Mitchum, Mexico and the Good Neighbours Era PDF Download
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Author: Liam White
Publisher: Andrews UK Limited
ISBN: 1909183466
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Robert Mitchum was one of the most charismatic stars of the ‘classic Hollywood' era. His screen persona was the essence of cool: tough but vulnerable, accepting of his fate with languid charm and easy humour. His films have often been seen through the lens of film noir, but they had something else in common too: the characters he played in Out of the Past, The Big Steal, His Kind of Woman, Second Chance, Where Danger Lives, and Angel Face seemed irrevocably drawn to Mexico. Mitchum's sequence of films south of the border coincided with the advent of the ‘golden age’ of Mexico’s own film industry, a new cinematic wave that drew on serious artistic influences from the muralists to Sergei Eisenstein, and that was led by director Emilio Fernández and cinematographer Gabriel Figueroa whose 1943 film María Candelaria, starring former Hollywood siren Dolores del Río, had won a prize at Cannes. Under the Roosevelt administration’s ‘Good Neighbour’ policy - a wartime effort to court friendly Latin American countries - Hollywood’s portrayal of Mexico changed: out went the all-purpose exoticism, where ‘south of the border’ was a metaphor for the loosening of moral and sexual standards, and in came a more nuanced approach. In this authoritative study, Liam White encourages us to take a fresh look at how Mitchum’s films broke with Hollywood convention in the way they depicted Mexico; how Mexico’s own film industry boomed, becoming the first example of ‘world cinema’ to have an impact on the post-War world; and how its success attracted significant US talent - from John Steinbeck to John Ford - to work on bi-national projects.
Author: Liam White
Publisher: Andrews UK Limited
ISBN: 1909183466
Category : Performing Arts
Languages : en
Pages : 260
Get Book Here
Book Description
Robert Mitchum was one of the most charismatic stars of the ‘classic Hollywood' era. His screen persona was the essence of cool: tough but vulnerable, accepting of his fate with languid charm and easy humour. His films have often been seen through the lens of film noir, but they had something else in common too: the characters he played in Out of the Past, The Big Steal, His Kind of Woman, Second Chance, Where Danger Lives, and Angel Face seemed irrevocably drawn to Mexico. Mitchum's sequence of films south of the border coincided with the advent of the ‘golden age’ of Mexico’s own film industry, a new cinematic wave that drew on serious artistic influences from the muralists to Sergei Eisenstein, and that was led by director Emilio Fernández and cinematographer Gabriel Figueroa whose 1943 film María Candelaria, starring former Hollywood siren Dolores del Río, had won a prize at Cannes. Under the Roosevelt administration’s ‘Good Neighbour’ policy - a wartime effort to court friendly Latin American countries - Hollywood’s portrayal of Mexico changed: out went the all-purpose exoticism, where ‘south of the border’ was a metaphor for the loosening of moral and sexual standards, and in came a more nuanced approach. In this authoritative study, Liam White encourages us to take a fresh look at how Mitchum’s films broke with Hollywood convention in the way they depicted Mexico; how Mexico’s own film industry boomed, becoming the first example of ‘world cinema’ to have an impact on the post-War world; and how its success attracted significant US talent - from John Steinbeck to John Ford - to work on bi-national projects.
Author: Jans B. Wager
Publisher: University of Texas Press
ISBN: 1477312277
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compose the scores for and appear in noir films of the 1950s, black musicians found a unique way of asserting their right to participate fully in American life. Jazz and Cocktails explores the use of jazz in film noir, from its early function as a signifier of danger, sexuality, and otherness to the complex role it plays in film scores in which jazz invites the spectator into the narrative while simultaneously transcending the film and reminding viewers of the world outside the movie theater. Jans B. Wager looks at the work of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as she analyzes films including Sweet Smell of Success, Elevator to the Gallows, Anatomy of a Murder, Odds Against Tomorrow, and considers the neonoir American Hustle. Wager demonstrates how the evolving role of jazz in film noir reflected cultural changes instigated by black social activism during and after World War II and altered Hollywood representations of race and music.
Author: Damien Love
Publisher: B.T. Batsford
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
Follows one of cinema's great actors from his early days in Westerns to the end of his life. Along the way, this illustrated biography reflects on how his real life echoed the nefarious characters he played. Readers will especially enjoy the "chronoMitchology" timeline, and a "Mitchabet," the A-to-Z of the actor.
Author: Stanley C. Pelkey
Publisher: Oxford University Press, USA
ISBN: 019993617X
Category : Music
Languages : en
Pages : 321
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Book Description
"In this collection, contributors employ diverse critical methods and perspectives to explore the role of music in American film and television of the 1950s and 1960s, as well as in films from more recent years that allude to, reflect back upon, or recreate those decades. Particular attention is given to uncovering how motion picture culture and its music treated anxieties about suburbanization, conformity, the family, and gender" -- Provided by publisher.
