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Author: Nilgun Bayraktar
Publisher: Routledge
ISBN: 1317510739
Category : Art
Languages : en
Pages : 232
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Book Description
Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
Author: Nilgun Bayraktar
Publisher: Routledge
ISBN: 1317510739
Category : Art
Languages : en
Pages : 232
Get Book Here
Book Description
Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
Author: Nilgün Bayraktar
Publisher:
ISBN: 9781315717685
Category : Art
Languages : en
Pages : 0
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Book Description
Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
Author: Nigel Bell
Publisher:
ISBN: 9781548750336
Category :
Languages : en
Pages : 198
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Book Description
Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe since the 1990s. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study underscores the ways European .
Author: Berna Gueneli
Publisher: Indiana University Press
ISBN: 0253037913
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
In Fatih Akın's Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Akın. The first minority director in Germany to receive numerous national and international awards, Akın makes films that are informed by Europe's past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Akın's key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Akın's unique stylistic use of multivalent sonic and visual components and multinational characters. She argues that the soundscapes of Akın's films—including music and multiple languages, dialects, and accents—create an "aesthetic of heterogeneity" that envisions an expanded and integrated Europe and highlights the political nature of Akın's decisions regarding casting, settings, and audio. At a time when belonging and identity in Europe is complicated by questions of race, ethnicity, religion, and citizenship, Gueneli demonstrates how Akın's aesthetics intersect with politics to reshape notions of Europe, European cinema, and cinematic history.
Author: Tim Bergfelder
Publisher: Bloomsbury Publishing
ISBN: 1911239414
Category : Performing Arts
Languages : en
Pages : 625
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Book Description
This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
Author: Koen Leurs
Publisher: SAGE
ISBN: 1529787114
Category : Language Arts & Disciplines
Languages : en
Pages : 251
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Book Description
"A revelation for digital researchers and a provocation for migration scholars... It introduces an insightful, inspiring, and inviting way of making sense of the messiness without losing hope of changing things." - Nishant Shah, Chinese University of Hong Kong "A must read for everyone who is concerned with questions of human mobility, media and communications and the digital border." - Myria Georgiou, LSE "A much-needed addition to scholarship on mobility, technology, and migration... The book is poised to become a touchstone text." - C.L. Quinan University of Melbourne In contemporary discussions on migration, digital technology is often seen as a ′smart′ disruptive tool. Bringing efficiencies to management, and safety to migrants. But the reality is always more complex. This book is a comprehensive and impassioned account of the relationship between digital technology and migration. From ′top-down′ governmental and corporate shaping of the migrant condition, to the ′bottom-up′ of digital practices helping migrants connect, engage and resist. Taking an interdisciplinary approach, Digital Migration explores: The power relations of digital infrastructures across migrant recruitment, transportation and communication. Migrant connections and the use of digital devices, platforms and networks. Dominant digital representations of migrants, and how they’re resisted. The affect and emotion of digital migration, from digital intimacy to transnational family life. How histories of pre and early-digital migration help us situate and rethink contemporary research. The realities of researching digital migration, including interviews with leading international researchers. Critical yet hopeful, Koen Leurs opens up the unequal power relations at the heart of digital migration studies, challenging us to imagine more just alternatives. Koen Leurs is an Associate Professor in Gender, Media and Migration Studies at the Graduate Gender Program, Department of Media and Culture, Utrecht University, the Netherlands. All author royalties for this book will be donated to the Alarm Phone, a hotline for boatpeople in distress.
Author: Erin Franziska Högerle
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110696533
Category : Social Science
Languages : en
Pages : 352
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Book Description
Responding to a lack of studies on the film festival’s role in the production of cultural memory, this book explores different parameters through which film festivals shape our reception and memories of films. By focusing on two Asian American film festivals, this book analyzes the frames of memory that festivals create for their films, constructed through and circulated by the various festival media. It further establishes that festival locations—both cities and screening venues—play a significant role in shaping our experience of films. Finally, it shows that festivals produce performances which help guide audiences towards certain readings and direct the film’s role as a memory object. Bringing together film festival studies and memory studies, 'Asian American Film Festivals' offers a mixed-methods approach with which to explore the film festival phenomenon, thus shedding light on the complex dynamics of frames, locations, and performances shaping the festival’s memory practices. It also draws attention to the understudied genre of Asian American film festivals, showing how these festivals actively engage in constructing and performing a minority group’s collective identity and memory.
