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Author: Richard J. DuRocher
Publisher: Duquesne
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
In the 1640s, John Milton led a group of students through an extensive curriculum of ancient Latin authors. Together, they read works by ten Roman authors, including the four major agricultural writers (Cato, Varro, Columella, and Palladius), the naturalist Pliny, the architect Vitruvius, and the epic poets Lucretius and Manilius. While scholars have long known about Milton's academy, no one, until now, has undertaken to thoroughly examine the implications of its curriculum for our understanding of Milton's poetry. Here, Richard J. DuRocher provides the first such scholarly study of Milton's Latin tutorial. DuRocher's analysis works on at least two levels. First, this study establishes the pedagogical innovation of the curriculum itself. DuRocher argues that Milton's choice of the Roman texts indicated his emphasis on teaching practical skills, such as how to raise crops or build dwellings. However, at the same time, Milton followed the Romans in subordinating technical training to an encompassing moral vision, most notably of respect for the living Earth. Moreover, Milton's curriculum supported his twin educational aims as set forth in Of Education: to prepare students for lives of public service, and to lead them to knowledge of the divine by "orderly conning over" discreet elements of Creation. Second, Milton Among the Romans uncovers fresh sources and contexts for passages--many of them crucial ones--in Milton's own writings. For example, Roman agricultural manuals illuminate Milton's baffling depiction of the undying heavenly flora, "immortal Amaranth," in Paradise Lost. Reading Vitruvius may account for the surprisingly positive architectural features of the demonic temple, Pandemonium. Astrological metaphors drawn from Manilius's neglected epic, the Astronomica, provide heavenly precedents for both divorce in Milton's divorce tracts and for the mysterious spiritual marriage of Adam and Eve in Paradise Lost. Drawing upon this previously unexamined evidence from Milton's classical curriculum, Milton Among the Romans takes a genuinely new approach to Milton as a teacher, scholar, and poet.
Author: Richard J. DuRocher
Publisher: Duquesne
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
In the 1640s, John Milton led a group of students through an extensive curriculum of ancient Latin authors. Together, they read works by ten Roman authors, including the four major agricultural writers (Cato, Varro, Columella, and Palladius), the naturalist Pliny, the architect Vitruvius, and the epic poets Lucretius and Manilius. While scholars have long known about Milton's academy, no one, until now, has undertaken to thoroughly examine the implications of its curriculum for our understanding of Milton's poetry. Here, Richard J. DuRocher provides the first such scholarly study of Milton's Latin tutorial. DuRocher's analysis works on at least two levels. First, this study establishes the pedagogical innovation of the curriculum itself. DuRocher argues that Milton's choice of the Roman texts indicated his emphasis on teaching practical skills, such as how to raise crops or build dwellings. However, at the same time, Milton followed the Romans in subordinating technical training to an encompassing moral vision, most notably of respect for the living Earth. Moreover, Milton's curriculum supported his twin educational aims as set forth in Of Education: to prepare students for lives of public service, and to lead them to knowledge of the divine by "orderly conning over" discreet elements of Creation. Second, Milton Among the Romans uncovers fresh sources and contexts for passages--many of them crucial ones--in Milton's own writings. For example, Roman agricultural manuals illuminate Milton's baffling depiction of the undying heavenly flora, "immortal Amaranth," in Paradise Lost. Reading Vitruvius may account for the surprisingly positive architectural features of the demonic temple, Pandemonium. Astrological metaphors drawn from Manilius's neglected epic, the Astronomica, provide heavenly precedents for both divorce in Milton's divorce tracts and for the mysterious spiritual marriage of Adam and Eve in Paradise Lost. Drawing upon this previously unexamined evidence from Milton's classical curriculum, Milton Among the Romans takes a genuinely new approach to Milton as a teacher, scholar, and poet.
