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Author: David Loewenstein
Publisher: Cambridge University Press
ISBN: 9780521372534
Category : History
Languages : en
Pages : 216
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Book Description
This book explores the role of history in Milton's literary works. It focuses on the writer's imaginative responses to the historical process - his interpretations of the past, visions of the future, and sense of the contemporary historical moment.
Author: David Loewenstein
Publisher: Cambridge University Press
ISBN: 9780521372534
Category : History
Languages : en
Pages : 216
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Book Description
This book explores the role of history in Milton's literary works. It focuses on the writer's imaginative responses to the historical process - his interpretations of the past, visions of the future, and sense of the contemporary historical moment.
Author: Timothy J. Burbery
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book-length study of Milton as a dramatist fills a longstanding gap in Milton scholarship. Combining author-contextual criticism, historicized reader-response theory, and new historicism, Timothy Burbery begins by answering common objections to the claim that the poet is a dramatist, including the putatively static natures of Comus and Samson Agonistes, Milton's egoism, and his Puritanism. Further, Burbery asserts, recent biographical evidence of Milton's consumption of drama, such as his father's trusteeship of the Blackfriars Theater, suggests that the future poet viewed commercial plays and thus probably alludes to these experiences in his early poetry. Exposure to the public theater may also have influenced major episodes of his own dramas, including the debate between the Lady and Comus, and Dalila's stunning entrance in Samson. The study then examines Milton as a practitioner of drama by analyzing Arcades and the Ludlow masque. Having mastered the conventions of masque in the former work, Milton stretched himself in Comus by composing a work that was far more playlike than any court masque. It is possible that his success with these dramas encouraged Milton to regard himself as a budding dramatist in the 1630s, for late in that decade he began sketching out ideas for tragedies on biblical subjects including the Fall, Sodom, and Abraham and Isaac. This material, found in the Trinity Manuscript, shows him working through practical problems of staging and presentation, and sets the foundation for Paradise Lost and Samson Agonistes. While Samson was never intended for the stage, it nonetheless embeds numerous stage directions in its dialogue, including information about the characters' appearances, gestures, and blocking. Awareness of these cues sheds light on some of the current critical debates, including the terrorist reading of the tragedy and Dalila's role. Burbery surveys the surprisingly extensive stage history of Samson, a history that tends to confirm its theatrical viability. Milton the Dramatist emphasizes Milton's dramatic achievements and thus restores a more equitable balance to our appreciation of his total literary achievement.
Author: Thomas P. Anderson
Publisher: Routledge
ISBN: 1351912135
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
An examination of political and cultural acts of commemoration, this study addresses the way personal and collective loss is registered in prose, poetry and drama in early modern England. It focuses on the connection of representation of violence in literary works to historical traumas such as royal death, secularization and regicide. The author contends that dramatic and poetic forms function as historical archives both in their commemoration of the past and in their reenactment of loss that is part of any effort to represent traumatic history. Incorporating contemporary theories of memory and loss, Thomas Anderson here analyzes works by Shakepeare, Marlowe, Webster, Marvell and Milton. Where other studies about violent loss in the period tend to privilege allegorical readings that equate the content of art to its historical analogue, this study insists that artistic representations are performative as they commemorate the past. By interrogating the difficulty in representing historical crises in poetry, drama and political prose, Anderson demonstrates how early modern English identity is the fragile product of an ambivalent desire to flee history. This book's major contribution to Renaissance studies lies in the way it conceives the representations of violent loss-secular and religious-in early modern texts as moments of failed political and social memorialization. It offers a fresh way to understand the development of historical and national identity in England during the Renaissance.
Author: Angelica Duran
Publisher: Rutgers University Press
ISBN: 1644531739
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Irene Montori
Publisher: Edizioni Studium S.r.l.
ISBN: 8838250219
Category : Literary Criticism
Languages : en
Pages : 409
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Book Description
Milton, the Sublime and Dramas of Choice challenges readers and scholars to rethink Milton’s relationship to the sublime in terms of ethics. The book demonstrates that Milton’s sublimity merges the early modern reception of Longinus with classical, medieval, and Renaissance categories of magnanimity, wonder, and inspiration to investigate the relations between human and divine agency. Under the influence of early modern models of sublimity, including Spenser and Shakespeare, Milton speaks through his fictional characters about the making of heroic and literary virtue. In turn, the work also sheds light on the importance of tragedy as an additional source to the formation of the Renaissance sublime. Milton’s tragic plots illustrate how the character’s virtue is tested, strengthened, and eventually transformed into an experience of elevation. The study explores the heroic path from dramatic choice to self-realisation, offering extensive treatments of Milton’s dramas – A Maske and Samson Agonistes. The redefinition of the pairing “Milton and the sublime” in this work aims to relocate the poet within the English literary history as the climax of earlier traditions and receptions of the sublime, but also as the starting point of modern sublimity
Author: Mary Ellen Nyquist
Publisher: University of Toronto Press
ISBN: 1442643927
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
Milton and Questions of History considers the contribution of several classic studies of Milton written by Canadians in the twentieth century. It contemplates whether these might be termed a coherent 'school' of Milton studies in Canada and it explores how these concerns might intervene in current critical and scholarly debates on Milton and, more broadly, on historicist criticism in its relationship to renewed interest in literary form. The volume opens with a selection of seminal articles by noted scholars including Northrop Frye, Hugh McCallum, Douglas Bush, Ernest Sirluck, and A.S.P. Woodhouse. Subsequent essays engage and contextualize these works while incorporating fresh intellectual concerns. The Introduction and Afterword frame the contents so that they constitute a dialogue between past and present critical studies of Milton by Canadian scholars.
Author: Hugh M. Richmond
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 108
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Book Description
This script of Milton's epic, Paradise Lost, restores its original dramatic form, as first intended by Milton, by excerpting the key speeches from the great theatrical scenes that are its core. The characters are essentially dramatic and their dialogues provide a linear plot clarifying the chronology and causality of events seen less sequentially in the epic version. While making the essence of the text more readily accessible and intelligible to new readers, this script invites dramatic readings by both students and professional actors. It has been used successfully for the first fully staged production of the epic. This presentation gives new force to the text and fresh insight into Milton's vivid rhetoric and psychology. It provides readers with an ideal brief introduction to the text before they confront the more complex structure of Milton's final epic version.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
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Book Description
![Milton and the Drama of History. Historical Vision, Iconoclasm and the Literary Imagination. [Mit Bild.] (1. Publ.) - Cambridge [usw.]: Cambridge Univ. Press (1990). X, 197 S. 8° PDF](https://books.google.com/books/content/images/frontcover/aBoaYAAACAAJ?fife=w80-h100)
Author: David Loewenstein
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 197
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Book Description
Author: Giles Milton
Publisher: Farrar, Straus and Giroux
ISBN: 146680727X
Category : History
Languages : en
Pages : 362
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Book Description
Giles Milton's White Gold tells the true story of white European slaves in eighteenth century Algiers, Tunis, and Morocco. "An elegantly discursive retelling . . . customarily elegant prose." --Simon Winchester, The Boston Globe In the summer of 1716, a Cornish cabin boy named Thomas Pellow and fifty-one of his comrades were captured at sea by Barbary corsairs. Their captors--Ali Hakem and his network of Islamic slave traders--had declared war on the whole of Christendom. Pellow and his shipmates were bought by the tyrannical sultan of Morocco. Drawn from the unpublished letters and manuscripts of Pellow and survivors like him, Giles Milton's White Gold is a fascinating glimpse at a time long forgotten by history.
