Author: Christopher Butler
Publisher: Oxford University Press
ISBN: 0192804413
Category : Art
Languages : en
Pages : 137
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Book Description
A compact introduction to modernism--why it began, what it is, and how it hasshaped virtually all aspects of 20th and 21st century life
Author: Stephen Eric Bronner
Publisher: Oxford University Press
ISBN: 0190692677
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
Preface -- Introduction: what is critical theory? -- The frankfurt school -- A matter of method -- Critical theory and modernism -- Alienation and reification -- Enlightened illusions -- The utopian laboratory -- The happy consciousness -- The great refusal -- From resignation to renewal -- Unfinished tasks -- Further reading -- Index
Author: Pericles Lewis
Publisher: Cambridge University Press
ISBN: 0521828090
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Publisher description
Author: Colin MacCabe
Publisher: Oxford University Press
ISBN: 0192894471
Category : Biography & Autobiography
Languages : en
Pages : 153
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Book Description
James Joyce was one of the most influential writers of the twentieth century. This book explores his novels and short stories, and analyses the literary traditions and social factors influencing his distinctive complex style. Interweaving Joyce's life and history with his books, it also shows how Joyce celebrated his own experiences in Dublin.
Author: David Cottington
Publisher: OUP Oxford
ISBN: 0191577820
Category : Art
Languages : en
Pages : 191
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Book Description
As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Christopher Butler
Publisher: Oxford Paperbacks
ISBN: 0192802399
Category : Art
Languages : en
Pages : 152
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Book Description
'a pre-eminently sane, lucid, and concise statement about the central issues, the key examples, and the notorious derilections of postmodernism. I feel a fresh wind blowing away the miasma coiling around the topic. ' -Ihab Hassan, University of Wisconsin, Milwaukee'the most intellectually incisive, coherent and comprehensive meditation upon the history and significance of postmodernism that I have yet encountered.' -Patricia Waugh, University of Durham'easily the best introduction to postmodernism currently available' -Hans Bertens, Utrecht University
Author: Christopher Butler
Publisher: Oxford University Press
ISBN: 9780198182528
Category : Art
Languages : en
Pages : 352
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Book Description
Early Modernism is a uniquely integrated introduction to the great avant-garde movements in European literature, music, and painting at the beginning of this century, from the advent of Fauvism to the development of Dada. In contrast to the overly literary focus of previous studies of modernism, this book highlights the interaction between the arts in this period. It traces the fundamental and interlinked re-examination of the languages of the arts brought about by Matisse, Picasso, Schoenberg, Eliot, Apollinaire, Marinetti, Ben, and many others, which led to radically new techniques, such as atonality, cubism, and collage. These changes are set in the context both of the art that preceded them and of a new and profound shift in ideas. Theories of the unconscious, the association of ideas, primitivism, and reliance upon an expressionist intuition led to a reshaped conception of personal identity, and Butler examines the representation of the modernist self in the work of figures including Mann, Joyce, Conrad, and Stravinsky. Accessible and wide-ranging, the book is lavishly illustrated with over sixty illustrations, many in color. It provides an elegant and incisive guide to a momentous period in the history of European art.
Author: David James
Publisher:
ISBN: 0198749961
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
The book offers new methodological and interpretive avenues for reconceptualising modernism's longstanding relationship to close reading.
Author: Jonathan Bate
Publisher: OUP Oxford
ISBN: 0191614297
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
Sweeping across two millennia and every literary genre, acclaimed scholar and biographer Jonathan Bate provides a dazzling introduction to English Literature. The focus is wide, shifting from the birth of the novel and the brilliance of English comedy to the deep Englishness of landscape poetry and the ethnic diversity of Britain's Nobel literature laureates. It goes on to provide a more in-depth analysis, with close readings from an extraordinary scene in King Lear to a war poem by Carol Ann Duffy, and a series of striking examples of how literary texts change as they are transmitted from writer to reader. The narrative embraces not only the major literary movements such as Romanticism and Modernism, together with the most influential authors including Chaucer, Donne, Johnson, Wordsworth, Austen, Dickens and Woolf, but also little-known stories such as the identity of the first English woman poet to be honoured with a collected edition of her works. Written with the flair and passion for which Jonathan Bate has become renowned, this book is the perfect Very Short Introduction for all readers and students of the incomparable literary heritage of these islands. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Peter Fifield
Publisher: Oxford University Press
ISBN: 0192559346
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.
