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Author: Hyŏng-min Chŏng
Publisher: Hollym International Corporation
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
The aim of Modern Korean Ink Painting is to further a general understanding of how Korean art and the times it represented were related. Starting with the dawn of the modern age in Korean art (1876-1910), which looks at the legacy of court painting and the last of the literati painters, the book then moves on to the modern art era in Korea (1920-1940), following that up by examining the forces at work during the perpetuation of nationalism, which lasted well into the 1980s.
Author: Hyŏng-min Chŏng
Publisher: Hollym International Corporation
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
The aim of Modern Korean Ink Painting is to further a general understanding of how Korean art and the times it represented were related. Starting with the dawn of the modern age in Korean art (1876-1910), which looks at the legacy of court painting and the last of the literati painters, the book then moves on to the modern art era in Korea (1920-1940), following that up by examining the forces at work during the perpetuation of nationalism, which lasted well into the 1980s.
Author: Yŏng-na Kim
Publisher: Hollym International Corporation
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
Modern and Contemporary Art in Korea deals with issues of tradition, modernity, and identity in modern and contemporary Korean art in Korea. On a deeper level, this is one of the only books of its kind in English that exposes readers to specific artists and their works, an especially useful resource for those who wish to know more than just surface level facts about Korean art.
Author: Yeon Shim Chung
Publisher: Phaidon Press
ISBN: 9780714878331
Category : Art
Languages : en
Pages : 0
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Book Description
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
Author: 김영나
Publisher: Laurence King Publishing
ISBN: 9781856694858
Category : Art
Languages : en
Pages : 308
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Book Description
In recent years the increase in interest in Asian art has led to a number of books being published about Japanese and Chinese artists. However, the exciting Korean scene is still largely undocumented. Now Kim YoungNa reveals Korean modern and contemporary artists to the West. Twentieth-Century Korean Art provides a comprehensive, engaging survey that places emphasis on art historical narratives. It draws on primary sources and historical artefacts as well as on new interpretations of issues such as the identity of Korean art and the cultural ramifications of Japanese colonialism. Covering over one hundred year from the late 19th century through to the 1990s, the essays in this book examine how both external influences and wills-to-change within Korean society itself generated an artistic vitality against a shifting political, social, and cultural backdrop and how this necessarily involved East Asia at large and the West.
Author: Francis Mullany
Publisher: BRILL
ISBN: 9004213619
Category : Art
Languages : en
Pages : 428
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Book Description
With more than 200 colour plates, and for the first time available as a study in English, this volume explores the vast heritage of Korean ink brush painting, providing a rich panorama of information that stretches across the entire spectrum of Korean art – including painting, pottery, calligraphy and literature, which will have wide appeal, not least to art lovers and students of Korean Studies. Part I presents the material in essay form; Part II, which uses a dictionary format, summarizes the information in Part I and highlights the hidden messages and symbolism inherent in literati ink brush painting in Korea. When China and Japan opened up to outside influence in the nineteenth century, Korea maintained a closed-door policy, becoming known as the ‘hermit kingdom’, only to be swallowed up in the struggle for hegemony between the Great Powers. Annexation by Japan in 1910 threatened Korea’s language and culture with extinction. Liberation in 1945 was followed by the tragedy of the Korean War in 1950. In the period of reconstruction after the Korean War, artists and scholars faced the task of retrieving Korea’s endangered cultural tradition. Ink brush painting is a unique part of this tradition; its history stretches back through the Choson dynasty when Chinese influences were assimilated and absorbed and made into Korea’s distinctive tradition.
Author: Charlotte Horlyck
Publisher: Reaktion Books
ISBN: 1780237847
Category : Art
Languages : en
Pages : 522
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Book Description
Walk the galleries of any major contemporary art museum and you are sure to see a work by a Korean artist. Interest in modern and contemporary art from South—as well as North—Korea has grown in recent decades, and museums and individual collectors have been eager to tap into this rising market. But few books have helped us understand Korean art and its significance in the art world, and even fewer have told the story of the formation of Korea’s contemporary cultural scene and the role artists have played in it. This richly illustrated history tackles these issues, exploring Korean art from the late-nineteenth century to the present day—a period that has seen enormous political, social, and economic change. Charlotte Horlyck covers the critical and revolutionary period that stretches from Korean artists’ first encounters with oil paintings in the late nineteenth century to the varied and vibrant creative outputs of the twenty-first. She explores artists’ interpretations of new and traditional art forms ranging from oil and ink paintings to video art, multi-media installations, ready-mades, and performance art, showing how artists at every turn have questioned the role of art and artists within society. Opening up this fascinating world to general audiences, this book will appeal to anyone wanting to explore this rich and fascinating era in Korea’s cultural history.
Author: Virginia Moon
Publisher: Delmonico Books
ISBN: 9781636810584
Category : Art
Languages : en
Pages : 328
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Book Description
Featuring over 130 artworks--some previously unpublished--this richly illustrated volume is essential for understanding modern art in Korea and how it evolved to meet the contemporary global context In The Space Between, a generative period in Korean art between the traditional and the contemporary is illuminated comprehensively for the first time. After the centuries-long Joseon dynasty came 35 uninterrupted years of the Japanese colonial period (1910-45) followed by the Korean War (1950-53). During this tumultuous time, Korean artists grappled with issues such as identity and nationalism and experimented with a broad range of media. The book is organized into five categories: "The Modern Encounter"-- foreign influences enter the country in a significant way in the late 19th and early 20th centuries; "The Modern Response"--how foreign methods are accepted or rejected; "The Pageantry of the New Woman (Sinyeoseong) Movement"--modern women's attitudes; "The Modern Momentum"--advances in using foreign styles; and "Evolving into the Contemporary"--a glimpse into the contemporary. Most notable during this period are the introductions of photography, sculpture and oils, which arrived via Japan and came to define modern art in Korea. At the same time, traditional ink painting reinvented itself: works grew larger in scale while keeping traditional landscape motifs with alterations in the use of color and composition. Artists of modern ink believed that theirs was the true future of modern art, unsullied by elements found in the West. By the end of the Korean War, the magnified status of the US made way for access to American abstract art and, indirectly, European informel. For nearly a decade, abstract expressionist and informel styles dominated Korean art. The volume concludes in the 1960s, setting the stage for contemporary art in Korea.
Author: Kang Collection
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Youngna KIM
Publisher: BRILL
ISBN: 9004678727
Category : Art
Languages : en
Pages : 276
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Book Description
Over the past decades, Korea has gradually risen to become one of the global representatives of Asian culture. Korean artists have been increasingly active at an international level, with many being invited for residencies and exhibitions all over the world. Nonetheless, for various reasons, the general understanding of Korean contemporary art remains insufficient. Although a few overviews of Korean contemporary art do exist, they typically focus on the history of art groups and movements. In addition, several anthologies have been published with articles on a range of topics, offering multiple perspectives. However, there have been few attempts to provide a unified synopsis of Korean contemporary art. Presenting a comprehensive, engaging survey that covers the full spectrum of Korean contemporary art, Korean Art since 1945: Challenges and Changes seeks to fill this lacuna. Drawing on primary sources, it discusses the main issues, including the ideological stakes that affected the art world, modernist art vs. political art, and the fluidity of concepts such as tradition and national identity. Moreover, the book also has a chapter on the art of North Korea. Korean Art since 1945: Challenges and Changes is an invaluable tool for those intent on grasping the entire scope of modern art in Asia.
Author: Kyunghee Pyun
Publisher: Routledge
ISBN: 1000453553
Category : Art
Languages : en
Pages : 292
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Book Description
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
