Author: Cary Ginell
Publisher: U of Nebraska Press
ISBN: 9780252020414
Category : Music
Languages : en
Pages : 416
Book Description
"Milton Brown is one of the great unsung heroes of American music; and one of the true fathers of western swing. Ginell's biography offers a wealth of new information on Brown and his times and paints a marvelously detailed portrait of the rich Texas music scene of the Depression era." -- Charles K. Wolfe, Middle Tennessee State University
Milton Brown and the Founding of Western Swing
Author: Cary Ginell
Publisher: U of Nebraska Press
ISBN: 9780252020414
Category : Music
Languages : en
Pages : 416
Book Description
"Milton Brown is one of the great unsung heroes of American music; and one of the true fathers of western swing. Ginell's biography offers a wealth of new information on Brown and his times and paints a marvelously detailed portrait of the rich Texas music scene of the Depression era." -- Charles K. Wolfe, Middle Tennessee State University
Publisher: U of Nebraska Press
ISBN: 9780252020414
Category : Music
Languages : en
Pages : 416
Book Description
"Milton Brown is one of the great unsung heroes of American music; and one of the true fathers of western swing. Ginell's biography offers a wealth of new information on Brown and his times and paints a marvelously detailed portrait of the rich Texas music scene of the Depression era." -- Charles K. Wolfe, Middle Tennessee State University
The Jazz of the Southwest
Author: Jean A. Boyd
Publisher: University of Texas Press
ISBN: 0292783213
Category : Music
Languages : en
Pages : 300
Book Description
They may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard. In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California. From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.
Publisher: University of Texas Press
ISBN: 0292783213
Category : Music
Languages : en
Pages : 300
Book Description
They may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard. In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California. From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.
The Light Crust Doughboys are on the Air
Author: John Mark Dempsey
Publisher: University of North Texas Press
ISBN: 1574411519
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
This is the story of the Light Crust Doughboys phenomenon, from their debut broadcast in 1930 to their contemporary live performances.
Publisher: University of North Texas Press
ISBN: 1574411519
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
This is the story of the Light Crust Doughboys phenomenon, from their debut broadcast in 1930 to their contemporary live performances.
Dance All Night
Author: Jean A. Boyd
Publisher:
ISBN: 9780896727090
Category : Music
Languages : en
Pages : 361
Book Description
"Chronicles western swing bands popular in Texas and Oklahoma during the Great Depression and World War II; also investigates contemporary western swing renaissance. Includes music transcription and analysis"--Provided by publisher.
Publisher:
ISBN: 9780896727090
Category : Music
Languages : en
Pages : 361
Book Description
"Chronicles western swing bands popular in Texas and Oklahoma during the Great Depression and World War II; also investigates contemporary western swing renaissance. Includes music transcription and analysis"--Provided by publisher.
Good Vibes
Author: Terry Gibbs
Publisher: Scarecrow Press
ISBN: 9780810845862
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
A foreword by Chubby Jackson, a discography, and an index round out this captivating volume."--BOOK JACKET.
Publisher: Scarecrow Press
ISBN: 9780810845862
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
A foreword by Chubby Jackson, a discography, and an index round out this captivating volume."--BOOK JACKET.
Broadway Musicals, Show by Show
Author: Kay Green
Publisher: Hal Leonard Corporation
ISBN: 9780793577507
Category : Music
Languages : en
Pages : 412
Book Description
Includes the following information about Broadway musical shows produced between 1866 and 1987: Music by -- Lyrics by -- Book by -- Producer -- Director -- Cast stars -- Choreographer -- Songs -- New York run information.
Publisher: Hal Leonard Corporation
ISBN: 9780793577507
Category : Music
Languages : en
Pages : 412
Book Description
Includes the following information about Broadway musical shows produced between 1866 and 1987: Music by -- Lyrics by -- Book by -- Producer -- Director -- Cast stars -- Choreographer -- Songs -- New York run information.
The Handbook of Texas Music
Author: Roy R. Barkley
Publisher: Texas State Historical Assn
ISBN:
Category : History
Languages : en
Pages : 416
Book Description
Although the Handbook of Texas Music devotes separate biographical articles only to deceased musicians, important living artists such as Willie Nelson are treated in overview articles on topics such as "Country and Western Music," "Willie Nelson's Fourth of July Picnic," and others."--Jacket.
Publisher: Texas State Historical Assn
ISBN:
Category : History
Languages : en
Pages : 416
Book Description
Although the Handbook of Texas Music devotes separate biographical articles only to deceased musicians, important living artists such as Willie Nelson are treated in overview articles on topics such as "Country and Western Music," "Willie Nelson's Fourth of July Picnic," and others."--Jacket.
San Antonio Rose
Author: Charles E. Townsend
Publisher: University of Illinois Press
ISBN: 9780252013621
Category : Biography & Autobiography
Languages : en
Pages : 508
Book Description
A fine, engaging, and valuable biography of a man who merged the spontaneity of country fiddling with the Big Band Sound, giving birth to Western Swing. A landmark in country music!
