, not as a solitary author who wrote in a single language, but as an international figure at the heart of a global intellectual and artistic formation.
Author: William J. Tyler
Publisher: University of Hawaii Press
ISBN: 0824863666
Category : Literary Criticism
Languages : en
Pages : 625
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Book Description
Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and "modernist" become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun’ichiro. By contrast, scholars in the visual and fine arts, architecture, and poetry readily embraced modanizumu as a key concept for describing and analyzing Japanese culture in the 1920s and 1930s. This volume addresses this discrepancy by presenting in translation for the first time a collection of twenty-five stories and novellas representative of Japanese authors who worked in the modernist idiom from 1913 to 1938. Its prefatory materials provide a systematic overview of the literary movement’s salient features—anti-naturalism, cosmopolitanism, the concept of the double self, and actionism—and describe how modanizumu evolved from its early "jagged edges" into a sophisticated yet popular expression of Japanese urban life in the first half of the twentieth century. The modanist style, characterized by youthful exuberance, a tongue-in-cheek tone, and narrative techniques like superimposition, is amply illustrated. Modanizumu introduces faces altogether new or relatively unknown: Abe Tomoji, Kajii Motojiro, Murayama Kaita, Osaki Midori, Tachibana Sotoo, Takeda Rintaro, Tani Joji, Yoshiyuki Eisuke, and Yumeno Kyusaku. It also revisits such luminaries as Kawabata, Tanizaki, and the detective novelist Edogawa Ranpo. Key works that it culls from the modernist repertoire include Funahashi Seiichi’s Diving, Hagiwara Sakutaro’s "Town of Cats," Ito Sei’s Streets of Fiendish Ghosts, and Kawabata’s film scenario Page of Madness. This volume moves beyond conventional views to place this important movement in Japanese fiction within a global context: an indigenous expression born of the fission of local creativity and the fusion of cross-cultural interaction.
Author: John D. Morgenstern
Publisher: Bloomsbury Publishing
ISBN: 1350248738
Category : Literary Criticism
Languages : en
Pages : 453
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Book Description
Retracing the steps of a surprising array of 20th-century writers who ventured into the fantastical, topsy-turvy world of Lewis Carroll's fictions, this book demonstrates the full extent of Carroll's legacy in literary modernism. Testing the authority of language and mediation through extensive word-play and genre-bending, the Alice books undoubtedly prefigure literary modernism at its upmost experimental. The collection's chapters look beyond literary style to show how Carroll's writings had a far-reaching impact on modern life, from commercial culture to politics and philosophy. This book shows us the Alice we recognize from Carroll's novels but also the Alice modernist writers encountered through the looking-glass of these extraliterary discourses. Recovering a common touchstone between the likes of T. S. Eliot, James Joyce, Virginia Woolf, W. H. Auden, and writers conventionally regarded on the periphery of modernist studies, such as Dorothy L. Sayers, Sylvia Plath, Jorge Luis Borges, Flann O'Brien, and Vladimir Nabokov, this volume ultimately provides a new entry-point into a more broadly conceptualised global modernism.
Author: Robyn Creswell
Publisher: Princeton University Press
ISBN: 0691264767
Category : History
Languages : en
Pages : 272
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Book Description
How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyond City of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets—Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them—translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. City of Beginnings includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.
Author: Kelly Washbourne
Publisher: Taylor & Francis
ISBN: 104022511X
Category : Language Arts & Disciplines
Languages : en
Pages : 249
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Book Description
This is a book in pursuit of translators’ philosophies or personal theories of translation. From Vladimir Nabokov and William Carlos Williams to Ursula K. Le Guin and Langston Hughes, Translators on Translation coaxes each subject’s reflections on their art, their particular view of translation, and how they carry out their specific form of translation. The translators’ intellectual biographies expand our understanding of their views, often in their own words, on the aesthetic, political, and philosophical nature of translation; lend insight into their translation decision-making on specific works; afford critical summaries and contextualizations of their key theoretical and theoretico-practical works; unearth their figurative conceptualizations of translation; and construct their subject identities. As a person’s body of work can be diffuse, scattered, fragmentary, and contradictory, inner lives have to be constructed and reconstructed. Through a recovery and narrativizing of their writing and speaking on translation, their interviews, paratextual commentary, letters, lecture notes, and even fiction and poetry, these late twentieth-century subjects answer the question, What is translation to you? The book is supported by additional translators’ profiles and selected translations on the Routledge Translation Studies portal. Translators on Translation is key reading for courses on translation practice, translation history, translation theory, and creative writing courses that engage in translation while also being vital reading for practicing literary translators.
Author: Tamara Brzostowska-Tereszkiewicz
Publisher: Studien zur Germanistik, Skandinavistik und Übersetzungskultur
ISBN: 9783631657768
Category : Modernism (Literature)
Languages : en
Pages : 0
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Book Description
The book revisits the notion of modernist translation in the context of Eastern European (Polish and Russian) literatures. The framework of this study is the cultural turn in Translation Studies and the dynamic concept of Modernism as a configuration of mutually antagonistic tendencies, currents, programs, attitudes, and artistic realizations.
Author: Sean Pryor
Publisher: Cambridge University Press
ISBN: 1009498878
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
This Companion offers an engaging and accessible introduction to key concepts in the study of poetry and poetics.
