Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Merope. An opera, as perform'd at the Royal Theatre in the Hay-Market. [Altered from Apostolo Zeno, with a dedication signed: Angelo Cori.] Ital. & Eng
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 584
Book Description
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 766
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 488
Book Description
General catalogue of printed books
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
Book Description
Goldoni and the Venice of His Time
Author: Joseph Spencer Kennard
Publisher:
ISBN:
Category : Dramatists, Italian
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Dramatists, Italian
Languages : en
Pages : 592
Book Description
Ars Cantandi
Author: Giacomo Carissimi
Publisher: Sagwan Press
ISBN: 9781377097374
Category : History
Languages : en
Pages : 68
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Sagwan Press
ISBN: 9781377097374
Category : History
Languages : en
Pages : 68
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Demetrio
Author:
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 72
Book Description
Opera Without Drama
Author: Robert Freeman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
The Chamber Cantatas of Antonio Vivaldi
Author: Michael Talbot
Publisher: Boydell Press
ISBN: 9781843832010
Category : Music
Languages : en
Pages : 256
Book Description
Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.
Publisher: Boydell Press
ISBN: 9781843832010
Category : Music
Languages : en
Pages : 256
Book Description
Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.