Miscellaneous Publications from Senegal

Miscellaneous Publications from Senegal PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Miscellaneous Publications from Senegal

Miscellaneous Publications from Senegal PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Senegal

Senegal PDF Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages :

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Senegal Area Files

Senegal Area Files PDF Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages :

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Includes pamphlets, government reports, project proposals and reports, sample serials, and other documents from units such as the Permanent Inter-State Committee for Drought Control in the Sahel (CILSS)

Miscellaneous Publication

Miscellaneous Publication PDF Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 1798

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Senegal

Senegal PDF Author: Peace Corps (U.S.). Senegal
Publisher:
ISBN:
Category :
Languages : en
Pages : 50

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Senegal

Senegal PDF Author: 晃弘·山村
Publisher:
ISBN: 9784796609937
Category :
Languages : en
Pages : 111

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Historical Dictionary of Senegal

Historical Dictionary of Senegal PDF Author: Lucie Colvin Phillips
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : History
Languages : en
Pages : 368

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Miscellaneous Papers from the Ninth Conference on Housing and Urban Development in Africa, Dakar, Senegal, 9-13 April 1984

Miscellaneous Papers from the Ninth Conference on Housing and Urban Development in Africa, Dakar, Senegal, 9-13 April 1984 PDF Author: Institute for Development Anthropology (Binghamton, N.Y.)
Publisher:
ISBN:
Category : Housing
Languages : en
Pages :

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Miscellaneous publications, not catalogued separately

Miscellaneous publications, not catalogued separately PDF Author: Régie des chemins de fer du Sénégal
Publisher:
ISBN:
Category :
Languages : fr
Pages :

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A Saint in the City

A Saint in the City PDF Author: Allen F. Roberts
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 306

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A Saint in the Cityexamines the elaborate visual culture of the Mourides, a Senegalese Sufi movement based upon the mystical teachings of Sheikh Amadou Bamba (1953-1927). In the boldly visual city of Dakar, images abound despite the fact that Senegal is largely a Muslim country. Vibrant street murals, calligraphy and calligrams, didactic posters, drawings that protect and heal, advertising images, colourful clothing, Web sites, intricate glass paintings, and innovative architecture all attest to the transformative potency that expressive culture has for Mourides. One image is ubiquitous throughout urban Senegal: the portrait of Sheikh Amadou Bamba, based upon a colonial photograph from 1913. Sacred images "work" for Mourides, and as Bamba is a saint (Wali Allah, or "Friend of God" in Arabic), his portrait actively conveys powerful blessings called baraka that help people to address everyday difficulties, challenges, and goals.The Mouride Way is observed by over four million Senegalese and thousands more around the globe including increasing numbers of African Americans and others converting to this most African of Islamic paths. Amadou Bamba's pacifism, dignity, and self-reliance, as well as his emphasis on the sanctity of work, offer a view of Islam quite different from those currently suggested by Western media. Indeed,A Saint in the Cityreminds us that there are many faces of Islam in Africa and throughout the world. It also assists readers to reconsider misconceptions concerning the prohibition of images in Islam in light of the explosion of visual culture derived from a single photograph of Sheikh Amadou Bamba.A Saint in the Citygrows from a decade of interdisciplinary research and focuses upon nine contemporary artists who base their works upon the spiritual teachings of Amadou Bamba, regardless of their particular backgrounds, training, or styles. The book boldly transgresses the boundaries normally enforced between local and global, fine and popular arts, gallery and streets, historical and contemporary circumstances. An emphasis upon Mouride artists' own voices further decenters the narrative.Allen F. Roberts is professor of world arts and cultures and director of the James S. Coleman African Studies Center at UCLA. Mary Nooter Roberts is deputy director and chief curator of the UCLA Fowler Museum of Cultural History.