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Author: Christina Bryan Rosenberger
Publisher: Univ of California Press
ISBN: 0520288246
Category : Art
Languages : en
Pages : 256
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Book Description
Agnes MartinÕs (1912Ð2004) celebrated grid paintings are widely acknowledged as a touchstone of postwar American art and have influenced many contemporary artists. MartinÕs formative years, however, have been largely overlooked. In this revelatory study of MartinÕs early artistic production, Christina Bryan Rosenberger demonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art. Beginning with MartinÕs initiation into artistic language at the University of New Mexico and concluding with the reception of her grid paintings in New York in the early 1960s, Rosenberger offers vivid descriptions of the networks of art, artists, and information that moved between New Mexico and the creative centers of New York and California in the postwar period. She also documents MartinÕs exchanges with artists including Ellsworth Kelly, Barnett Newman, Georgia OÕKeeffe, Ad Reinhardt, and Mark Rothko, among others. Rosenberger uses original analysis of MartinÕs art, as well as a rich array of archival materials, to situate MartinÕs art within the context of a dynamic historical moment. With a lively, innovative approach informed by art history and conservation, this fluidly written book makes a substantial contribution to the history of postwar American art.
Author: Christina Bryan Rosenberger
Publisher: Univ of California Press
ISBN: 0520288246
Category : Art
Languages : en
Pages : 256
Get Book Here
Book Description
Agnes MartinÕs (1912Ð2004) celebrated grid paintings are widely acknowledged as a touchstone of postwar American art and have influenced many contemporary artists. MartinÕs formative years, however, have been largely overlooked. In this revelatory study of MartinÕs early artistic production, Christina Bryan Rosenberger demonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art. Beginning with MartinÕs initiation into artistic language at the University of New Mexico and concluding with the reception of her grid paintings in New York in the early 1960s, Rosenberger offers vivid descriptions of the networks of art, artists, and information that moved between New Mexico and the creative centers of New York and California in the postwar period. She also documents MartinÕs exchanges with artists including Ellsworth Kelly, Barnett Newman, Georgia OÕKeeffe, Ad Reinhardt, and Mark Rothko, among others. Rosenberger uses original analysis of MartinÕs art, as well as a rich array of archival materials, to situate MartinÕs art within the context of a dynamic historical moment. With a lively, innovative approach informed by art history and conservation, this fluidly written book makes a substantial contribution to the history of postwar American art.
Author: Stephanie Lewthwaite
Publisher: University of Oklahoma Press
ISBN: 0806152885
Category : Art
Languages : en
Pages : 363
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Book Description
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Author: Nancy Princenthal
Publisher: Thames & Hudson
ISBN: 0500772886
Category : Art
Languages : en
Pages : 426
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Book Description
The first biography of visionary artist Agnes Martin, one of the most original and influential painters of the postwar period Over the course of a career that spanned fifty years, Agnes Martin’s austere, serene work anticipated and helped to define Minimalism, even as she battled psychological crises and carved out a solitary existence in the American Southwest. Martin identified with the Abstract Expressionists but her commitment to linear geometry caused her to be associated in turn with Minimalist, feminist, and even outsider artists. She moved through some of the liveliest art communities of her time while maintaining a legendary reserve. “I paint with my back to the world,” she says both at the beginning and at the conclusion of a documentary filmed when she was in her late eighties. When she died at ninety-two, in Taos, New Mexico, it is said she had not read a newspaper in half a century. No substantial critical monograph exists on this acclaimed artist—the recipient of two career retrospectives as well as the National Medal of the Arts—who was championed by critics as diverse in their approaches as Lucy Lippard, Lawrence Alloway, and Rosalind Krauss. Furthermore, no attempt has been made to describe her extraordinary life. The whole engrossing story, told here for the first time, Agnes Martin is essential reading for anyone interested in abstract art or the history of women artists in America.
Author: Laurie E. Jasinski
Publisher: Texas A&M University Press
ISBN: 0876112971
Category : Music
Languages : en
Pages : 2008
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Book Description
The musical voice of Texas presents itself as vast and diverse as the Lone Star State’s landscape. According to Casey Monahan, “To travel Texas with music as your guide is a year-round opportunity to experience first-hand this amazing cultural force….Texas music offers a vibrant and enjoyable experience through which to understand and enjoy Texas culture.” Building on the work of The Handbook of Texas Music that was published in 2003 and in partnership with the Texas Music Office and the Center for Texas Music History (Texas State University-San Marcos), The Handbook of Texas Music, Second Edition, offers completely updated entries and features new and expanded coverage of the musicians, ensembles, dance halls, festivals, businesses, orchestras, organizations, and genres that have helped define the state’s musical legacy. · More than 850 articles, including almost 400 new entries· 255 images, including more than 170 new photos, sheet music art, and posters that lavishly illustrate the text· Appendix with a stage name listing for musicians Supported by an outstanding team of music advisors from across the state, The Handbook of Texas Music, Second Edition, furnishes new articles on the music festivals, museums, and halls of fame in Texas, as well as the many honky-tonks, concert halls, and clubs big and small, that invite readers to explore their own musical journeys. Scholarship on many of the state’s pioneering groups and the recording industry and professionals who helped produce and promote their music provides fresh insight into the history of Texas music and its influence far beyond the state’s borders. Celebrate the musical tapestry of Texas from A to Z!
Author: Laura Wayland-Smith Hatch
Publisher: Lulu.com
ISBN: 1312620307
Category : History
Languages : en
Pages : 711
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Book Description
Volume 6 of 8, 3337 to 4042. A genealogical compilation of the descendants of John Jacob Rector and his wife, Anna Elizabeth Fischbach. Married in 1711 in Trupbach, Germany, the couple immigrated to the Germanna Colony in Virginia in 1714. Eight volumes document the lives of over 45,000 individuals.
Author: Craig Smith
Publisher: UNM Press
ISBN: 9780826342263
Category : Biography & Autobiography
Languages : en
Pages : 204
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Book Description
"This lady is a big breath of hope in a cynical age."--from the Introduction by John Nichols
Author: Sharyn Rohlfsen Udall
Publisher: Sunstone Press
ISBN: 0865346461
Category : American literature
Languages : en
Pages : 454
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Book Description
Udall's lively account of the quirky editor, poet, journalist, diarist, and printer Walter Willard "Spud" Johnson focuses especially on brilliant and diverse artists he befriended and published. Together they helped to create a new voice for the Southwest.
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Category : New Mexico
Languages : en
Pages : 922
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Category : Indians of North America
Languages : en
Pages : 472
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Category : Art
Languages : en
Pages : 196
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