Author: Estelle Haan
Publisher:
ISBN: 9781606180945
Category : Philosophy
Languages : en
Pages : 0
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Book Description
"This study examines the impact of Rome and its vibrant culture upon Milton in the course of two two-monthly sojourns in the city in 1638-1639. Focusing on his neo-Latin writings pertaining to that period ("Ad Salsillum," the three Latin epigrams in praise of the soprano Leonora Baroni, and Epistola Familiaris 9, addressed to Lucas Holstenius), it presents new evidence of the academic, literary, and musical contexts surrounding Milton's pro-active integration into seicento Rome. Highlighting Milton's self-fashioning as one who was hospitably embraced by Catholic Rome, it traces his networking with distinguished Italian humanists (upon whom he left no slight an impression)"--
Author: Angelica Duran
Publisher: Rutgers University Press
ISBN: 1644531739
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Andrew Wallace
Publisher: Cambridge University Press
ISBN: 1108853390
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
This book explores the cultural and intellectual stakes of medieval and renaissance Britain's sense of itself as living in the shadow of Rome: a city whose name could designate the ancient, fallen, quintessentially human power that had conquered and colonized Britain, and also the alternately sanctified and demonized Roman Church. Wallace takes medieval texts in a range of languages (including Latin, medieval Welsh, Old English and Old French) and places them in conversation with early modern English and humanistic Latin texts (including works by Gildas, Bede, Chaucer, Shakespeare, Bacon, St. Augustine, Dante, Erasmus, Luther and Montaigne). 'The Ordinary', 'The Self', 'The Word', and 'The Dead' are taken as compass points by which individuals lived out their orientations to, and against, Rome, isolating important dimensions of Rome's enduring ability to shape and complicate the effort to come to terms with the nature of self and the structure of human community.
Author: Richard J. DuRocher
Publisher: Penn State Press
ISBN: 0820705810
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Recent critical conversation has described John Milton’s major works as sites of uncertainty, irreconcilability, or even confusion—as texts that actually reflect radical incoherence and openness. These newer critical voices posit, moreover, that traditional critics must strain to find coherence and authorial control in Milton’s poetry. Richard DuRocher and Margaret Thickstun, together with an esteemed group of Milton scholars from a wide range of critical and theoretical backgrounds, respond to this challenge. While accepting the presence of uncertainty and welcoming the multiple perspectives that Milton builds into his works, this volume offers a variety of nuanced approaches to Milton’s texts. As these eleven essays demonstrate, Milton’s own acts of interpretation compel readers to reflect not only on the rival hermeneutics they find within his works but also on their own hermeneutic principles and choices—an interpretive complexity that is integral to his poetry’s enduring appeal. Thus, each of the contributors takes up the problem of this interpretive dilemma in some way: several explore Milton’s own engagement with the texts of Scripture and the classics; some examine the ways in which Milton represents the process of interpretation in his narrative poems; and still others are intrigued by the challenges that Milton’s works present for the reader’s own interpretive skills. Milton’s Rival Hermeneutics, in responding directly to the “incertitude critics” of Milton, will be of interest to those on all sides of this debate and will certainly redirect the ongoing conversation.
Author: Patrick Cheney
Publisher: Oxford University Press
ISBN: 019107778X
Category : Literary Criticism
Languages : en
Pages : 803
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Book Description
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Author: Calum Carmichael
Publisher: Cambridge University Press
ISBN: 1108422950
Category : Bibles
Languages : en
Pages : 287
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Book Description
Examines the varied, enormously sophisticated contents of the Bible and sees how certain Western authors were inspired by them.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 544
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Book Description
Author: Catherine Gimelli Martin
Publisher: Routledge
ISBN: 1317095987
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
Solidly grounded in Milton's prose works and the long history of Milton scholarship, Milton among the Puritans: The Case for Historical Revisionism challenges many received ideas about Milton's brand of Christianity, philosophy, and poetry. It does so chiefly by retracing his history as a great "Puritan poet" and reexamining the surprisingly tenuous Whig paradigm upon which this history has been built. Catherine Martin not only questions the current habit of "lumping" Milton with the religious Puritans but agrees with a long line of literary scholars who find his values and lifestyle markedly inconsistent with their beliefs and practices. Pursuing this argument, Martin carefully reexamines the whole spectrum of seventeenth-century English Puritanism from the standpoint of the most recent and respected scholarship on the subject. Martin also explores other, more secular sources of Milton's thought, including his Baconianism, his Christian Stoic ethics, and his classical republicanism; she establishes the importance of these influences through numerous direct references, silent but clear citations, and typical tropes. All in all, Milton among the Puritans presents a radical reassessment of Milton's religious identity; it shows that many received ideas about the "Puritan Milton" are neither as long-established as most scholars believe nor as historically defensible as most literary critics still assume, and resituates Milton's great poems in the period when they were written, the Restoration.