Author:
Publisher:
ISBN:
Category : California
Languages : en
Pages : 1024
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Book Description
Author: Larry Schweikart
Publisher: Penguin
ISBN: 1101217782
Category : History
Languages : en
Pages : 1373
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Book Description
For the past three decades, many history professors have allowed their biases to distort the way America’s past is taught. These intellectuals have searched for instances of racism, sexism, and bigotry in our history while downplaying the greatness of America’s patriots and the achievements of “dead white men.” As a result, more emphasis is placed on Harriet Tubman than on George Washington; more about the internment of Japanese Americans during World War II than about D-Day or Iwo Jima; more on the dangers we faced from Joseph McCarthy than those we faced from Josef Stalin. A Patriot’s History of the United States corrects those doctrinaire biases. In this groundbreaking book, America’s discovery, founding, and development are reexamined with an appreciation for the elements of public virtue, personal liberty, and private property that make this nation uniquely successful. This book offers a long-overdue acknowledgment of America’s true and proud history.
Author: Roger Ebert
Publisher: Grand Central Publishing
ISBN: 0446584983
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
Named one of the 100 greatest film books of all time by The Hollywood Reporter, this singular, warm-hearted, inspiring look at life itself is "the best thing Mr. Ebert has ever written" (Janet Maslin, New York Times). "To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." Roger Ebert was the best-known film critic of his time. He began reviewing films for the Chicago Sun-Times in1967, and was the first film critic ever to win a Pulitzer Prize. He appeared on television for four decades. In 2006, complications from thyroid cancer treatment resulted in the loss of his abi)lity to eat, drink, or speak. But with the loss of his voice, Ebert became a more prolific and influential writer. And in Life Itself he told the full, dramatic story of his life and career. In this candid, personal history, Ebert chronicled it all: his loves, losses, and obsessions; his struggle and recovery from alcoholism; his marriage; his politics; and his spiritual beliefs. He wrote about his years at the Sun-Times, his colorful newspaper friends, and his life-changing collaboration with Gene Siskel. He shared his insights into movie stars and directors like John Wayne and Martin Scorsese. This is a story that only Roger Ebert could tell, filled with the same deep insight, dry wit, and sharp observations that his readers have long cherished,
Author: Agustin Gurza
Publisher: Chicano Archives
ISBN: 9780895511485
Category : Music
Languages : en
Pages : 0
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Book Description
"The Strachwitz Frontera Collection is the largest repository of commercially produced Mexican and Mexican American vernacular recordings in existence. It contains more than 130,000 individual recordings. Many are rare, and some are one of a kind. Although border music is the focus of the collection, it also includes notable recordings of other Latin forms, including salsa, mambo, sones, and rancheras. More than 40,000 of the recordings, all from the first half of the twentieth century, have been digitized with the help of the UCLA Chicano Studies Research Center and are available online through the University of California's Digital Library Program. Agustin Gurza explores the Frontera Collection from different viewpoints, discussing genre, themes, and some of the thousands of composers and performers whose work is contained in the archive. Throughout he discusses the cultural significance of the recordings and relates the stories of those who have had a vital role in their production and preservation. Rounding out the volume are chapters by Jonathan Clark, who surveys the recordings of mariachi ensembles, and Chris Strachwitz, the founder of the Arhoolie Foundation, who reflects on his six decades of collecting the music that makes up the Frontera Collection."--Publisher description.
Author: Ben Tyrer
Publisher: Springer
ISBN: 3319309420
Category : Psychology
Languages : en
Pages : 294
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Book Description
This book presents a new reading of film noir through psychoanalytic theory. In a field now dominated by Deleuzian and phenomenological approaches to film-philosophy, this book argues that, far from having passed, the time for Lacan in Film Studies is only just beginning. The chapters engage with Lacanian psychoanalysis to perform a meta-critical analysis of the writing on noir in the last seven decades and to present an original theory of criticism and historiography for the cinema. The book is also an act of mourning; for a lost past of the cinema, for a longstanding critical tradition and for film noir. It asks how we can talk about film noir when, in fact, film noir doesn’t exist. The answer starts with Lacan and a refusal to relinquish psychoanalysis. Lacanian theories of retroactivity and ontology can be read together with film history, genre and narrative to show the ways in which theory and history, past and present, cinema and psychoanalysis are fundamentally knotted together. Tyrer also explores Lacan through particular noir films, such as Double Indemnity andThe Maltese Falcon — and demonstrates the possibilities for a Lacanian Film Studies (as one that engages fully with Lacan’s entire body of work) that has hitherto not been realised.
Author: Tom Kizzia
Publisher: Crown
ISBN: 0307587843
Category : True Crime
Languages : en
Pages : 338
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Book Description
Into the Wild meets Helter Skelter in this riveting true story of a modern-day homesteading family in the deepest reaches of the Alaskan wilderness—and of the chilling secrets of its maniacal, spellbinding patriarch. When Papa Pilgrim, his wife, and their fifteen children appeared in the Alaska frontier outpost of McCarthy, their new neighbors saw them as a shining example of the homespun Christian ideal. But behind the family's proud piety and beautiful old-timey music lay Pilgrim's dark past: his strange connection to the Kennedy assassination and a trail of chaos and anguish that followed him from Dallas and New Mexico. Pilgrim soon sparked a tense confrontation with the National Park Service fiercely dividing the community over where a citizen’s rights end and the government’s power begins. As the battle grew more intense, the turmoil in his brood made it increasingly difficult to tell whether his children were messianic followers or hostages in desperate need of rescue. In this powerful piece of Americana, written with uncommon grace and high drama, veteran Alaska journalist, Tom Kizzia uses his unparalleled access to capture an era-defining clash between environmentalists and pioneers ignited by a mesmerizing sociopath who held a town and a family captive.
