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Author: Howard D. Weinbrot
Publisher: JHU Press
ISBN: 9780801882104
Category : History
Languages : en
Pages : 412
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Author: Howard D. Weinbrot
Publisher: JHU Press
ISBN: 9780801882104
Category : History
Languages : en
Pages : 412
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Author: Jorge Alcázar
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Author: W. Scott Blanchard
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Using Bakhtin and other theorists, the author defines the form as a type of intellectual satire which has a number of recognizable features, despite its various incarnations as dream vision, mock encomium, parodic learned treatise, and mock epic. The form is discussed as one in which iconoclastic sentiments generally prevail and in which the satiric freedom to criticize cultural institutions is exercised.
Author: Eric McLuhan
Publisher: Cambridge Scholars Publishing
ISBN: 1443882992
Category : Mythology
Languages : en
Pages : 250
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Book Description
A Menippean – Cynic – satire is a device for producing a specific kind of effect on the reader. Menippean satire is an active form, not a passive one: any work that produces the effect of a Menippean satire is a Menippean satire. It is the embodiment of a Cynic – of a Diogenes or a Menippus or a Lucian or a Rabelais. For centuries, it has frustrated the best efforts of critics to define it. Descriptive criteria (such as “a mixture of verse and prose”) invariably fail because the form is determinedly fluid and polymorphous, and playful: it shifts its mode of attack with every change in culture or perception. Menippists plagiarize with abandon, from anyone and any period and culture. McLuhan has found a new and potent method of coming to grips with the satires by examining their interaction with the audience: the satire does what a Cynic would, were he or she physically present. This approach accounts for every shift in technique, from the most ancient (Homer composed one, the Margites) to tomorrow afternoon, and also opens the discussion of Menippism in any and all media other than literature – TV, digital, film, radio, et al. The book ends with a litmus test for detecting Menippean satires. It is also lavishly illustrated with title pages of some of the most notorious examples in the tradition, and is ideal as a textbook for undergraduates.
Author: Carter Kaplan
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638651
Category : Humor
Languages : en
Pages : 236
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Book Description
At once appealing to specialists in literary criticism, philosophy, satire, American and British Romanticism, and the study of science and literature, this book advances beyond the frontiers of the established, professional cultures of knowledge to make a forceful statement of humanistic understanding."--BOOK JACKET.
Author: Joel C. Relihan
Publisher:
ISBN:
Category :
Languages : en
Pages : 601
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Author: David Musgrave
Publisher: Cambridge Scholars Publishing
ISBN: 1443869201
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Grotesque Anatomies is a study of Menippean satire in English since the Renaissance. It consists of revisionist, close readings of canonical works such as Eliot’s The Waste Land and Pope’s Dunciad among others, and investigates how identifying them as Menippean satires changes our understanding of them. The initial chapter offers a comprehensive account of the form from antiquity to the present day, identifying its bifurcated development in the shorter form (Seneca-Lucian-Julian) and the longer, more encylopedic form (Varro-Petronius-Boethius), and their subsequent fusion during the Renaissance. It also contains an account of the critical reception of the genre, with the term ‘Menippean satire’ first being used by Justus Lipsius in 1581. Finally, Menippean satire is described as a literary version of the grotesque, and a brief theory of the grotesque in the modern period as ‘radical heterogeneity’ is outlined. This is also the foundation of a new definition of Menippean satire, drawing on previous definitions by Frye, Bakhtin and Kirk, and revising them for the modern period. The following chapters examine iconic works as examples of Menippean satire and of the grotesque. Chapter 2 offers an overview of the nose in Menippean satire and comic literature generally, and reads Rushdie’s Midnight’s Children in this context. It also gives an account of metaphor as a ‘grotesque transformation’. Chapter 3 examines the figure of the stomach in Menippean satire and symposiastic literature, and reads Peacock’s Gryll Grange in this context. The link between the stomach as a figure of thinking in comic literature is the basis for an account of symbolic structuring as ‘grotesque association’. Chapter 4 is a close reading of the scatological imagery of Pope’s Dunciad, and how scatology generally tends towards a cyclical metaphysics. It also relates changes in print technology and copyright laws to the reticular scatological structure of the Dunciad. Chapter 5 argues for Eliot’s The Waste Land as a Menippean satire, focusing on the rhetorical figure of the enthymeme as a missing premise, as an example of ‘under-mindedness’ and as an ironic aspect of the fragmentation typical of late Romantic Menippean satires. Chapter 6 examines Urquhart’s eccentric The Jewel as a satire on the referential function of language, reading it in the context of projections for a universal language from this period. The final chapter identifies some key works by Derrida and Barthes as Menippean satires, noting the resurgence of the form in some postmodern and deconstructive writing.
Author: Amy L. Friedman
Publisher: Rowman & Littlefield
ISBN: 1498571972
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Author: Hannu K. Riikonen
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Ashley Marshall
Publisher: JHU Press
ISBN: 1421408163
Category : Humor
Languages : en
Pages : 452
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Book Description
Rather, it is a collection of episodic little histories.
