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Author: W. Eugene Kleinbauer
Publisher: University of Toronto Press
ISBN: 9780802067081
Category : Art
Languages : en
Pages : 548
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Book Description
A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.
Author: W. Eugene Kleinbauer
Publisher: University of Toronto Press
ISBN: 9780802067081
Category : Art
Languages : en
Pages : 548
Get Book Here
Book Description
A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.
Author: John C. McEnroe
Publisher: Pearson
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
"Critical Perspectives on Art History" introduces the complexity of issues and critical debates that characterize art history today: Presents themes including postmodernism, feminist theory, gender and racial stereotypes, "political correctness," multiculturalism, and censorship Provides a wide range of authors/critics, literary scholars, art historians, and journalists Contrasts different points of view and perspectives Encourages critical analysis and debate Reflects the dynamic force of art in our lives
Author: W. Eugene Kleinbauer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 528
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Book Description
Author: Mark Arthur Cheetham
Publisher: Cambridge : Cambridge University Press
ISBN: 9780521454902
Category : Art
Languages : en
Pages : 336
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Book Description
An introduction to the historiography and theory of the history of art.
Author: Walter Eugene Kleinbauer
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author: Lyle Massey
Publisher: Penn State Press
ISBN: 0271029803
Category : Art
Languages : en
Pages : 190
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Book Description
In Picturing Space, Displacing Bodies, Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist&’s or viewer&’s viewpoint or were unsuccessful at conjoining fictive and lived space.Showing how these &“failures&” were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, Picturing Space, Displacing Bodies asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter&’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Author: Nicholas Chare
Publisher: Routledge
ISBN: 1000226190
Category : Art
Languages : en
Pages : 259
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Book Description
Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present. Spanning a diverse range of time periods and places, the contributions cumulatively showcase ways in which ongoing dialogue between history and art history raises important aesthetic, ethical and political questions for the disciplines. The volume fosters a methodological awareness that enriches exchanges across these distinct fields of knowledge. This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture and historiography.
Author: James Elkins
Publisher: Penn State Press
ISBN: 9780271043906
Category : Art
Languages : en
Pages : 328
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Book Description
Elkins argues that writing is what art historians produce, and, whether such writing is a transparent vehicle for the transmission of facts or an embattled forum for the rehearsal of institutional relations and constructions of history, it is an expressive medium, with the capacity for emotion and reflection. Therefore, it needs to be taken seriously for its own sake: it is the testament of art history and of individual historians, and it is only weakened and slighted by versions of history that imagine it either as uncontrolled dissemination or as objective discovery and reporting.
Author: Jill Burke
Publisher: Routledge
ISBN: 1351551108
Category : Art
Languages : en
Pages : 408
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Book Description
The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.
Author: Helen Damico
Publisher: Taylor & Francis
ISBN: 9780815333395
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
