Mother Stone: the Vitality of Modern British Sculpture PDF Download
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Author: Anne Middleton Wagner
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300106855
Category : Art
Languages : en
Pages : 304
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Book Description
In Mother Stone Anne Middleton Wagner looks anew at the carvings of the first generation of British modernists, a group centered around Henry Moore, Barbara Hepworth, and Jacob Epstein. Wagner probes the work of these sculptors, discusses their shared avant-garde materialism, and identifies a common theme that runs through their work and that of other artists of the period: maternity. Why were artists for three turbulent decades after the First World War seemingly preoccupied with representations of pregnant women and the mother and child? Why was this the great new subject, especially for sculpture? Why was the imagery of bodily reproduction at the core of the effort to revitalize what in Britain had become a somnolent art? Wagner finds the answers to these questions at the intersection between the politics of maternity and sculptural innovation. She situates British sculpture fully within the new reality of “bio-power”—the realm of Marie Stopes, Brave New World, and Melanie Klein. And in a series of brilliant studies of key works, she offers a radical rereading of this sculpture’s main concerns and formal language.
Author: Anne Middleton Wagner
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300106855
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
In Mother Stone Anne Middleton Wagner looks anew at the carvings of the first generation of British modernists, a group centered around Henry Moore, Barbara Hepworth, and Jacob Epstein. Wagner probes the work of these sculptors, discusses their shared avant-garde materialism, and identifies a common theme that runs through their work and that of other artists of the period: maternity. Why were artists for three turbulent decades after the First World War seemingly preoccupied with representations of pregnant women and the mother and child? Why was this the great new subject, especially for sculpture? Why was the imagery of bodily reproduction at the core of the effort to revitalize what in Britain had become a somnolent art? Wagner finds the answers to these questions at the intersection between the politics of maternity and sculptural innovation. She situates British sculpture fully within the new reality of “bio-power”—the realm of Marie Stopes, Brave New World, and Melanie Klein. And in a series of brilliant studies of key works, she offers a radical rereading of this sculpture’s main concerns and formal language.
![Modern British Sculpture. An Official Record of Some of the Works by Members of the Royal Society of British Sculptors. [Plates.]. PDF](https://books.google.com/books/content/images/frontcover/hOy1mgEACAAJ?fife=w80-h100)
Author: Royal Society of British Sculptors
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Book Description
Author: Penelope Curtis
Publisher: Tate Publishing(UK)
ISBN:
Category : Sculpture, British
Languages : en
Pages : 154
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Book Description
![Modern British sculpture [Richard Green, 2021]. PDF](https://books.google.com/books/content/images/frontcover/muqAzwEACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Philip Wright
Publisher:
ISBN: 9781999729318
Category : Sculpture, British
Languages : en
Pages : 100
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Book Description
During the post war years the British Council promoted a group of British sculptors on the prestigious stage of the Venice Biennale and at subsequent touring exhibitions across Europe, North and South America.0This was a pivotal moment in the history of 20th Century British Art and led to widespread international acclaim for the selected artists. This exhibition catalogue brings together a group of important sculptures by these artists, some which were exhibited at the Venice Biennales, some borrowed from private collections and not been seen publicly for many years.0The sculpture of this era has a power and resonance which continues to captivate collectors, museums, dealers and art historians alike.
Author: Royal Society of British Sculptors
Publisher: Forgotten Books
ISBN: 9780332504599
Category : Art
Languages : en
Pages : 232
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Book Description
Excerpt from R. B. S., Modern British Sculpture This book contains one or more examples of the work of almost all living members of the Royal Society of British Sculptors. A few works of leading members who died recently have also been included. The work covers the period since the Society last published a book of reproductions in 1921. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Guy Portelli
Publisher: Schiffer Art Books
ISBN: 9780764321115
Category : Art
Languages : en
Pages : 0
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Book Description
A comprehensive study of modern sculpture developments in Great Britain, this beautiful book showcases 95 leading sculptors from the second half of the 20th century. It concentrates on the most influential, award-winning, and highly valued works from the growing field of popular sculpture availabe today. 780 color and black and white photographs display the wide range of materials, themes, styles, and settings that convey each sculptor's classical, figurative, abstract, or visionary work.
Author: Royal Society of British Sculptors
Publisher: Legare Street Press
ISBN: 9781013900297
Category :
Languages : en
Pages : 244
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Royal Society of British Sculptors
Publisher:
ISBN:
Category : Limited editions
Languages : en
Pages : 111
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Book Description
Author: Sarah Burnage
Publisher: Routledge
ISBN: 1351545833
Category : Art
Languages : en
Pages : 279
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Book Description
The British School of Sculpture, c. 1760?1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.