Author: Hasret ÇOMAK
Publisher: Transnational Press London
ISBN: 1801350191
Category : Social Science
Languages : en
Pages : 403
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Book Description
Professor Hasret Comak and colleagues put together a sizeable collection of studies on refugee situation in Turkey with reference to broader frameworks and discussions. Volume V and VI bring us detailed discussions of the international framework of refugee management as well as the circumstances and experiences of refugees in Turkey. 23 chapters focus on various aspects and offer insights and perspectives on refugee experiences, legal frameworks and implications with particular reference to Turkey. Temporary protection, Syrians, media representations, Turkey’s legal frameworks dealing with refugees are the themes covered in this volume. CONTENTS PREFACE CHAPTER 1. REGULATIONS INTRODUCED BY LAW ON FOREIGNERS AND INTERNATIONAL PROTECTION IN TURKEY – Talip Menekşe and Soyalp Tamçelik CHAPTER 2. TURKEY’s ASYLUM POLICY IN THE CONTEXT OF TEMPORARY PROTECTION – Ayşegül Bostan CHAPTER 3. THE EVALUATION OF SOCIAL POLICIES REGARDING REFUGEES LIVING IN TURKEY – Derya Alimanoğlu Yemişci CHAPTER 4. SERVICES AND RIGHTS PROVIDED FOR REFUGEES IN TURKEY – Talip Menekşe and Soyalp Tamçelik CHAPTER 5. THE IMPACT OF REFUGEES ON TURKEY’S GEOPOLITICS – Göknil Erbaş Doğan CHAPTER 6. THE ROLE OF SYRIAN IMMIGRANTS IN THE TURKISH FOREIGN POLICY – İsmail Köse and Metin Aksoy CHAPTER 7. REFUGEES POSITION FROM THE FAMILY LAW PERSPECTIVE IN TURKEY – Şebnem Akipek Öcal CHAPTER 8. THE PROGRESS AND CHALLANGES OF REFUGEE EDUCATION IN TURKEY – Hüseyin Pusat Kıldiş CHAPTER 9. REFUGEES IN TURKEY AND THEIR EDUCATION IN TERMS OF IDENTITY – Gamze Uşar CHAPTER 10. IRREGULAR MIGRATION AND EMPLOYMENT EFFECTS OF REFUGEES HEADING TO TURKEY; UNREGISTERED EMPLOYMENT – Hatice Nur Germir CHAPTER 11. THE IMPACT OF SYRIANS UNDER TEMPORARY PROTECTION TO THE LABOUR MARKET IN TURKEY – Asli Okay Toprak CHAPTER 12. TURKEY AND THE EMPLOYMENT OF REFUGEES – Hatice Nur Germir CHAPTER 13. SYRIAN IMMIGRATION AND INTEGRATION POLICIES IN TURKEY – Gülşen Sarı Gerşil CHAPTER 14. THE EXTENT OF SYRIAN REFUGEES IN ELECTION BULLETINS: 2015 AND 2018 ELECTIONS IN TURKEY – Yüksel Kamacı Erkan CHAPTER 15. THE IMPACT OF IMMIGRATION ON URBAN PLANNING IN TURKEY – Levent Uzunçıbuk CHAPTER 16. DIGITAL SOCIAL MEDIA NETWORKS AS AN INTERCULTURAL COMMUNICATION AREA FORIMMIGRANTS AND LOCALS – Füsun Alver CHAPTER 17. REFLECTIONS OF REFUGEE CRISIS IN MEDIA – Hüseyin Çelik CHAPTER 18. MEDIA AND LANGUAGE STUDIES: COMPARATIVE ANALYSIS OF SYRIAN CIVIL WAR’S MEDIA COVERAGE – Beyza Dutand Nilüfer Pembecioğlu CHAPTER 19. A THOUGH LIFE: THE PORTRAYAL OF REFUGEES IN (TRANSNATIONAL) FILMS – Burak Buğra Komlu and Hasan Gürkan CHAPTER 20. THE PERCEPTION OF MULTICULTURALITY BY EMPLOYEES IN INTERNATIONAL BUSINESSES AGAINST MIGRANTS – Gözde Mert CHAPTER 21. THE MAINTAINING (NON-MAINTAINING) OF CULTURAL AND SYMBOLIC CODES BY WOMEN THAT HAVE MIGRATED TO EUROPE FROM TURKEY: THE AUSTRIA (VIENNA) EXAMPLE – Nebahat Akgün Çomak, Elgiz Yılmaz Altuntaş and Eda Nur Akgün CHAPTER 22. THE MAINTAINING (NON-MAINTAINING) OF CULTURAL AND SYMBOLIC CODES BY WOMEN THAT HAVE MIGRATED TO EUROPE FROM TURKEY: THE CASE of FRANCE (PARIS) – Elgiz Yılmaz Altuntaş and Nebahat Akgün Çomak
Author: Aine O’Healy
Publisher: Indiana University Press
ISBN: 0253037212
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
During a period of heightened global concerns about the movement of immigrants and refugees across borders, Migrant Anxieties explores how filmmakers in Italy have probed the tensions accompanying the country's shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Áine O'Healy traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O'Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy's colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O'Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation's borderscape.
Author: Temenuga Trifonova
Publisher: Bloomsbury Publishing USA
ISBN: 1501362496
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general
