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Author: Véronique M. Fóti
Publisher: SUNY Press
ISBN: 1438478038
Category : Philosophy
Languages : en
Pages : 166
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Book Description
A study of the significance of the visual arts in Merleau-Ponty’s aesthetics in relation to the work of five artists not known or discussed by him. Merleau-Ponty’s phenomenological ontology engages deeply with visual art, and this aspect of his work remains significant not only to philosophers, but also to artists, art theorists, and critics. Until recently, scholarly attention has been focused on the artists he himself was inspired by and wrote about, chiefly Cézanne, Klee, Matisse, and Rodin. Merleau-Ponty at the Gallery expands and shifts the focus to address a range of artists (Giorgio Morandi, Kiki Smith, Cy Twombly, Joan Mitchell, and Ellsworth Kelly) whose work came to prominence in the second half of the twentieth century and thus primarily after the philosopher’s death. Véronique M. Fóti does not confine her analyses to Merleau-Ponty’s texts (which now importantly include his late lecture courses), but also engages directly with the art. Of particular concern to her is the art’s ethical bearing, especially as related to animal and vegetal life. The book’s concluding chapter addresses the still-widespread rejection of beauty as an aesthetic value. “The book operates along several lines at once, offering insightful and new critical readings of artists through the lens of Merleau-Ponty’s scholarship. Clearly written and engaging, it will be of interest to a wide range of scholars and students.”— Rajiv Kaushik, Brock University
Author: Véronique M. Fóti
Publisher: SUNY Press
ISBN: 1438478038
Category : Philosophy
Languages : en
Pages : 166
Get Book Here
Book Description
A study of the significance of the visual arts in Merleau-Ponty’s aesthetics in relation to the work of five artists not known or discussed by him. Merleau-Ponty’s phenomenological ontology engages deeply with visual art, and this aspect of his work remains significant not only to philosophers, but also to artists, art theorists, and critics. Until recently, scholarly attention has been focused on the artists he himself was inspired by and wrote about, chiefly Cézanne, Klee, Matisse, and Rodin. Merleau-Ponty at the Gallery expands and shifts the focus to address a range of artists (Giorgio Morandi, Kiki Smith, Cy Twombly, Joan Mitchell, and Ellsworth Kelly) whose work came to prominence in the second half of the twentieth century and thus primarily after the philosopher’s death. Véronique M. Fóti does not confine her analyses to Merleau-Ponty’s texts (which now importantly include his late lecture courses), but also engages directly with the art. Of particular concern to her is the art’s ethical bearing, especially as related to animal and vegetal life. The book’s concluding chapter addresses the still-widespread rejection of beauty as an aesthetic value. “The book operates along several lines at once, offering insightful and new critical readings of artists through the lens of Merleau-Ponty’s scholarship. Clearly written and engaging, it will be of interest to a wide range of scholars and students.”— Rajiv Kaushik, Brock University
Author: Jessica Wiskus
Publisher: University of Chicago Press
ISBN: 022627425X
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
Between present and past, visible and invisible, and sensation and idea, there is resonance—so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought. Holding the poetry of Stéphane Mallarmé, the paintings of Paul Cézanne, the prose of Marcel Proust, and the music of Claude Debussy under Merleau-Ponty’s phenomenological light, she offers innovative interpretations of some of these artists’ masterworks, in turn articulating a new perspective on Merleau-Ponty’s philosophy. More than merely recovering Merleau-Ponty’s thought, Wiskus thinks according to it. First examining these artists in relation to noncoincidence—as silence in poetry, depth in painting, memory in literature, and rhythm in music—she moves through an array of their artworks toward some of Merleau-Ponty’s most exciting themes: our bodily relationship to the world and the dynamic process of expression. She closes with an examination of synesthesia as an intertwining of internal and external realms and a call, finally, for philosophical inquiry as a mode of artistic expression. Structured like a piece of music itself, The Rhythm of Thought offers new contexts in which to approach art, philosophy, and the resonance between them.
Author: Suzanne L. Cataldi
Publisher: State University of New York Press
ISBN: 0791480240
Category : Philosophy
Languages : en
Pages : 298
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Book Description
Connects the work of Merleau-Ponty to environmental studies. This richly diverse collection looks at the contemporary relevance of the philosophy of Maurice Merleau-Ponty to environmental issues and builds a coherent philosophical ecology based on his thought. The contributors describe and analyze relations within the natural world by focusing on the centrality of relations in Merleau-Ponty’s work; his concept of the bond between humanity and nature; and his novel philosophies of perception, embodiment, and “wild” Being. Eco-phenomenologies of living places such as Central Park in New York City, Midwestern farmlands, and communal household dwellings of Pacific Northwest Coast people are closely examined. The contributors also explore Merleau-Ponty’s philosophy for environmental ethics and develop notions such as vital values, somatic empathy, and interspecies sociality. Suzanne L. Cataldi is Professor of Philosophy at Southern Illinois University at Edwardsville and the author of Emotion, Depth, and Flesh: A Study of Sensitive Space: Reflections on Merleau-Ponty’s Philosophy of Embodiment, also published by SUNY Press. William S. Hamrick is Professor Emeritus of Philosophy at Southern Illinois University at Edwardsville and the author of the SUNY Press book Kindness and the Good Society: Connections of the Heart, winner of the 2004 Edward Goodwin Ballard Book Prize in Phenomenology.
