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Author: Edward L. Kottick
Publisher: UNC Press Books
ISBN: 1469610604
Category : Music
Languages : en
Pages : 193
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Book Description
Kottick presents technical information in an accessible, but entertaining, way: the forms and styles of harpsichords, advice on purchasing decisions, maintenance techniques (such as voicing, regulating, and changing strings, tongues, plectra, springs, and dampers), aids in troubleshooting common problems, and detailed instructions on tuning and temperament. As builder of some thirty keyboard instruments, Kottick is well qualified to speak on the subject.
Author: Edward L. Kottick
Publisher: UNC Press Books
ISBN: 1469610604
Category : Music
Languages : en
Pages : 193
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Book Description
Kottick presents technical information in an accessible, but entertaining, way: the forms and styles of harpsichords, advice on purchasing decisions, maintenance techniques (such as voicing, regulating, and changing strings, tongues, plectra, springs, and dampers), aids in troubleshooting common problems, and detailed instructions on tuning and temperament. As builder of some thirty keyboard instruments, Kottick is well qualified to speak on the subject.
Author: Wolfgang Zuckermann
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 0
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Book Description
Author: Edward L. Kottick
Publisher: Indiana University Press
ISBN: 9780253341662
Category : Music
Languages : en
Pages : 606
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Book Description
A History of the Harpsichord brings together for the first time more than 200 photographs, illustrations, and drawings of harpsichords in public museums and private collections throughout Europe the United States. Edward L. Kottick draws on his extensive technical knowledge and experience as a harpsichord builder to detail the changing design, structure, and acoustics of the instrument over seven centuries.Based on painstaking research, the book considers the place of the instrument in society and vividly describes the market forces that brought about changes in its form, decoration, and cultural importance. An accompanying CDincludes performances on several of the historical instruments described and illustrated in the volume, including a 1580 spinett virginal by Martin van der Biest and instruments built by Ruckers and Pleyel. The volume devotes attention to American harpsichord design as well as to present and future uses of the instrument.Also of interestThe History of the PianoforteA Documentary in SoundEva Badura-Skoda0-253-33582-5 HB £37.95
Author: Elaine Funaro
Publisher:
ISBN: 9780578474335
Category :
Languages : en
Pages :
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Book Description
Elena discovers a magical book in her grandmother's attic, The Harpsichord Diaries. Transported through five centuries, she meets eccentric talking harpsichords that bring music and history to life. Internationally acclaimed harpsichordist Elaine Funaro teamed up with her twins, professional theater director Eric Love and award-winning animator Andrea Love to create this unique musical journey.
Author: Igor Kipnis
Publisher: Routledge
ISBN: 1135949778
Category : Music
Languages : en
Pages : 1323
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Book Description
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Author: Jane Chapman
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 160
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Book Description
Author: Yonit Lea Kosovske
Publisher: Indiana University Press
ISBN: 0253001455
Category : Music
Languages : en
Pages : 238
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Book Description
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1108667929
Category : Music
Languages : en
Pages : 407
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Book Description
Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.
Author: Ruth Nurmi
Publisher: Scarecrow Press
ISBN: 9780810818866
Category : Music
Languages : en
Pages : 276
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Book Description
Provides basic information on the harpsichord, best-known instrument of baroque music, including physical properties, kinds of harpsichords available, instruction on tuning and common maintenance problems, explanations of technique and fingering, tempo, registration, ensemble playing, and special notational problems.
Author: Peter Watchorn
Publisher: Routledge
ISBN: 1351561960
Category : Music
Languages : en
Pages : 275
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Book Description
Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. She trained as a pianist at the Musikakademie in Vienna under the instruction of Viktor Ebenstein, Emil von Sauer and Franz Schmidt. In 1934 she met the musical instrument collector, Dr Erich Fiala, whom she married in 1938. His activities opened up the world of early instruments to her. Using a 1790 fortepiano by Michael Rosenberger, Isolde Ahlgrimm began her career as a specialist on early keyboard instruments with the first in her notable series of Concerte f?r Kenner und Liebhaber, given in Vienna's Palais Palffy in February 1937. Ahlgrimm's career as a harpsichordist also began in 1937, when a new instrument was commissioned from the Ammer brothers in Eisenberg, Germany. In 1943 Ahlgrimm performed her first all-harpsichord programme, which consisted of the Goldberg Variations by J.S. Bach. From 1949 to 1956, she devoted herself to performing and recording nearly all of Bach's harpsichord music for the newly-founded Dutch label, Philips, presenting her new approach to the harpsichord to a wider audience. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Most obviously, Ahlgrimm's harpsichord performances eliminated frequent registration changes (her instrument had hand stops rather than pedals to change registers), and largely eschewed the massive ritardandi and other anachronistic performance practices that were hallmarks of Landowska's essentially Romantic style. Ahlgrimm researched and emphasized rhetorical traditions on which the music was based. This became more pronounced throughout the course of her later performing, writing and teaching career, and it was the beginning of an approach to the performance of eighteenth-century musi