Publisher: University of Illinois Press
ISBN: 9780252013621
Category : Biography & Autobiography
Languages : en
Pages : 508
Book Description
A fine, engaging, and valuable biography of a man who merged the spontaneity of country fiddling with the Big Band Sound, giving birth to Western Swing. A landmark in country music!
Walk Tall
Author: Cary Ginell
Publisher: Hal Leonard Corporation
ISBN: 148034303X
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
(Book). Cannonball Adderley introduces his 1967 recording of "Walk Tall," by saying, "There are times when things don't lay the way they're supposed to lay. But regardless, you're supposed to hold your head up high and walk tall." This sums up the life of Julian "Cannonball" Adderley, a man who used a gargantuan technique on the alto saxophone, pride in heritage, devotion to educating youngsters, and insatiable musical curiosity to bridge gaps between jazz and popular music in the 1960s and '70s. His career began in 1955 with a Cinderella-like cameo in a New York nightclub, resulting in the jazz world's looking to him as "the New Bird," the successor to the late Charlie Parker. But Adderley refused to be typecast. His work with Miles Davis on the landmark Kind of Blue album helped further his reputation as a unique stylist, but Adderley's greatest fame came with his own quintet's breakthrough engagement at San Francisco's Jazz Workshop in 1959, which launched the popularization of soul jazz in the 1960s. With his loyal brother Nat by his side, along with stellar sidemen, such as keyboardist Joe Zawinul, Adderley used an engaging, erudite personality as only Duke Ellington had done before him. All this and more are captured in this engaging read by author Cary Ginell. "Hipness is not a state of mind, it is a fact of life." Cannonball Adderley
Publisher: Hal Leonard Corporation
ISBN: 148034303X
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
(Book). Cannonball Adderley introduces his 1967 recording of "Walk Tall," by saying, "There are times when things don't lay the way they're supposed to lay. But regardless, you're supposed to hold your head up high and walk tall." This sums up the life of Julian "Cannonball" Adderley, a man who used a gargantuan technique on the alto saxophone, pride in heritage, devotion to educating youngsters, and insatiable musical curiosity to bridge gaps between jazz and popular music in the 1960s and '70s. His career began in 1955 with a Cinderella-like cameo in a New York nightclub, resulting in the jazz world's looking to him as "the New Bird," the successor to the late Charlie Parker. But Adderley refused to be typecast. His work with Miles Davis on the landmark Kind of Blue album helped further his reputation as a unique stylist, but Adderley's greatest fame came with his own quintet's breakthrough engagement at San Francisco's Jazz Workshop in 1959, which launched the popularization of soul jazz in the 1960s. With his loyal brother Nat by his side, along with stellar sidemen, such as keyboardist Joe Zawinul, Adderley used an engaging, erudite personality as only Duke Ellington had done before him. All this and more are captured in this engaging read by author Cary Ginell. "Hipness is not a state of mind, it is a fact of life." Cannonball Adderley
The Evolution of Mann
Author: Cary Ginell
Publisher: Hal Leonard Corporation
ISBN: 1480392499
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
(Book). More than any other musician, Herbie Mann was responsible for establishing the flute as an accepted jazz instrument. Prior to his arrival, the flute was a secondary instrument for saxophonists, but Mann found a unique voice for the flute, presenting it in different musical contexts, beginning with Afro-Cuban, and then continuing with music from Brazil, the Middle East, the Caribbean, Japan, and Eastern Europe. As Mann once said, "People would say to me, 'I don't know where you are right now,' and I would respond, 'And you're not going to know where I'm going to be tomorrow.'" A self-described restless spirit, Herbie Mann also was a master at marketing himself. His insatiable curiosity about the world led him to experiment with different kinds of sounds, becoming a virtual Pied Piper of jazz. He attracted thousands to his concerts while alienating purists and critics alike. His career lasted for five decades, from his beginnings in a tiny Brooklyn nightclub to appearances on international stages. "I want to be as synonymous with the flute as Benny Goodman is for the clarinet," he was fond of saying. By the time he died of prostate cancer in 2003, he had fulfilled his desire.
Publisher: Hal Leonard Corporation
ISBN: 1480392499
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
(Book). More than any other musician, Herbie Mann was responsible for establishing the flute as an accepted jazz instrument. Prior to his arrival, the flute was a secondary instrument for saxophonists, but Mann found a unique voice for the flute, presenting it in different musical contexts, beginning with Afro-Cuban, and then continuing with music from Brazil, the Middle East, the Caribbean, Japan, and Eastern Europe. As Mann once said, "People would say to me, 'I don't know where you are right now,' and I would respond, 'And you're not going to know where I'm going to be tomorrow.'" A self-described restless spirit, Herbie Mann also was a master at marketing himself. His insatiable curiosity about the world led him to experiment with different kinds of sounds, becoming a virtual Pied Piper of jazz. He attracted thousands to his concerts while alienating purists and critics alike. His career lasted for five decades, from his beginnings in a tiny Brooklyn nightclub to appearances on international stages. "I want to be as synonymous with the flute as Benny Goodman is for the clarinet," he was fond of saying. By the time he died of prostate cancer in 2003, he had fulfilled his desire.