Minstrelsy of the Scottish Border: Consisting of Historical and Romantic Ballads, Collected in the Southern Counties of Scotland; with a Few of Modern Date, Founded Upon Local Tradition. In Three Volumes. .... PDF Download
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Author: Walter Scott
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 480
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Book Description
Author: Walter Scott
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 480
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Book Description
Author: Walter Scott (Sir)
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Book Description
Author: Walter Scott
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 466
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Book Description
![Minstrelsy of the Scottish border: consisting of historical and romantic ballads, collected [by sir W. Scott]. [Another] PDF](https://books.google.com/books/content/images/frontcover/JtkNAAAAQAAJ?fife=w80-h100)
Author: Scottish border
Publisher:
ISBN:
Category :
Languages : en
Pages : 472
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Book Description
Author: Walter Scott
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 528
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Book Description
Author: Sir Walter Scott
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
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Author: Walter Scott
Publisher: Рипол Классик
ISBN: 5877944940
Category : History
Languages : en
Pages : 457
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Book Description
Author: Joseph A. Dane
Publisher: University of Pennsylvania Press
ISBN: 0812203631
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The new history of the book has constituted a vibrant academic field in recent years, and theories of print culture have moved to the center of much scholarly discourse. One might think typography would be a basic element in the construction of these theories, yet if only we would pay careful attention to detail, Joseph A. Dane argues, we would find something else entirely: that a careful consideration of typography serves not as a material support to prevailing theories of print but, rather, as a recalcitrant counter-voice to them. In Out of Sorts Dane continues his examination of the ways in which the grand narratives of book history mask what we might actually learn by looking at books themselves. He considers the differences between internal and external evidence for the nature of the type used by Gutenberg and the curious disconnection between the two, and he explores how descriptions of typesetting devices from the seventeenth and eighteenth centuries have been projected back onto the fifteenth to make the earlier period not more accessible but less. In subsequent chapters, he considers topics that include the modern mythologies of so-called gothic typefaces, the presence of nontypographical elements in typographical form, and the assumptions that underlie the electronic editions of a medieval poem or the visual representation of typographical history in nineteenth-century studies of the subject. Is Dane one of the most original or most traditional of historians of print? In Out of Sorts he demonstrates that it may well be possible to be both things at once.
Author: Patricia Fumerton
Publisher: Routledge
ISBN: 1317176375
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
