Meyerhold Speaks/Meyerhold Rehearse PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Meyerhold Speaks/Meyerhold Rehearse PDF full book. Access full book title Meyerhold Speaks/Meyerhold Rehearse by V.E. Meyerhold. Download full books in PDF and EPUB format.
Author: V.E. Meyerhold
Publisher: Routledge
ISBN: 1000657272
Category : Psychology
Languages : en
Pages : 278
Get Book Here
Book Description
Russian theatre director, Vsevolod Meyerhold, has been called the Picasso of modern theatre. A ceaseless experimenter with new forms and techniques and the leader of an aesthetic revolution, he left no body of theoretical writings. What takes their place are the reminiscences and confessions made in conversations with pupils and friends, some of which were recorded by Aleksandr Gladkov during his years of close association with Meyerhold. This book aims to capture the essence of Meyerhold's personality and temperament as revealed in the director's own informal comments about his rich, varied experiences. His notes, made at rehersals, present Meyerhold in action.
Author: V.E. Meyerhold
Publisher: Routledge
ISBN: 1000657272
Category : Psychology
Languages : en
Pages : 278
Get Book Here
Book Description
Russian theatre director, Vsevolod Meyerhold, has been called the Picasso of modern theatre. A ceaseless experimenter with new forms and techniques and the leader of an aesthetic revolution, he left no body of theoretical writings. What takes their place are the reminiscences and confessions made in conversations with pupils and friends, some of which were recorded by Aleksandr Gladkov during his years of close association with Meyerhold. This book aims to capture the essence of Meyerhold's personality and temperament as revealed in the director's own informal comments about his rich, varied experiences. His notes, made at rehersals, present Meyerhold in action.
Author: Aleksandr Konstantinovich Gladkov
Publisher: Harwood Academic Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
Get Book Here
Book Description
Meyerhold's productions were an encyclopedia of theatrical history, incorporating everything from circus tricks to highly stylized elements of the Kabuki theatre. In the twenties and thirties Meyerhold's theatre became a mecca for those seeking new theatrical ideas. There was hardly a figure of importance in the theatre at that time who did not come to Moscow to see his work. And many, including Brecht, stayed on to study. Unlike Stanislavsky, Meyerhold was not a theoretician. He left behind no large body of theoretical writings summing up his many years of experience in the theatre. What do remain and must take the place of both Meyerhold's theoretical writings and his memoirs are the reminiscences and confessions made in conversations with pupils and friends. Of course, some of the most valuable are those recorded by Aleksandr Gladkov during his years of close association with Meyerhold. A talented essayist and "keen" observer, Gladkov has succeeded in capturing the essence of Meyerhold's personality and temperament as revealed in the director's own informal comments about his rich and varied experiences in the theatre. His notes made at rehearsals present the living Meyerhold in action: complex, demanding, sometimes grossly unfair in his treatment of others, but never dull or indifferent. Included in the book is a biographical introduction by Alma Law, the translator and editor, followed by Gladkov's own account of his association with Meyerhold. Dr. Law has also added commentary to Meyerhold's observations based on many hours on interviews with Gladkov in Moscow during the 1970s.
Author: John Britton
Publisher: A&C Black
ISBN: 1408155176
Category : Performing Arts
Languages : en
Pages : 461
Get Book Here
Book Description
Encountering Ensemble, is a text for students, teachers, researchers and practitioners who wish to develop a deeper understanding of the history, conceptual foundations and practicalities of the world of ensemble theatre. It is the first book to draw together definitions and practitioner examples, making it a cutting edge work on the subject. Encountering Ensemble combines historical and contemporary case studies with a wide range of approaches and perspectives. It is written collaboratively with practitioners and members from the academic community and is divided into three sections: 1. Introduction and an approach to training ensembles 2. Practitioner case studies and analysis of specific practical approaches to training ensembles (or individuals in an ensemble context) 3. Succinct perspectives from practitioners reflecting on a range of questions including: What is an ensemble?; the place of ensemble in the contemporary theatre landscape; and training issues.
Author: Amy Skinner
Publisher: Bloomsbury Publishing
ISBN: 1474284442
Category : Performing Arts
Languages : en
Pages : 297
Get Book Here
Book Description
Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.
Author: Min Tian
Publisher: Taylor & Francis
ISBN: 1000737837
Category : Performing Arts
Languages : en
Pages : 282
Get Book Here
Book Description
This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds. In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic-political space, as modernities interculturally evoke and are haunted by traditions, and as traditions are interculturally refracted, reconstituted, refunctioned, and reinvented. It also looks at the applicability of its intercultural perspective on tradition to the historical avant-garde in general, postmodern, postcolonial, and postdramatic theatre and performance and to the twentieth-century "classical" intercultural theatre and the twenty-first-century "new interculturalisms" in theatre and performance. To conclude, it looks at the future of tradition in the ecology of our globalized theatrum mundi and considers two important interrelated concepts, future tradition and intercultural tradition. This book will be of great interest to students and scholars in performance studies.
Author: David Roesner
Publisher: Routledge
ISBN: 1317091337
Category : Performing Arts
Languages : en
Pages : 320
Get Book Here
Book Description
As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres. Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
Author: Stefan Aquilina
Publisher: Bloomsbury Publishing
ISBN: 1350066095
Category : Performing Arts
Languages : en
Pages : 241
Get Book Here
Book Description
What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes? The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission – training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories – contribute to the formation and consolidation of theatre traditions. Through English translations of rare Russian sources, the book expounds on: *side-lined material on Stanislavsky, including his relationship with German actor Ludwig Barnay, use of improvisation at the First Studio, and rehearsal practices for Artists and Admirers (1933); *Valentin Smyshlaev's acting manual The Technique to Process Stage Performance and the creation of hybrid practices; *proletarian theatre as an amateur-professional combination and force in the transformation of everyday life, as seen in the Proletkult's volume Art at the Workers' Clubs; *Meyerhold's Borodin Studio as an early example of Practice as Research, his European tour of 1930, and international persona as depicted in newspapers published in the West; and *Asja Lacis's work with children, which contributes to current efforts to address the gender imbalance that is often characteristic of modernism. This historical-theoretical investigation is combined with practical exercises that provide a more experiential understanding of the modern performance realities involved. In this way, the book speaks not only to theatre scholars and historians, but also to students and practitioners engaged in practical work.
Author: Paul Allain
Publisher: Routledge
ISBN: 1134517963
Category : Performing Arts
Languages : en
Pages : 258
Get Book Here
Book Description
Discussing some of the pivotal questions relating to the complementary fields of theatre and performance studies, this engaging, easy-to-use text is undoubtedly a perfect reference guide for the keen student and passionate theatre-goer alike.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296304
Category : Drama
Languages : en
Pages : 244
Get Book Here
Book Description
Modern drama in theory and ... /J.L. Styan.-v.3.
Author: Franc Chamberlain
Publisher: Routledge
ISBN: 1000402118
Category : Performing Arts
Languages : en
Pages : 832
Get Book Here
Book Description
The Routledge Companion to Studio Performance Practice is a unique, indispensable guide to the training methods of the world’s key theatre practitioners. Compiling the practical work outlined in the popular Routledge Performance Practitioners series of guidebooks, each set of exercises has been edited and contextualised by an expert in that particular approach. Each chapter provides a taster of one practitioner’s work, answering the same key questions: ‘How did this artist work? How can I begin to put my understanding of this to practical use?’ Newly written chapter introductions put the exercises in context, explaining how they fit into the wider methods and philosophy of the practitioner in question. All 21 volumes in the original series are represented in this volume.