Author: Maurice Merleau-Ponty
Publisher: Northwestern University Press
ISBN: 0810110741
Category : Philosophy
Languages : en
Pages : 438
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Book Description
Merleau-Ponty's essays on aesthetics are some of the major accomplishments of his philosophical career, and rank even today among the most sophisticated reflections on art in all of twentieth-century philosophy. His essays on painting, "Cezanne's Doubt" (1945), "Indirect Language and the Voices of Silence" (1952), and "Eye and Mind" (1960), have inspired new approaches to epistemology, ontology, and the philosophy of history. Galen A. Johnson has gathered these essays for the first time into a single volume and augmented them with essays by distinguished scholars and artists, including M.C. Dillon, Mikel Dufrenne, and René Magritte. Together the essays demonstrate the continuing significance of Merleau-Ponty's ideas about art for contemporary philosophy on both sides of the Atlantic.
Author: Kascha Semonovitch
Publisher: A&C Black
ISBN: 1441119310
Category : Philosophy
Languages : en
Pages : 321
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Book Description
This book poses the question of what lies at the limit of philosophy. Through close studies of French phenomenologist Maurice Merleau-Ponty's life and work, the authors examine one of the twentieth century's most interdisciplinary philosophers whose thought intersected with and contributed to the practices of art, psychology, literature, faith and philosophy. As these essays show, Merleau-Ponty's oeuvre disrupts traditional disciplinary boundaries and prompts his readers to ask what, exactly, constitutes philosophy and its others. Featuring essays by an international team of leading phenomenologists, art theorists, theologians, historians of philosophy, and philosophers of mind, this volume breaks new ground in Merleau-Ponty scholarship-including the first sustained reflections on the relationship between Merleau-Ponty and religion-and magnifies a voice that is talked-over in too many conversations across the academic disciplines. Anyone interested in phenomenology, art theory and history, cognitive science, the philosophy of mind, and the philosophy of religion will find themselves challenged and engaged by the articles included in this important effort at inter-disciplinary philosophy.
Author: Maurice Merleau-Ponty
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120813465
Category : Philosophy
Languages : en
Pages : 494
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Book Description
Buddhist philosophy of Anicca (impermanence), Dukkha (suffering), and
Author: Maurice Merleau-Ponty
Publisher: Routledge
ISBN: 1000154904
Category : Philosophy
Languages : en
Pages : 85
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Book Description
'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science – and also the insidious stickiness of honey, and the mystery of anger.' - James Elkins Maurice Merleau-Ponty was one of the most important thinkers of the post-war era. Central to his thought was the idea that human understanding comes from our bodily experience of the world that we perceive: a deceptively simple argument, perhaps, but one that he felt had to be made in the wake of attacks from contemporary science and the philosophy of Descartes on the reliability of human perception. From this starting point, Merleau-Ponty presented these seven lectures on The World of Perception to French radio listeners in 1948. Available in a paperback English translation for the first time in the Routledge Classics series to mark the centenary of Merleau-Ponty’s birth, this is a dazzling and accessible guide to a whole universe of experience, from the pursuit of scientific knowledge, through the psychic life of animals to the glories of the art of Paul Cézanne.
Author: Jorella Andrews
Publisher: Bloomsbury Publishing
ISBN: 147257429X
Category : Philosophy
Languages : en
Pages : 361
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Book Description
Since the latter half of the 20th century, committed art has been associated with conceptual, critical and activist practices. Painting, by contrast, is all too often defined as an outmoded, reactionary, market-led venture; an ineffectual medium from the perspective of social and political engagement. How can paintings change the world today? The question of painting, in particular, fuelled the investigations of a major 20th-century philosopher: the French phenomenologist, Maurice Merleau-Ponty (1907-61). Merleau-Ponty was at the forefront of attempts to place philosophy on a new footing by contravening the authority of Cartesian dualism and objectivist thought-an authority that continues to limit present-day intellectual, imaginative, and ethical possibilities. A central aim of The Question of Painting is to provide a closely focused, chronological account of his unfolding project and its relationship with art, clarifying how painting, as a paradigmatically embodied and situated mode of investigation, helped him to access the fundamentally “intercorporeal” basis of reality as he saw it, and articulate its lived implications. With an exclusive and extended conversation about the contemporary virtues of painting with New York based artist Leah Durner, for whom the work of Merleau-Ponty is an important source of inspiration, The Question of Painting brings today's much debated concerns about the criticality of painting into contact with the question of painting in philosophy.
Author: Maurice Merleau-Ponty
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
This title offers a comprehensive view of Maurice Merleau-Ponty's work, this selection collecting in one volume the foundational essays necessary for understanding the core of this critical 20th-century philosopher's thought.
Author: Lawrence Hass
Publisher: Indiana University Press
ISBN: 0253351197
Category : Philosophy
Languages : en
Pages : 544
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Book Description
A clear and comprehensive introduction to the thought of French philosopher Maurice Merleau-Ponty
